Bezuidenhout & Minasi

15. March 2026

Felix Mendelssohn Bartholdy: 2nd Piano Concerto in D minor op. 40
Robert Schumann: Symphony No. 2 in C major op. 61

  • More information:
    Introduction 45 min before the performance.

Musical Director:
Kristian Bezuidenhout

Kristian Bezuidenhout

Kristian Bezuidenhout, born in South Africa, was educated in Australia and later at the Eastman School of Music in Rochester, New York. He won the prestigious Fortepiano Competition in Bruges and began his international career as a pianist. Bezuidenhout performs on the fortepiano and harpsichord as well as on the modern grand piano. He has appeared with orchestras such as the Symphonieorchester des Bayerischen Rundfunks, the Gewandhausorchester Leipzig, the Mozarteumorchester Salzburg, the Orchestre des Champs-Élysées, the Royal Concertgebouw Orchestra, the Chicago Symphony Orchestra and Les Siècles under the direction of conductors such as John Eliot Gardiner, Philippe Herreweghe, Bernard Haitink and Giovanni Antonini. More recently, he has also appeared as a musical director, for example with the Freiburger Barockorchester, which appointed him as its Artistic Director in 2017, and with The English Concert, where he served as Principal Guest Conductor. In 2025, he was appointed Associate Artist of the Irish Chamber Orchestra. Further concerts in this dual role have taken him to the Camerata Salzburg, the Tafelmusik Baroque Orchestra, the Orchestra of the Eighteenth Century and the Kammerakademie Potsdam. He is also deeply committed to chamber music, performing with violinists Isabelle Faust, Alina Ibragimova and Rachel Podger, cellist Jean-Guihen Queyras, and singers Carolyn Sampson, Mark Padmore, Matthias Goerne and Anne Sofie von Otter. Kristian Bezuidenhout has released more than 30 albums, including a complete cycle of Wolfgang Amadeus Mozart’s piano sonatas, which was awarded the Diapason d’Or, the Preis der deutschen Schallplattenkritik and the Prix Caecilia.

Bezuidenhout & Minasi15 Mar 2026
Musical Director:
Riccardo Minasi

Riccardo Minasi

Riccardo Minasi is Principal Guest Conductor of Ensemble Resonanz, which is based at the Elbphilharmonie, as well as Artistic Director of the orchestra La Scintilla at the Opernhaus Zürich, positions he has held since 2022. Previously, from 2011 to 2016, he was co-founder and conductor of Il Pomo d’Oro, from 2017 to 2022 Chief Conductor of the Mozarteumorchester Salzburg and from 2022 to 2025 Music Director of the Teatro Carlo Felice in Genoa. As a conductor, he has led numerous renowned orchestras worldwide, including the Tokyo Metropolitan Symphony Orchestra, the Berliner Philharmoniker, the Staatskapelle Dresden, the Royal Concertgebouw Orchestra, the Symphonieorchester des Bayerischen Rundfunks, the Orchestre Philharmonique de Radio France, the Münchner Philharmoniker and the SWR Symphonieorchester Stuttgart. Engagements as musical director of various opera productions have taken him, among others, to the Salzburger Festspiele, the Opernhaus Zürich, the Staatsoper Hamburg and the Dutch National Opera. In addition, he served as musicological advisor to the Orchestre Symphonique de Montréal and, together with Maurizio Biondi, published the critical edition of Vincenzo Bellini’s "Norma" with Bärenreiter. As a soloist, Riccardo Minasi has performed with some of the most important ensembles of the early music scene, including Il Giardino Armonico and Le Concert des Nations. Minasi’s extensive discography includes recordings with artists such as Joyce DiDonato, Juan Diego Flórez and Philippe Jaroussky. Four of his albums have won the prestigious ECHO Klassik Award. His recordings include Joseph Haydn’s "The Seven Last Words of Our Saviour on the Cross" and Carl Philipp Emanuel Bach’s Cello Concertos with Jean-Guihen Queyras under the label Harmonia Mundi.

Bezuidenhout & Minasi15 Mar 2026

Cast

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Orchestra La Scintilla

Die Pflege der historischen Aufführungspraxis hat am Opern­haus Zürich seit dem Monteverdi-Zyklus in den 1970er Jahren Tradition. Bei der folgenden Reihe der Mozart-Opern mit dem Lei­tungs­­­team Harnoncourt/Ponnelle wurde weiter Pio­nierarbeit geleistet, und die Musikerinnen und Musiker passten ihre Spieltechnik den neue­sten Erkenntnissen der historischen Aufführungspraxis an. 1996 formierte sich aus dem Orchester der Oper ein eigenständiges Ensemble von erstklassigen spezialisierten MusikerInnen, das sich einen hervorragenden Ruf erwerben konnte. Der Funke der Begeisterung an neuer «Alter Musik» gab dem Ensemble seinen Namen: La Scintilla – der Funke. Aufführungen mit Koryphäen des Faches wie Nikolaus Har­non­court (u.a. Il ritorno d’Ulisse in patria, Idomeneo), William Christie (u.a. Orphée et Euridice, Les Indes galantes, Orlando), Mark Minkowski (Les Boréades, Giulio Cesare), Reinhard Goebel und Giuliano Carmignola gerieten so erfolgreich, dass das Opernhaus Zürich alle barocken und fast alle aus der klassischen Zeit stammenden Opern von seiner Barockforma­tion La Scintilla spielen liess und lässt. Ausserdem konzertiert das Orchestra La Scintilla der Oper Zürich mit namhaften Solisten – Instrumentalisten wie Sängern – und tritt unter der Leitung von Ada Pesch regelmässig in den gros­­sen Konzertsälen Europas wie der Londoner Royal Festival Hall, dem Concertgebouw Am­sterdam, der Philharmonie Berlin und dem KKL Luzern auf. Äusserst erfolgreich begleitete das Orchester Cecilia Bartoli auf mehrwöchigen Konzertreisen in Nordamerika und Europa (u.a. in der Carnegie Hall).

La clemenza di Tito26 / 29 Apr / 3 / 8 / 15 / 17 / 20 / 25 May 2026 2nd La Scintilla Concert15 Dec 2025 Giulio Cesare in Egitto11 / 13 / 15 / 17 / 21 / 25 / 28 Mar 2026 3. Konzert La Scintilla18 May 2026 Bezuidenhout & Minasi15 Mar 2026 Aci, Galatea e Polifemo20 / 29 Mar 2026 Johannes-Passion24 Mar 2026

Abstract

The Orchester der Oper Zürich starts the concert season under a new, old name. After thirteen years as Philharmonia Zurich, the orchestra will return to its original moniker. The Philharmonic Concerts will once again alternate between the Opernhaus and the Tonhalle Zürich.

The focus of the seven Philharmonic concerts is on the greats of the repertoire, from Robert Schumann and Johannes Brahms to Edward Elgar, Francis Poulenc, and Sergei Prokofiev. Soloists such as violinist Renaud Capuçon and cellist Nicolas Altstaedt, pianists Lucas and Arthur Jussen, violinist James Ehnes and Swiss soprano Regula Mühlemann perform as guests. The orchestra is led by General Music Director Gianandrea Noseda along with conductors such as Pablo Heras-Casado, Elim Chan, Daniele Rustioni, Riccardo Minasi and Tugan Sokhiev.

In the series by in-house period-instrument ensemble La Scintilla, three major figures in early music – Emmanuelle Haïm, Enrico Onofri and Stefano Montanari – return. The new festival «Zürich Barock» offers several concert highlights before Easter (see p. 158). To mark the end of the season, Gianandrea Noseda will conduct a big open-air concert on Sechseläutenplatz as part of the «Opernhaus für alle» series.

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