Die Walküre

Richard Wagner

First day of the stage festival play
"Der Ring des Nibelungen"
Libretto by Richard Wagner

From 24. January 2027 until 6. February 2027

  • Duration :
    approx. 5 hrs. incl. intermissions after 1st act after approx. 1 hrs. 05 min.  and after 2nd act after approx. 3 hrs. 05 min.
  • Language:
    In German with German and English surtitles.
  • More information:
    Introduction 45 min before the performance.

Musical Director:
Gianandrea Noseda

Gianandrea Noseda

Gianandrea Noseda has been General Music Director of the Zurich Opera House since the 2021/22 season. In addition, he is Music Director of the National Symphony Orchestra and Principal Guest Conductor of the London Symphony Orchestra. In 2019, he became Music Director of the newly founded Tsinandali Festival and the Georgian Pan-Caucasian Youth Orchestra. From 2007 to 2018, Noseda served as General Music Director of the Teatro Regio di Torino, where he artistically reshaped the opera house during his tenure. Noseda has conducted the world’s leading orchestras (Berlin Philharmonic, Chicago Symphony, Concertgebouw Orchestra, Vienna Philharmonic) as well as at the most prestigious opera houses (La Scala, Metropolitan Opera, Royal Opera House) and festivals (BBC Proms, Edinburgh, Salzburg, and Verbier). He has also held leading positions with the BBC Philharmonic (Chief Conductor), the Israel Philharmonic Orchestra (Principal Guest Conductor), the Mariinsky Theatre (Principal Guest Conductor), and the Stresa Festival (Artistic Director). His discography comprises more than 80 CDs, with a special focus on the "Musica Italiana" project, which features neglected 20th-century Italian repertoire. Born in Milan, Noseda is a Commendatore al Merito della Repubblica Italiana and received the Order of Merit of the City of Milan in 2024. In 2015, he was named "Musical America’s Conductor of the Year," was awarded "Conductor of the Year" at the 2016 International Opera Awards, and received the Puccini Prize in 2023. In the same year, the Oper! Awards honored Noseda as "Best Conductor," particularly recognizing his interpretations of the first two "Ring" operas at the Zurich Opera House.

Rachmaninow – Die drei Opern1 / 4 / 8 / 15 / 18 / 21 / 28 Nov 2026 Das Rheingold29 Nov / 4 / 12 / 17 Dec 2026 Gabetta & Noseda7 Nov 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027 Samson et Dalila13 / 17 / 20 / 24 / 27 / 30 Jun / 2 / 9 Jul 2027 Kinderopernorcherster23 / 27 / 31 May / 19 / 20 Jun 2027 Open-Air-Konzert4 Jul 2027
Production:
Andreas Homoki

Andreas Homoki

Andreas Homoki was born in Germany in 1960 as the son of a Hungarian family of musicians and studied school music and German studies in Berlin (West). In 1987 he went to the Cologne Opera as an assistant director and stage manager, where he remained until 1993. From 1988 to 1992 he was also a lecturer for stage instruction at the opera school of the Cologne University of Music. It was here that his first own productions were created. In 1992 his first guest production took him to Geneva, where his interpretation of "Die Frau ohne Schatten" received international attention. The production, which was later also shown at the Théâtre du Châtelet in Paris, received the French Critics' Prize of the Year in 1994. From 1993 to 2002 Andreas Homoki worked as a freelance opera director and staged productions in Cologne, Hamburg, Geneva, Lyon, Leipzig, Basel, Berlin, Amsterdam and Munich, among others. As early as 1996 he made his debut at the Komische Oper Berlin with "Falstaff", followed by "The Love for Three Oranges" (1998) and in 2000 "The Merry Widow". In 2002 Andreas Homoki was appointed chief director of the Komische Oper Berlin as successor to Harry Kupfer, and in 2004 he became its artistic director. In addition to his directing work at the Komische Oper Berlin, he staged productions at the Théâtre du Châtelet in Paris, the Bavarian State Opera in Munich, the New National Theatre Tokyo, the Semperoper Dresden and the Hamburg State Opera, among others. In July 2012, under the musical direction of William Christie, he staged "David et Jonathas" by Marc-Antoine Charpentier for the Festival in Aix-en-Provence – a production that was later also shown in Edinburgh, Paris and New York, among other places. From 2012 to 2025 Andreas Homoki was artistic director of the Zurich Opera House, where he staged productions including "The Flying Dutchman" (co-production with La Scala in Milan and the Norwegian National Opera Oslo), "Fidelio", "Juliette", "Lohengrin" (co-production with the Vienna State Opera), "Luisa Miller" (Hamburg State Opera), "Wozzeck", "My Fair Lady" (Komische Oper Berlin), "I puritani", "Medée", "Lunea" (named "World Premiere of the Year 2017/18" by the magazine Opernwelt), "Iphigénie en Tauride", "Nabucco", "Simon Boccanegra", "Les Contes d'Hoffmann", "Salome", the "Ring des Nibelungen" and "Carmen". Andreas Homoki has been a member of the Academy of the Arts Berlin since 1999.

Das Rheingold29 Nov / 4 / 12 / 17 Dec 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027
Set and Costume Design:
Christian Schmidt

Christian Schmidt

Christian Schmidt studied stage design with Erich Wonder at the Academy of Fine Arts Vienna. In 1992, he collaborated for the first time with Claus Guth, leading to an intensive artistic partnership. He has since designed sets and costumes for numerous Guth productions, including "Iphigénie en Tauride" and "Le nozze di Figaro" at the Salzburg Festival, "The Flying Dutchman" at the Bayreuth Festival, "Fierrabras", "Radamisto", "Ariane et Barbe-Bleue", "Tristan und Isolde", and "Parsifal" at the Zurich Opera House, as well as Mozart’s "Lucio Silla" at the Vienna Festival Weeks. The team has also gained recognition for world premieres, including Czernowin’s "Pnima" and Staud’s "Berenice" at the Munich Biennale, Ruzicka’s "Celan" in Dresden, Oehring’s "Unsichtbar Land" in Basel, and Czernowin’s "Heart Chamber" at the Deutsche Oper Berlin. For Hans Neuenfels’ productions of Zemlinsky’s "Der König Kandaules" at the Vienna Volksoper (1997) and "Die Entführung aus dem Serail" in Stuttgart (1998), Schmidt created the award-winning designs. In 2003, Opernwelt named him "Set Designer of the Year" and in 2005 "Costume Designer of the Year". He received the Rolf-Mares-Preis in 2006 for the set of "Simon Boccanegra" in Hamburg. In 2010, he worked for the first time with Christof Loy ("Die lustige Witwe" in Geneva). For Christian Spuck, he created the sets for Gluck’s "Orphée et Eurydice" in Stuttgart and for "Romeo and Juliet" and "Messa da Requiem" in Zurich. Since 2011, he has also collaborated with Andreas Homoki and, together with him, directed the Zurich "Ring of the Nibelung" from 2022 to 2024.

Das Rheingold29 Nov / 4 / 12 / 17 Dec 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027
Assistant artistic stage designer:
Florian Schaaf

Florian Schaaf

Florian Schaaf, geboren 1969 in Gräfelfing, studierte in München Architektur. Eine langjährige künstlerische Zusammenarbeit verbindet ihn mit dem Bühnenbildner Christian Schmidt. Er wirkte bei zahlreichen Produktionen an internationalen Opernhäusern mit, u.a. am Teatro alla Scala in Mailand, am Teatro Real Madrid, an der Opéra de Paris, der Staatsoper Wien, der Staatsoper Berlin sowie zuletzt beim Ring des Nibelungen am Opernhaus Zürich. Im Deutschen Theatermuseum schuf er als szenografische Arbeit die Ausstellung «150 Jahre Gärtnerpatztheater». 2019 arbeitete er als Bühnenbildner mit Falko Herold an Schnitzlers Reigen in der Inszenierung von Alexandra Liedtke bei den Bregenzer Festspielen. Am Theater Wiesbaden entwarf er gemeinsam mit Duri Bischoff die Bühnenbilder für Kirschgarten in der Inszenierung von Evgeny Titov sowie für Vater, Wassa Schelesnova und Der eingebildete Kranke.

Das Rheingold29 Nov / 4 / 12 / 17 Dec 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027
Lighting Design:
Franck Evin

Franck Evin

Franck Evin, born in Nantes, moved to Paris at the age of 19 to study piano. At night he accompanied singers at the Café-Théâtre Le Connétable and also began to take an interest in lighting. He eventually decided to combine music and technology. Thanks to a scholarship from the French Ministry of Culture, he became assistant to the head of lighting at the Opéra de Lyon in 1983. There he worked with Ken Russell and Robert Wilson, among others. In 1986 he began working as an independent lighting designer at the Düsseldorf Schauspielhaus and obtained his master’s certificate in lighting in 1993. During this time he had a close collaboration with Werner Schröter and the conductor Eberhard Kloke. This was followed by productions in Nantes, Strasbourg, Paris, Lyon, Vienna, Bonn, Brussels and Los Angeles, among other places. From 1995 to 2012 he was Artistic Director of the lighting department at the Komische Oper Berlin, where he was responsible for all new productions. Important artistic partners during this period included Andreas Homoki, Barrie Kosky, Calixto Bieito and Hans Neuenfels. In 2006 Franck Evin was awarded the German Theatre Prize "Opus" in the category of lighting design. From 2012 to 2025 he was Artistic Director of the lighting department at the Zurich Opera House. In addition to his work in Zurich, he continued to work on international productions at opera houses in Oslo, Stockholm, Tokyo, Amsterdam, Munich and Graz, as well as at the Opéra Bastille, Teatro alla Scala, Teatro La Fenice, the Vlaamse Opera and at the Bayreuth Festival.

Alice im Wunderland8 / 15 / 19 / 21 / 26 / 28 Nov / 6 Dec 2026 / 2 / 7 / 8 / 10 / 17 Jan 2027 Das Rheingold29 Nov / 4 / 12 / 17 Dec 2026 Manon Lescaut11 / 15 / 18 / 22 / 26 Dec 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027
Dramaturgy:
Werner Hintze,

Werner Hintze

The author and dramaturg Werner Hintze studied theatre studies at Humboldt University in Berlin. Following an initial appointment at the Landestheater Halle, he worked at the Semperoper Dresden before moving to the Hans-Otto-Theater in Potsdam as chief dramaturg. From 2002 to 2012, he was chief dramaturg at the Komische Oper Berlin. Since 2012, he has lived in Berlin as a freelance dramaturg, author and university lecturer. He worked closely for many years with directors such as Peter Konwitschny, Andreas Homoki and Andreas Baumann, and served as a guest dramaturg at opera houses in Munich, Hamburg, Dresden, Zurich and Essen, amongst others. Since 1985, he has produced more than 30 German-language librettos for operas, mostly in collaboration with Bettina Bartz, as commissioned works for the Komische Oper and other theatres. In addition to his work in theatre, Werner Hintze teaches students of directing, set design and theatre studies at various universities. At the Zurich Opera House, he most recently supervised Andreas Homoki’s sensational new production of "Der Ring des Nibelungen".

Das Rheingold29 Nov / 4 / 12 / 17 Dec 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027
Beate Breidenbach

Beate Breidenbach

Beate Breidenbach studierte zuerst Violine, dann Musikwissenschaft und Slawistik in Nowosibirsk, Berlin und St. Petersburg. Nach Assistenzen an der Staatsoper Stuttgart und der Staatsoper Unter den Linden Berlin wurde sie als Musikdramaturgin ans Theater St. Gallen engagiert, drei Jahre später wechselte sie als Dramaturgin für Oper und Tanz ans Theater Basel. Anschliessend ging sie als Operndramaturgin ans Opernhaus Zürich, wo sie bisher mit Regisseurinnen und Regisseuren wie Calixto Bieito, Dmitri Tcherniakov, Andreas Homoki, Herbert Fritsch, Nadja Loschky, Kirill Serebrennikov und anderen arbeitete und die Entstehung neuer Opern von Pierangelo Valtinoni, Michael Pelzel, Samuel Penderbayne und Jonathan Dove betreute. Gastdramaturgien führten sie u.a. an die Potsdamer Winteroper (Le nozze di Figaro, Regie: Andreas Dresen), zum Schweizer Fernsehen (La bohème im Hochhaus) und 2021 an die Opéra de Génève (Krieg und Frieden, Regie: Calixto Bieito). Mit Beginn der Spielzeit 2026/27 wird sie als Chefdramaturgin an die Deutsche Oper Berlin wechseln.

Alice im Wunderland8 / 15 / 19 / 21 / 26 / 28 Nov / 6 Dec 2026 / 2 / 7 / 8 / 10 / 17 Jan 2027 Das Rheingold29 Nov / 4 / 12 / 17 Dec 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027

Cast


Brünnhilde Camilla Nylund


Siegmund Eric Cutler


Hunding Christof Fischesser


Wotan Michael Volle

Sieglinde Ekaterina Gubanova


Fricka Claudia Mahnke

Helmwige Dorothea Herbert

Gerhilde Iulia Maria Dan


Ortlinde Natália Tuznik


Waltraute Cashlin Oostindië

Siegrune Marcela Rahal


Rossweisse Siena Licht Miller


Grimgerde Dominika Stefańska

Schwertleite Dora Jana Klarić

Camilla Nylund

Born in Vaasa, Finland, Camilla Nylund is one of the most sought-after lyric-dramatic sopranos on the international stage. She studied at the Mozarteum Salzburg, was a member of the ensemble at the Staatsoper Hannover from 1995 to 1999 and a member of the ensemble of the Sächsische Staatsoper Dresden from 1999 to 2001. Guest engagements have taken her, among other places, to Teatro alla Scala, the Metropolitan Opera, the Vienna, Hamburg, Munich and Berlin State Operas, the New National Theatre Tokyo, De Nationale Opera in Amsterdam, the Royal Opera House London, the Opéra Bastille, Bayreuth and the Salzburg Festival. Her most important roles include Elisabeth in "Tannhäuser", Elsa in "Lohengrin", Eva in "Die Meistersinger von Nürnberg", Senta in "Der fliegende Holländer", as well as the Marschallin in "Der Rosenkavalier", Arabella, Salome, the Countess in "Capriccio", Ariadne and Chrysothemis in "Elektra". At the Vienna State Opera, she sang Marietta/Marie in "Die tote Stadt", at Deutsche Oper am Rhein Marie in "Wozzeck", and at the Staatsoper Unter den Linden Jenůfa. Alongside her operatic work, she is a regular guest at the world’s major concert halls. She has received numerous awards, including the titles of Sächsische and Österreichische Kammersängerin, the European Culture Prize, the Lotte Lehmann Memorial Ring and the Austrian Music Theatre Award. At Zurich Opera House, she gave a song recital in December 2025 and returns in the 2026/27 season as Rosalinde in "Die Fledermaus" and as Brünnhilde in "Die Walküre".

Die Fledermaus29 Sept / 8 / 17 / 23 / 25 Oct 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027

Eric Cutler

Eric Cutler was born in Iowa and studied at Luther College and the Lindemann Young Artists Development Program at the Met. In 2005, he won the Richard Tucker Award. He is a guest at international opera houses including the Metropolitan Opera in New York, the Bavarian State Opera, the Royal Opera House in London, the Paris Opera, La Fenice in Venice, Lyric Opera of Chicago, the Teatro dell’Opera di Roma, the Canadian Opera Company and the Santa Fe Opera, as well as at the Salzburg, Glyndebourne and Bayreuth festivals. After beginning with Mozart and bel canto repertoire as well as lyrical roles by Bellini, Donizetti, Bizet and Gounod, among others, at the Metropolitan Opera in New York, the Bavarian State Opera in Munich, the Royal Opera House, the Paris Opera and the festivals in Salzburg and Glyndebourne, he now focuses in particular on roles in the young heroic tenor repertoire. Recent highlights include the title role in "Lohengrin" (Staatsoper Hamburg, Salzburg Easter Festival and Staatsoper Berlin), Siegmund in "Die Walküre" (Staatsoper Berlin), Florestan in "Fidelio" (Royal Opera House, Dutch National Opera & Ballet and Zurich Opera House), Peter Grimes (Theater an der Wien) and the Emperor in Richard Strauss’ "Die Frau ohne Schatten" (Semperoper Dresden). Earlier highlights include the title role in Offenbach’s "Les Contes d’Hoffmann" (Brussels and Dresden), Bacchus in "Ariadne auf Naxos" (Festival d’Aix-en-Provence), Max in Weber’s "Der Freischütz" and Erik in "Der fliegende Holländer" (Bavarian State Opera and Bayreuth Festival). At Zurich Opera House, he made his debut in the 2022/23 season as Siegmund in "Die Walküre", followed by his debut as Paul in Korngold’s "Die tote Stadt" in 2025, and in the 2026/27 season he returns here as Tannhäuser and Siegmund.

Tannhäuser26 Sept / 4 / 9 / 13 Oct 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027

Christof Fischesser

Bass Christof Fischesser was born in Wiesbaden and studied voice with Martin Gründler at the Frankfurt University of Music and Performing Arts. In 2000, he won First Prize at the Federal Singing Competition in Berlin, followed by an engagement at the Badisches Staatstheater Karlsruhe. In 2004, he moved to Staatsoper Unter den Linden in Berlin. From 2012 to 2015, he was a member of the ensemble at Zurich Opera House, with which he has maintained a close working relationship ever since. Guest engagements have taken him to, among others, the Vienna State Opera, the Royal Opera House in London, the Opéra national de Paris, Teatro Real in Madrid, the Bavarian State Opera in Munich, the Komische Oper Berlin, the Semperoper Dresden, the Opéra de Lyon, the Théâtre du Capitole de Toulouse, Houston Grand Opera, Lyric Opera of Chicago and the opera house in Antwerp. His wide-ranging repertoire includes roles such as King Marke in "Tristan und Isolde", Landgrave in "Tannhäuser", King Heinrich in "Lohengrin", Gurnemanz in "Parsifal", Sarastro in "Die Zauberflöte", Figaro in "Le nozze di Figaro", Banquo in "Macbeth", Méphistophélès in "Faust" and Baron Ochs auf Lerchenau in "Der Rosenkavalier". Numerous CD and DVD recordings document his artistic work. At Zurich Opera House, he has appeared, among other roles, as King Heinrich, Orest in "Elektra", Kaspar, Daland, Gremin, Gurnemanz, Marchese di Calatrava and Padre Guardiano in "La forza del destino", Hunding in "Die Walküre" and Jacopo Fiesco in "Simon Boccanegra". In the 2026/27 season, he will once again appear in Wagner operas at Zurich Opera House, including "Tannhäuser" and "Die Walküre".

Tannhäuser26 Sept / 4 / 9 / 13 Oct 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027

Michael Volle

Michael Volle, after engagements at the opera houses in Mannheim, Bonn, Düsseldorf and Cologne, was a member of the ensemble of the Zurich Opera House and the Bavarian State Opera in Munich. In 2008 and 2023, the magazine Opernwelt named him "Singer of the Year"; in 2009 he was awarded the German Theatre Prize "Der Faust", and in 2023 he received an Oper!Award in recognition of his achievements. As a guest artist, he received invitations to the state operas in Berlin, Hamburg and Vienna, to the Semperoper Dresden, the Festspielhaus Baden-Baden, the Opéra de Paris, the Royal Opera London, the Teatro Real in Madrid, the Liceu in Barcelona, La Scala in Milan, the Metropolitan Opera in New York, as well as to the Salzburg, Bregenz and Bayreuth Festivals. Michael Volle has made a name for himself particularly as a Wagner singer, as well as with the roles of Richard Strauss and the interpretation of the great Italian baritone roles, including the operas of Verdi. More recently, he appeared in David McVicar’s "Ring" at La Scala in Milan, and returned in the title role of "Falstaff" at the Berlin State Opera, where he also performed Wotan/The Wanderer. As part of the 150th anniversary of the Bayreuth Festival, he will sing two "Ring" cycles there in 2026 as well as Amfortas ("Parsifal"). At the Zurich Opera House, he has been heard, among others, as Eugene Onegin, Yeletsky ("The Queen of Spades"), Roland ("Fierrabras"), Sixtus Beckmesser, Hans Sachs ("The Mastersingers of Nuremberg"), Golaud ("Pelléas et Mélisande"), Wolfram ("Tannhäuser"), the Dutchman, Nabucco and Boris Godunov, and in the 2026/27 season he will sing Wotan/The Wanderer in "The Ring of the Nibelung" in Zurich as well as on tour in Paris and New York.

Das Rheingold29 Nov / 4 / 12 / 17 Dec 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027

Ekaterina Gubanova

Cast

Die Walküre24 / 31 Jan / 3 / 6 Feb 2027

Claudia Mahnke

Claudia Mahnke studied singing at the Hochschule für Musik in Dresden. From 1996 to 2006, she was a member of the ensemble at the Stuttgart State Opera, where she appeared, among others, in the title role of Karl Amadeus Hartmann’s "Simplicius Simplicissimus". In 2013, she made her debut at the Bayreuth Festival as Fricka, Waltraute and Second Norn in a new "Ring" cycle under Kirill Petrenko. Since the 2006/07 season, she has been a member of the ensemble at the Frankfurt Opera. Her most recent roles there include, among others, Herodias in "Salome", the Foreign Princess in "Rusalka", Marie in "Wozzeck", Sélika in Meyerbeer’s "L’Africaine", Charlotte in "Werther", Lucretia in "The Rape of Lucretia", Dido in "Les Troyens", Concepción in "L’Heure espagnole", Judith in "Herzog Blaubarts Burg" and Marguerite in "La damnation de Faust". Recent highlights include her role debut as Countess Geschwitz in "Lulu" and as Giselle in Magnard’s "Guercœur" at the Frankfurt Opera, her debut at the Metropolitan Opera as Magdalene in "Die Meistersinger von Nürnberg" under Antonio Pappano, Herodias at the Vienna State Opera and the Hamburg State Opera, Fricka at the Staatsoper Unter den Linden, as well as her acclaimed debuts as Amneris in "Aida" and Mère Marie in "Dialogues des Carmélites". She holds the honorary titles of Kammersängerin of the Stuttgart State Opera and the Frankfurt Opera.

Das Rheingold29 Nov / 4 / 12 / 17 Dec 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027

Dorothea Herbert

Cast

Die Walküre24 / 31 Jan / 3 / 6 Feb 2027

Iulia Maria Dan

Cast

Die Walküre24 / 31 Jan / 3 / 6 Feb 2027

Natália Tuznik

Soprano Natália Tuznik was born in Budapest and completed her vocal studies at the Franz Liszt Academy of Music there. She was awarded the Junior Prima Prize. In 2023, she was a member of the Opera Academy at Teatr Wielki in Warsaw and the following year joined the "exzellenz labor oper", founded by Hedwig Fassbender. She has taken part in numerous masterclasses and worked with artists including Éva Marton, Claudio Di Segni, Anatoli Goussev, Izabela Kłosińska, Fausto Nardi, Katelan Trần Terrell, Michał Biel and René Massis. In 2022, she made her debut as Wellgunde ("Götterdämmerung") at the Hungarian State Opera and sang the First Lady ("Die Zauberflöte") on a tour of Japan. At the Hungarian State Opera, she has also sung the title role in Gluck’s "Iphigenie auf Tauris", Donna Anna in "Don Giovanni", Alice Ford in "Falstaff" and, most recently, Countess Almaviva in "Le nozze di Figaro". Since the 2025/26 season, she has been a member of the International Opera Studio at Zurich Opera House. Most recently, she appeared here as Curra in "La forza del destino", among other roles, and in the 2026/27 season she will perform roles in "Die Walküre", "Don Carlo" and "Elektra".

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026

Cashlin Oostindië

Cashlin Oostindië is a Dutch mezzo-soprano. She received her training at the Conservatory of Amsterdam and in Athens, as well as privately with Lauren Athey-Janka and Eva-Maria Westbroek. During her studies, she was a member of Young Opera Noord Holland, sang Marcellina ("Le nozze di Figaro"), was part of the chorus in Poulenc’s "Dialogues des Carmélites" and appeared as a soloist at the Lefkas Music Week Festival in Greece. In concert, she sang the alto parts in Bruckner’s "Requiem" and Rossini’s "Petite Messe solennelle". Together with pianist Florence van der Does, she regularly gives song recitals in the Netherlands. Since the 2025/26 season, she has been a member of the International Opera Studio at Zurich Opera House.

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027 Angels in America7 / 9 / 19 / 21 / 23 May 2027 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027

Marcela Rahal

Cast

Alice im Wunderland19 / 21 / 26 Nov 2026 / 2 Jan 2027 Das Rheingold29 Nov / 4 / 12 / 17 Dec 2026 Manon Lescaut11 / 15 / 18 / 22 / 26 Dec 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027

Siena Licht Miller

Siena Licht Miller, a German-American mezzo-soprano, studied voice at the Curtis Institute of Music and the Oberlin Conservatory of Music. She completed her training with courses at Opera Philadelphia, the Santa Fe Opera, the Opera Theatre of St. Louis and the Aspen Music Festival. She is a recipient of a Bagby Foundation scholarship and a prizewinner of the Metropolitan Opera National Council Auditions, the Marilyn Horne Rubin Foundation and the Gerda Lissner Foundation. Highlights of her career to date include her role debuts as Hermia in "A Midsummer Night’s Dream", Second Lady in "Die Zauberflöte" and one of the two solo roles in the world premiere of Philip Venables’ "Denis and Katya" at Opera Philadelphia. At the Aspen Opera Center, she sang the title role in Ravel’s "L’Enfant et les sortilèges" under the direction of Robert Spano. She also regularly devotes herself to song recitals. She sang in the "The Song Continues" series at Carnegie Hall in honour of her mentor Marilyn Horne and went on a tour of the USA with a recital alongside pianist Kevin Murphy. From the 2020/21 season, she was associated with the Zurich Opera House, first as a member of the International Opera Studio and, since 2022/23, as a member of the ensemble of Zurich Opera House, where she most recently appeared in "La scala di seta", "Hänsel und Gretel" and "La clemenza di Tito", among others. In 2026/27, she will appear as Prince Orlofsky in "Die Fledermaus", Flora Bervoix in "La traviata", Rossweisse in "Die Walküre" and Flosshilde in "Das Rheingold" and "Götterdämmerung".

Die Fledermaus29 Sept / 8 / 17 / 23 / 25 Oct 2026 Das Rheingold29 Nov / 4 / 12 / 17 Dec 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027

Dominika Stefańska

The mezzo-soprano Dominika Stefańska studied in Łódź and was a member of the Warsaw Opera Academy. She was a finalist at the Ada Sari International Vocal Artistry Competition 2021. At the Łódź Opera, she performed the roles of Volpino ("Lo speziale") and Mrs. Reich ("The Merry Wives of Windsor"), as well as a nymph ("Rusalka") at the Poznań Opera. As a member of the International Opera Studio at the Zurich Opera House, she appeared, among others, as Hippolyta in "A Midsummer Night’s Dream", as well as in "Jim Knopf" and "Sweeney Todd". Starting from the 2026/27 season, Dominika Stefańska will become a permanent ensemble member at the Zurich Opera House.

Die Zauberflöte20 / 25 Sept / 6 / 18 / 21 / 24 / 30 Oct 2026 / 2 / 8 / 18 / 20 / 23 Apr 2027 Rachmaninow – Die drei Opern1 / 4 / 8 / 15 / 18 / 21 / 28 Nov 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027 Doctor Atomic7 / 11 / 14 / 20 / 24 / 28 Feb 2027 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026

Dora Jana Klarić

Cast

Die Walküre24 / 31 Jan / 3 / 6 Feb 2027
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Orchestra of the Zurich Opera House

Cast

Oiseaux Rebelles11 / 13 / 16 / 18 / 27 Sept 2026 Die Zauberflöte20 / 25 Sept / 6 / 18 / 21 / 24 / 30 Oct 2026 / 2 / 8 / 18 / 20 / 23 Apr 2027 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Tannhäuser26 Sept / 4 / 9 / 13 Oct 2026 Die Fledermaus29 Sept / 8 / 17 / 23 / 25 Oct 2026 Ein Sommernachtstraum11 / 16 / 18 / 25 / 28 / 29 / 31 Oct / 12 / 13 / 14 Nov 2026 / 19 / 22 / 29 Jun / 3 Jul 2027 1th Philharmonic Concert3 Oct 2026 Alice im Wunderland8 / 15 / 19 / 21 / 26 / 28 Nov / 6 Dec 2026 / 2 / 7 / 8 / 10 / 17 Jan 2027 Romeo und Julia20 / 27 / 29 Nov / 6 / 13 / 19 / 26 / 27 Dec 2026 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026 Das Rheingold29 Nov / 4 / 12 / 17 Dec 2026 Gabetta & Noseda7 Nov 2026 Manon Lescaut11 / 15 / 18 / 22 / 26 Dec 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 Fuchs & Jordan1 / 2 Jan 2027 Trifonov & Järvi16 Jan 2027 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027 Doctor Atomic7 / 11 / 14 / 20 / 24 / 28 Feb 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 Sorita & Lyniv14 Feb 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027 Tosca11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 L'elisir d'amore25 / 27 / 29 Apr / 2 / 6 / 9 / 12 / 14 / 17 / 21 May 2027 Le nozze di Figaro2 / 6 / 8 / 15 / 19 May 2027 Balanas & Peltokoski18 Apr 2027 Requiem pour Ophélie4 / 7 / 9 May 2027 See the music, hear the dance22 / 28 May / 6 / 10 / 12 / 15 / 25 / 26 / 27 Jun 2027 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027 Samson et Dalila13 / 17 / 20 / 24 / 27 / 30 Jun / 2 / 9 Jul 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027 Viotti29 May 2027 Rachmaninow – Die drei Opern1 / 4 / 8 / 15 / 18 / 21 / 28 Nov 2026 Benefizkonzert «amiamusica»2 Oct 2026 Open-Air-Konzert4 Jul 2027

Extras' Association at the Zurich Opera House

Der Statistenverein am Opernhaus Zürich wurde im Jahr 1900 gegründet und dürfte damit einer der traditionsreichsten Vereine auf dem Kulturplatz Zürich sein. Rund hundert Frauen und Männer im Alter von 16 bis 70 Jahren bereichern das Bühnengeschehen in zahlreichen Inszenierungen.Statisten, früher auch als Figuranten bezeichnet, haben generell nicht sprechende Rollen. Ihre Einsätze am Opernhaus Zürich fallen je nach Inszenierung unterschiedlich umfangreich aus. Während früher Massenszenen im Vordergrund standen, sind die Statistinnen und Statisten seit der Ära Pereira und der Intendanz von Andreas Homoki zunehmend auch für aufwändigere Einzelauftritte sowie für anspruchsvolle technische Einsätze gefragt. Die Mitglieder des Statistenvereins üben ihre Einsätze in der Freizeit und ohne finanzielle Interessen aus. Sie bringen Begeisterung für Musik und Theater mit.

Alice im Wunderland8 / 15 / 19 / 21 / 26 / 28 Nov / 6 Dec 2026 / 2 / 7 / 8 / 10 / 17 Jan 2027 Manon Lescaut11 / 15 / 18 / 22 / 26 Dec 2026 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 Tosca11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Le nozze di Figaro2 / 6 / 8 / 15 / 19 May 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027 Die Fledermaus29 Sept / 8 / 17 / 23 / 25 Oct 2026 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026 Rinaldo14 / 19 / 23 / 25 / 27 / 29 Mar 2027 Samson et Dalila13 / 17 / 20 / 24 / 27 / 30 Jun / 2 / 9 Jul 2027 Tannhäuser26 Sept / 4 / 9 / 13 Oct 2026 Doctor Atomic7 / 11 / 14 / 20 / 24 / 28 Feb 2027 Die Zauberflöte20 / 25 Sept / 6 / 18 / 21 / 24 / 30 Oct 2026 / 2 / 8 / 18 / 20 / 23 Apr 2027

Abstract

"Die Walküre" leads from the mythical world of the gods into the realm of human beings: Siegmund and Sieglinde ignite a forbidden love that shatters all laws and throws Wotan’s plan for power into turmoil. In his conflict with Fricka, the father of the gods recognises the lack of freedom of his hero and sacrifices him. Brünnhilde’s defiance is harshly punished: Wotan casts her into a deep sleep and surrounds her with a ring of fire that only a fearless hero can pass through. With the "Ride of the Valkyries" and the "Magic Fire Music", the score of "Die Walküre" contains some of the most famous passages of the "Ring". Camilla Nylund and Eric Cutler sing Brünnhilde and Siegmund in the continuation of the Zurich "Ring" interpretation by Andreas Homoki and Gianandrea Noseda.

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Trailer «Die Walküre»



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