La rondine

Giacomo Puccini

Commedia lirica in three acts
Text by Giuseppe Adami after a libretto draft by
Artur Maria Willner and Heinz Reichert

From 24. September 2026 until 15. October 2026

  • Duration :
    2 hrs. 25 min. incl. intermission after approx. 1 hrs. 15 min.
  • Language:
    In Italian with German and English surtitles.
  • More information:
    Introduction 45 min before the performance.

Musical Director:
Marco Armiliato

Marco Armiliato

Marco Armiliato studied piano at the Paganini Conservatory in his hometown of Genoa and began his conducting career in 1989 with "L’elisir d’amore" in Lima, Peru. In 1995, he made his debut with "Il barbiere di Siviglia" at Teatro La Fenice in Venice, followed a year later by his debut at the Vienna State Opera with "Andrea Chénier" and at the San Francisco Opera with "La bohème". Since then, his career has taken him to the world’s most prestigious opera houses, including the Bavarian State Opera in Munich, the Deutsche Oper Berlin, the Royal Opera in London, the Opéra national de Paris, the Teatro Real in Madrid, the Gran Teatre del Liceu in Barcelona, La Scala in Milan, and the Lyric Opera of Chicago. At the Salzburg Festival, he conducted productions including "Tosca" and "Andrea Chénier", as well as concert performances of "Manon Lescaut", "Lucrezia Borgia", and "I Capuleti e i Montecchi". In 2022, he was Music Director of the Arena di Verona Festival. He has maintained a close collaboration with the Metropolitan Opera in New York, where since his debut in 1998 he has conducted almost 500 performances, including "Il trovatore", "La bohème", "Aida", "Turandot", "Rigoletto", "I puritani", "Madama Butterfly", and "La traviata". His recording "Verismo" (2009) with Renée Fleming received a Grammy Award, and the recording "Romantic Arias" (2008) with Jonas Kaufmann was honoured with a Diapason d’or. At the Vienna State Opera, where he has been an honorary member since 2019, he has conducted a wide range of works from the Italian and French repertoire, as well as gala performances and festive concerts. At the Zurich Opera House, he has recently conducted "La traviata", "Otello", "La bohème", "Manon", "Simon Boccanegra", "La rondine", "Messa da Requiem", and "Tosca".

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027
Production:
Christof Loy

Christof Loy

Christof Loy studied music theatre directing in Essen as well as philosophy, art history, and Italian philology in Munich. He has worked as a freelance director since 1990. He regularly directs, among others, at the Deutsche Oper Berlin, the Theater an der Wien, the Royal Swedish Opera in Stockholm, the Royal Opera House Covent Garden in London, the Opera Amsterdam, the Teatro Real in Madrid, and at the festivals in Glyndebourne and Salzburg. In Amsterdam, he was also responsible for choreography for the first time in 2019 with "Tannhäuser". At the Zurich Opera House, he directed "La straniera", "Alcina", "I Capuleti e i Montecchi", "Don Pasquale", and "La rondine". In 2017 and 2024, he was named Director of the Year at the International Opera Awards, after already winning the award for Best New Production there in 2016 for Britten’s "Peter Grimes" at the Theater an der Wien. For three productions at the Bavarian State Opera, "Saul" (2003), "Roberto Devereux" (2004), and "Die Bassariden" (2008), he was named Director of the Year by the magazine "Opernwelt". In 2024/25, he made his debut at the Teatro alla Scala in Milan with "Werther". Since then, he has directed, among others, "Elektra" at the Royal Opera House London, "Eugene Onegin" at the Teatro Real Madrid, "Turandot" at Theater Basel, "Il trittico" at the Opéra de Paris, and Charpentier’s "Louise" at the Festival d’Aix-en-Provence. One of his most important artistic concerns today is the rediscovery of zarzuela. His most recent directing works include the zarzuelas "Benamor" at the Theater an der Wien, "El gato montés" at the Teatro de la Zarzuela in Madrid, and "El barberillo de Lavapiés" at the Theater Basel.

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027
Set Design:
Étienne Pluss

Étienne Pluss

Étienne Pluss was born in Geneva, where he initially ran an art gallery before beginning his studies in stage design at the Berlin University of the Arts. He began his theatre career as an assistant to set designers Achim Freyer and Karl-Ernst Herrmann. Since 2000, he has worked as a freelance set designer, collaborating with numerous renowned theatres and opera houses in the fields of drama and opera. He has a close working relationship with Claus Guth. For his productions, he has designed the sets for, among others, Beat Furrer’s "Violetter Schnee" at the Staatsoper Unter den Linden (FAUST Theatre Award 2019), "La bohème" at the Opéra National de Paris, "Die Sache Makropulos" at the Staatsoper Berlin, Dusapin’s "Il Viaggio, Dante" at the Festival d’Aix-en-Provence, "Don Carlo" at the Teatro San Carlo in Naples, "Salome" at the Bolshoi Theatre in Moscow in cooperation with the Metropolitan Opera New York, and "Bluthaus" at the Bavarian State Opera. He also created the sets for Weinberg’s "Die Passagierin" at Oper Graz and "Hamlet" at the Komische Oper Berlin, both directed by Nadja Loschky. For "Il trittico" at the Salzburg Festival, he worked with Christof Loy. With Richard Brunel, he created the sets for Boesmans’ "On purge bébé" at La Monnaie in Brussels and for Escaich’s opera "Shirine" in Lyon. With Evgeny Titov, he developed Shakespeare’s "Richard III" at Schauspielhaus Düsseldorf. In 1998, he was invited to the Berliner Theatertreffen, and the following year he received the Kainz Medal for his work on Thomas Bernhard’s "Claus Peymann kauft sich eine Hose und geht mit mir essen". In Zurich, he most recently designed the sets for "Alice" and "Scylla et Glaucus".

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Alice im Wunderland8 / 15 / 19 / 21 / 26 / 28 Nov / 6 Dec 2026 / 2 / 7 / 8 / 10 / 17 Jan 2027
Costumes:
Barbara Drosihn

Barbara Drosihn

Born in Hamburg, Barbara Drosihn studied costume design at the University of Applied Sciences in her home city after training as a dressmaker. She has since worked as a freelance costume designer at, among others, Thalia Theater, Deutsches Schauspielhaus Hamburg, Burgtheater Vienna, Schauspielhaus Bochum, Staatsschauspiel Dresden and Schauspiel Köln. Her work has included collaborations with directors such as Michael Thalheimer, Stephan Kimmig, Nicolas Stemann, Andreas Kriegenburg and Stefan Bachmann. In 2009, she designed the costumes for her first opera, Christof Loy’s production of "Lucrezia Borgia" at the Bavarian State Opera in Munich. This was followed by, among others, "Der Rosenkavalier" and "Der ferne Klang" at the Royal Swedish Opera in Stockholm, "Das Wunder der Heliane" at Deutsche Oper Berlin, "Così fan tutte" at the Salzburg Festival and "Don Pasquale" at Zurich Opera House. There, she also designed the costumes for Andreas Homoki’s productions of "I puritani" and "Fidelio". She has a close artistic collaboration with Tatjana Gürbaca. For her, she has designed the costumes for "Parsifal" and "Der fliegende Holländer" in Antwerp, "La traviata" in Oslo, "Capriccio" and the "Ring" trilogy at Theater an der Wien, as well as "La finta giardiniera" and "Le Grand Macabre" at Zurich Opera House. In recent seasons, she designed the costumes for the zarzuela "Benamor" at Theater an der Wien with Christof Loy, "Isidor", based on Shelly Kupferberg’s novel, at the Akademietheater with Philipp Stölzl, and "Il barbiere di Siviglia" at the Hamburg State Opera with Tatjana Gürbaca.

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027
Lighting Design:
Fabrice Kébour

Fabrice Kébour

Born in France, Fabrice Kébour works in the fields of dance, drama, musical theatre and opera and has designed the lighting for more than 250 productions. He began his career in New York, where he worked on Broadway, among other places. Over the past 20 years, his work has been seen at such renowned venues and festivals as the Comédie-Française, the Vienna State Opera, the Bregenz Festival, Teatro alla Scala in Milan, the Mariinsky Theatre in St Petersburg and La Monnaie in Brussels. Since 2007, he has created the lighting design for several productions by David Pountney, including "La forza del destino" in Vienna, "Die Zauberflöte" in Bregenz, the world premiere of Philip Glass’ "Spuren der Verirrten" for the opening of Musiktheater Linz and "Die Meistersinger von Nürnberg" at Oper Leipzig. With Claus Guth, he has worked, among other things, on the world premiere of Michael Jarrell’s "Bérénice" at the Paris Opera. In 2022, he created the lighting design for the world premiere of Philip Glass’ ballet "Alice" at the Opéra national du Rhin. In addition to his work at musical theatre and opera houses, he also creates lighting designs for large-scale events, such as the opening and closing ceremonies of the Asian Games in Doha and shows at Disneyland. He is a co-founder of the Union des Créateurs Lumière, which he chaired until 2012. Fabrice Kébour has received numerous prizes and awards and was nominated three times for the prestigious French theatre award Molière. In the 2026/27 season, he will design the lighting for, among other things, the new production of "Tannhäuser" at Teatro Real Madrid and for "Roméo et Juliette" at La Monnaie in Brussels.

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026
Chorus Master:
Alice Lapasin Zorzit

Alice Lapasin Zorzit

Alice Lapasin Zorzit completed her piano studies at the Conservatorio di Musica Luigi Boccherini in Lucca and continued her education at the Anton Bruckner Private University in Linz, where she graduated with distinction in 2018 with a bachelor’s degree in choral conducting. During this time, she gained her first experience in the opera world as a répétiteur at the Landestheater Linz. In 2017, she took part in the Riccardo Muti Italian Opera Academy and during the 2018/19 season worked as a répétiteur at the Orchestra Academy of the Zurich Opera House. In the 2019/20 season, she was engaged as assistant children’s chorus director and guest pianist at the Staatsoper Unter den Linden in Berlin. She subsequently continued her work at the Staatstheater Darmstadt, where from 2020 to 2022 she served as assistant chorus director and children’s chorus director. Alongside her professional development, she continued her academic education: in 2021, she completed a master’s degree in conducting and opera coaching at the University of Music and Performing Arts Graz, followed in 2022 by an executive master’s degree in cultural management (EMAA) at the University of Zurich. As a cultural manager, she was a scholarship holder of the Deutsche Bank Foundation (AMH) and in 2024 founded the artist agency ArteMIS. From 2023 to 2025, she was chorus director with conducting responsibilities at the Landestheater Coburg and in summer 2025 worked as chorus assistant at the Bayreuth Festival. Since January 2026, she has been assistant chorus director at the Zurich Opera House.

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Alice im Wunderland8 / 15 / 19 / 21 / 26 / 28 Nov / 6 Dec 2026 / 2 / 7 / 8 / 10 / 17 Jan 2027 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 Tosca11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Le nozze di Figaro2 / 6 / 8 / 15 / 19 May 2027 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027
Choreographer:
Thomas Wilhelm

Thomas Wilhelm

Thomas Wilhelm trained at the Palucca School Dresden. As a dancer, he was engaged, among other places, at the Semperoper Dresden, the Gothenburg Opera and in Stephan Thoss’s company, and worked at Staatsoper Hannover. Since 2006, he has worked as a freelance choreographer. He has a long-standing collaboration with director Christof Loy, which has resulted in numerous productions at opera houses including those in Barcelona, Gothenburg, Stockholm, Zurich ("Alcina", "Capuleti e i Montecchi"), Geneva, Basel and Hamburg, as well as at the Bavarian State Opera, Deutsche Oper Berlin and the Royal Opera House London. At the Salzburg Festival, Thomas Wilhelm was choreographer for Loy’s production of "Theodora" (2009) and for Shirin Neshat’s production of "Aida" (2017). He also works regularly with Nadja Loschky, including on "L’incoronazione di Poppea", "La traviata" and "Death in Venice" at Theater Bielefeld, as well as on "Hamlet" at the Komische Oper Berlin, and has taken on the choreography for numerous productions by Amélie Niermeyer. At the Salzburg Festival in 2019, his first collaboration with Damiano Michieletto took place with "Alcina". They continued their collaboration with "Salome" at Teatro alla Scala in Milan, "Giulio Cesare in Egitto" at the Théâtre des Champs-Élysées, "Orfeo ed Euridice" at the Komische Oper Berlin and the world premiere of Raskatov’s "Animal Farm" in Amsterdam. His more recent work includes "Salome" at Teatro alla Scala in Milan, "Arabella" at Teatro Real Madrid and "Lucrezia Borgia" at the Bavarian State Opera. In the 2026/27 season, he is responsible for the choreography of Puccini’s "La rondine" at Zurich Opera House.

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026
Dramaturgy:
Kathrin Brunner

Kathrin Brunner

Kathrin Brunner was born in Zurich. She studied German, Musicology, and French in her hometown and at the Humboldt University in Berlin. After various assistant directorships (including "The Threepenny Opera" at the Lucerne Theater, directed by Vera Nemirova) and dramaturgy internships, she has been a dramaturge at the Zurich Opera House since 2008. There, she has worked with directors such as Achim Freyer ("Moses und Aron"), Harry Kupfer ("Die Meistersinger von Nürnberg", "Tannhäuser"), Stephan Müller, Guy Joosten, Damiano Michieletto, Christof Loy ("La straniera", "Alcina", "I Capuleti e i Montecchi", "Don Pasquale", "La rondine"), Willy Decker ("Il ritorno d’Ulisse in patria", "The Turn of the Screw"), Andreas Homoki ("Wozzeck", "Das Land des Lächelns", "La forza del destino"), Christoph Marthaler ("Il viaggio a Reims", "Orphée et Euridice"), Barrie Kosky ("Die Gezeichneten", "Boris Godunov"), Nadja Loschky, Nina Russi, Jan Essinger, and Jetske Mijnssen ("Idomeneo", "Hippolyte et Aricie", "Platée").
At the 2012 Salzburg Festival, she worked on "La bohème" with Damiano Michieletto. During the COVID-19 pandemic, she co-founded the concert series "Altchemie live" at the Alte Chemie in Uetikon. In 2025, she served as dramaturge for Jetske Mijnssen’s production of Francesco Cavalli’s "La Calisto" at the Festival d’Aix-en-Provence.

Die Zauberflöte20 / 25 Sept / 6 / 18 / 21 / 24 / 30 Oct 2026 / 2 / 8 / 18 / 20 / 23 Apr 2027 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026 La clemenza di Tito7 / 10 / 12 / 16 / 18 / 21 Mar 2027 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027 Angels in America7 / 9 / 19 / 21 / 23 May 2027

Cast


Magda Ermonela Jaho


Lisette Sandra Hamaoui


Ruggero Benjamin Bernheim


Prunier Juan Francisco Gatell


Rambaldo Vladimir Stoyanov


Périchaud Guram Margvelashvili

Gobin/un giovane/Adolfo Tautvydas Slizauskas

Crébillon Mikayel Sargsyan


Yvette/ Georgette Thalia Cook-Hansen


Bianca/ Gabriella Natália Tuznik


Suzy/ Lolette Cashlin Oostindië


Butler Valeriy Murga

Rabonnier Bowen Ding


Die Kellnerin Sylwia Salamońska-Bączyk


Der Kellner Sandro Howald

Ermonela Jaho

Ermonela Jaho was born in Albania and studied voice at the Conservatory of Tirana and the Accademia Nazionale di Santa Cecilia in Rome. Her repertoire includes Violetta, Cio-Cio-San, Suor Angelica, Adriana Lecouvreur, Anna Bolena, Thaïs and Luisa Miller, among others – roles in which she has appeared at houses including the Royal Opera House in London, the Metropolitan Opera in New York, the Bavarian State Opera, the Gran Teatre del Liceu, Teatro alla Scala in Milan, the Opéra national de Paris, the Vienna State Opera, the Teatro Real in Madrid, the Teatro Colón in Buenos Aires and the Arena di Verona. She recently won the International Classical Music Award for vocal music and was appointed Chevalier de l’Ordre des Arts et des Lettres in France. She was also named Artist of the Year at the 2023 International Classical Music Awards, Best Singer at the German Oper! Awards 2024 and Best Foreign Artist at the Spanish Opera XXI Awards 2024. She is an Artist Ambassador for Opera Rara and Opera for Peace and a member of the Academy of Sciences of Albania. Most recently, under the Opera Rara label, she released a recording of Puccini’s "La rondine" as well as two albums of French and Italian songs by Donizetti in 2024. In the 2025/26 season, she made her role debut as Iris in Mascagni’s opera of the same name at the Teatro Real Madrid and appeared as Violetta at the Royal Opera, the Metropolitan Opera and the Rome Opera. After more than 300 performances, she thus bid farewell to the role of Violetta. She returns to Zurich Opera House in the 2026/27 season in the role of Magda in Puccini’s "La rondine".

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026

Sandra Hamaoui

The French-American soprano Sandra Hamaoui studied at the San Francisco Conservatory and the Juilliard School in New York. She is a prizewinner of numerous competitions; among other things, she was a semifinalist in the Metropolitan Opera National Council Auditions and won first prize at the New England Regional Finals, the West Bay Opera League Competition and the Mary Trueman Vocal Competition. While still a student, she sang the title role in Gounod’s "Roméo et Juliette" with the Canadian Vocal Arts Institute and Adina in "L’elisir d’amore" with the San Francisco Conservatory of Music at the Kennedy Center. In the 2017/18 season, she was a member of the ensemble of Deutsche Oper Berlin, where she sang, among other roles, Ninetta in "Die Liebe zu den drei Orangen" and Pamina in "Die Zauberflöte". As a member of the ensemble at Zurich Opera House, she appeared, among other roles, as Susanna in "Le nozze di Figaro", Gilda in "Rigoletto", Nanetta in "Falstaff", Gretel in "Hänsel und Gretel" and Lisette in "La rondine". Her most recent engagements include her role debuts as Sophie in Massenet’s "Werther" at the Théâtre des Champs-Élysées and as Sœur Constance in Poulenc’s "Dialogues des Carmélites" at the Palau de les Arts Reina Sofía in Valencia. In the 2025/26 season, she returned to Zurich Opera House as Susanna in "Le nozze di Figaro" and sang Adina in Donizetti’s "L’elisir d’amore" at the Teatro di San Carlo in Naples. In the 2026/27 season, she makes her debut as Sophie at the Opéra national de Paris and the Vienna State Opera.

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026

Benjamin Bernheim

Benjamin Bernheim studied with Gary Magby at the Conservatory in Lausanne and was a member of the International Opera Studio and the ensemble at Zurich Opera House. Today, the French tenor appears at the most prestigious opera houses, including the Opéra national de Paris, the Metropolitan Opera New York, the Vienna State Opera, the Staatsoper Unter den Linden, Teatro alla Scala and the Royal Opera House Covent Garden. His principal roles include Rodolfo ("La bohème"), Des Grieux ("Manon"), Edgardo ("Lucia di Lammermoor"), Roméo ("Roméo et Juliette"), Lenski ("Eugen Onegin"), as well as the title roles in "Faust", "Werther" and "Les contes d’Hoffmann". In the 2025/26 season, he returned to Zurich as Des Grieux in "Manon" and appeared as Faust in "La Damnation de Faust" at the Théâtre des Champs-Élysées and as Hoffmann in "Les contes d’Hoffmann" at the Staatsoper Unter den Linden. In 2024, he performed at the closing ceremony of the Olympic Games in Paris and at the reopening of Notre-Dame. In 2025, he was named Singer of the Year at the Opus Klassik Awards. His current repertoire is also complemented by song recitals and concert performances. In 2026/27, Bernheim returns to Zurich Opera House as Ruggero in Puccini’s "La rondine".

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026

Juan Francisco Gatell

Juan Francisco Gatell was born in La Plata, Argentina, and began his musical training at the conservatory in his hometown before moving to Spain, where he completed his studies at the conservatory in Madrid. In 2004, he won the Caruso Award, in 2005 the first prize at the Concorso Città di Pistoia, and in 2006 the first prize at the ASLICO Competition for his Don Ottavio in "Don Giovanni". Since then, invitations have taken him to the major opera and concert stages of Europe, North and South America. Highlights of his career to date include his debuts as Alessandro Magno in "Il re pastore" and as Tom Rakewell in "The Rake’s Progress" at La Fenice in Venice, as Demetrio in Rossini’s "Demetrio e Polibio" and as Almaviva ("Il barbiere di Siviglia") at the Rossini Festival in Pesaro, as Almaviva at the Royal Opera House Muscat in Oman, in Buenos Aires and in Vienna, as well as Fenton ("Falstaff") in Lyon and Aix-en-Provence. He has sung Don Ottavio at, among others, Teatro alla Scala in Milan, in Washington and Tokyo, as well as Ferrando ("Così fan tutte") in Madrid, Florence and Brussels. His most recent engagements include "L’elisir d’amore" in Bologna, "Die Zauberflöte" in Rome, "Don Pasquale" in Tokyo and the staged world premiere of Tomás Marco’s "Tenorio" in Madrid. In the 2026/27 season, he returns to Zurich Opera House as Prunier in Puccini’s "La rondine" and will also appear as Cassio in Verdi’s "Otello" at Teatro alla Scala in Milan and as Lord Percy in Donizetti’s "Anna Bolena".

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026

Vladimir Stoyanov

Vladimir Stoyanov was born in Pernik, Bulgaria, and studied voice at the Music Academy in Sofia, as well as in Rome and at the Accademia della Scala in Milan. He was initially a member of the ensemble at the opera house in Plovdiv for three years and has worked as a freelance artist since 1999. In 1998, he made his debut in the title role of "Macbeth" at the Teatro San Carlo in Naples and has since appeared as a guest at numerous renowned opera houses worldwide, including Teatro alla Scala in Milan, Staatsoper Berlin, Deutsche Oper Berlin, the Vienna State Opera, the Metropolitan Opera in New York, the Royal Opera House London, the Bavarian State Opera, the New National Theatre Tokyo, the Teatre del Liceu Barcelona, the Bolshoi Theatre in Moscow, the Paris Opera, Teatro Real Madrid and the opera houses in Naples, Parma and Rome. His repertoire includes roles such as the title role in "Rigoletto", Iago ("Otello"), Scarpia ("Tosca"), Conte di Luna ("Il trovatore"), Don Carlo ("Ernani"), Rodrigo ("Don Carlo") and Yeletsky ("Pique Dame"). His more recent engagements include Nabucco in Parma, Simon Boccanegra in Helsinki and Iago in Verdi’s "Otello" in Rome. In the 2025/26 season, he appeared as Giorgio Germont in "La traviata" at the Vienna State Opera and as Scarpia in "Tosca" at Staatsoper Hamburg.

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026

Guram Margvelashvili

Guram Margvelashvili is from Georgia. He completed his vocal studies at the Tbilisi State Conservatoire in 2024. From 2019 to 2023, he was a member of the Tbilisi Opera Studio, where he performed roles including the Priest and Papageno in "Die Zauberflöte", Valentin in Gounod’s "Faust", and the title roles in "Don Giovanni" and "Eugen Onegin". He also sang Belcore in Donizetti’s "L’elisir d’amore". Guram Margvelashvili received several scholarships and was a finalist in the Giuseppe Di Stefano International Singing Competition in Sicily and the Tamar Iveri International Singing Competition in Georgia. Since the 2025/26 season, Guram Margvelashvili has been a member of the International Opera Studio at Zurich Opera House. In the 2026/27 season, he can be seen here, among other things, in Puccini’s "La rondine", Lehár’s "Die lustige Witwe", "La fanciulla del West", Verdi’s "Don Carlo" and "Angels in America".

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027 Angels in America7 / 9 / 19 / 21 / 23 May 2027

Tautvydas Slizauskas

The tenor Tautvydas Slizauskas is from Lithuania and studies voice in the class of Prof. Brigitte Lindner at the Hochschule für Musik und Tanz Köln. In the 2026/27 season, he will become a member of the International Opera Studio at Zurich Opera House. Here, he will appear, among other roles, as Benvolio in Gounod’s "Roméo et Juliette", Ninetta in Puccini’s "Manon Lescaut" and Raoul de Saint-Brioche in Lehár’s "Die lustige Witwe". Further performances will take him to the Zurich stage in "La rondine", "Alice im Wunderland" and "Angels in America".

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Alice im Wunderland19 / 21 Nov / 6 Dec 2026 / 2 / 7 / 17 Jan 2027 Manon Lescaut11 / 15 / 18 / 22 / 26 Dec 2026 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 Angels in America7 / 9 / 19 / 21 / 23 May 2027

Mikayel Sargsyan

The Armenian bass Mikayel Sargsyan has appeared in recent years at the Armenian National Opera in Yerevan as well as in other international productions. His repertoire includes, among others, Dulcamara in Donizetti’s "L’elisir d’amore", Sarastro in Mozart’s "Die Zauberflöte", Colline in Puccini’s "La bohème", the Bonze in "Madama Butterfly" and the Forester in Janáček’s "Das schlaue Füchslein". From the 2026/27 season, he will be a member of the International Opera Studio at Zurich Opera House, where he will appear in, among others, Puccini’s "La rondine", Verdi’s "La traviata", "La fanciulla del West", "Tosca" and "Don Carlo".

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027 Tosca11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027

Thalia Cook-Hansen

Thalia Cook-Hansen is from the USA. After studying voice in the USA and Canada, she completed her master’s degree at the Dutch National Opera Academy. She also attended masterclasses with, among others, Elliot Madore, Floris Visser and Lynne Dawson. In Amsterdam, she appeared, among other roles, as Nerina in Haydn’s "La fedeltà premiata", Fanny in Rossini’s "La cambiale di matrimonio", Bastienne in Mozart’s "Bastien et Bastienne" and Adele in "Die Fledermaus". She sang Barbarina ("Le nozze di Figaro") at the Estates Theatre in Prague as well as the First Lady ("Die Zauberflöte") and Mademoiselle Silberklang ("Der Schauspieldirektor") in Toronto. Her repertoire also includes roles such as Bubikopf in Viktor Ullmann’s "Der Kaiser von Atlantis", Singer No. 1 in Conrad Susa’s "Transformations", Amore in Monteverdi’s "Il ritorno d’Ulisse in patria" and the title role in Donizetti’s "Lucia di Lammermoor". Since the 2025/26 season, she has been a member of the International Opera Studio at Zurich Opera House. Most recently, she appeared here, among other roles, in "Gianni Schicchi" and "Der Rosenkavalier". In the 2026/27 season, she will perform roles in "La rondine", "Alice im Wunderland", "Die lustige Witwe" and "Angels in America".

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Tannhäuser26 Sept / 4 / 9 / 13 Oct 2026 Alice im Wunderland19 / 21 Nov / 6 Dec 2026 / 2 / 7 / 17 Jan 2027 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 Angels in America7 / 9 / 19 / 21 / 23 May 2027 c-Moll-Messe17 Mar 2027

Natália Tuznik

Soprano Natália Tuznik was born in Budapest and completed her vocal studies at the Franz Liszt Academy of Music there. She was awarded the Junior Prima Prize. In 2023, she was a member of the Opera Academy at Teatr Wielki in Warsaw and the following year joined the "exzellenz labor oper", founded by Hedwig Fassbender. She has taken part in numerous masterclasses and worked with artists including Éva Marton, Claudio Di Segni, Anatoli Goussev, Izabela Kłosińska, Fausto Nardi, Katelan Trần Terrell, Michał Biel and René Massis. In 2022, she made her debut as Wellgunde ("Götterdämmerung") at the Hungarian State Opera and sang the First Lady ("Die Zauberflöte") on a tour of Japan. At the Hungarian State Opera, she has also sung the title role in Gluck’s "Iphigenie auf Tauris", Donna Anna in "Don Giovanni", Alice Ford in "Falstaff" and, most recently, Countess Almaviva in "Le nozze di Figaro". Since the 2025/26 season, she has been a member of the International Opera Studio at Zurich Opera House. Most recently, she appeared here as Curra in "La forza del destino", among other roles, and in the 2026/27 season she will perform roles in "Die Walküre", "Don Carlo" and "Elektra".

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026

Cashlin Oostindië

Cashlin Oostindië is a Dutch mezzo-soprano. She received her training at the Conservatory of Amsterdam and in Athens, as well as privately with Lauren Athey-Janka and Eva-Maria Westbroek. During her studies, she was a member of Young Opera Noord Holland, sang Marcellina ("Le nozze di Figaro"), was part of the chorus in Poulenc’s "Dialogues des Carmélites" and appeared as a soloist at the Lefkas Music Week Festival in Greece. In concert, she sang the alto parts in Bruckner’s "Requiem" and Rossini’s "Petite Messe solennelle". Together with pianist Florence van der Does, she regularly gives song recitals in the Netherlands. Since the 2025/26 season, she has been a member of the International Opera Studio at Zurich Opera House.

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027 Angels in America7 / 9 / 19 / 21 / 23 May 2027 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027

Valeriy Murga

Valeriy Murga studied at the National Music Academy of Ukraine in Kyiv. He was a finalist both at the 41st International Singing Competition in Toulouse (1996) and at the 7th Julian Gayarre Competition in Pamplona (1998). In 1997, he won second prize at the Maria Callas Grand Prix in Athens and took part in the Cardiff Singer of the World Competition in 1999. From 1997 to 1999, he was a soloist at the National Opera of Ukraine in Kyiv, where he performed, among others, Figaro ("Le nozze di Figaro"), Escamillo ("Carmen"), Schaunard ("La bohème") and the title roles in "Jewgeni Onegin", "Don Giovanni" and "Prince Igor". His repertoire also includes roles such as the Marchese di Posa ("Don Carlo") and Shaklovity ("Chowanschtschina"). At Zurich Opera House, he was initially a member of the International Opera Studio and during this time appeared, among other roles, as Sciarrone and the Jailer ("Tosca") and as Monterone ("Rigoletto"). Since the beginning of the 2000/01 season, he has been a permanent member of the ensemble at Zurich Opera House and has since appeared here, among other roles, as Prince Yeletsky ("Pique Dame"), Moralès ("Carmen"), Second Soldier ("Salome"), Alessio ("La sonnambula"), Ali ("L’italiana in Algeri"), Wagner ("Faust"), Sacristan ("Tosca") and Bogdanowitsch ("Die lustige Witwe"), as well as in family operas including "Das Gespenst von Canterville", "Robin Hood", "Das verzauberte Schwein", "Jim Knopf" and "Wir pfeifen auf den Gurkenkönig". He has also appeared as a guest in Eugen d’Albert’s "Tiefland" at the Gran Teatre del Liceu in Barcelona and in "L’italiana in Algeri" at the Staatsoper Unter den Linden in Berlin, and has performed in concerts at the Tonhalle Zurich. In the 2026/27 season, he will appear at Zurich Opera House, among other roles, as the Old Servant in "Elektra" and as Alcindoro in Puccini’s "La bohème".

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Alice im Wunderland8 / 15 / 19 / 21 Nov 2026 / 8 / 17 Jan 2027 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026 Tosca11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027

Bowen Ding

Bass Bowen Ding is studying voice/opera at the University of Music, Drama and Media Hanover in the class of Prof. Marek Rzepka. In the 2026/27 season, he is a member of the International Opera Studio at Zurich Opera House. Here, he takes on roles including Rabonnier in Puccini’s "La rondine", Pritschitsch in Lehár’s "Die lustige Witwe" and the Flemish Deputies in Verdi’s "Don Carlo". He can also be seen in "La fanciulla del west" and "Tosca".

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027 Tosca11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027

Sylwia Salamońska-Bączyk

Soprano Sylwia Salamońska-Bączyk studied with Wojciech Maciejowski in Poznań. She also attended masterclasses with, among others, Olga Pasiecznik, Izabela Kłosińska, Mariusz Kwiecień, Hedwig Fassbender and Edith Wiens, as well as with vocal coaches and pianists Sofia Muñoz, Maciej Pikulski, Katelan Tran Terrell and Michał Biel. During her studies, she sang roles including Lauretta ("Gianni Schicchi") and Zosia (Stanisław Moniuszko’s "Die Geister"). In the 2023/24 season, she was part of the Opera Academy Young Talent Development Programme at the National Opera in Warsaw. There, she made her debut as Dirce’s First Attendant in Cherubini’s "Medea" and sang Papagena in Mozart’s "Die Zauberflöte". From the 2024/25 to the 2025/26 season, she was a member of the International Opera Studio at Zurich Opera House. Here, she appeared, among other roles, as Nick in Penderbayne’s "Wir pfeifen auf den Gurkenkönig", in Dove’s "In 80 Tagen um die Welt", as the Naiad ("Ariadne auf Naxos"), as the Boy in Mendelssohn’s "Elias" and as the Shepherd ("Tannhäuser"). In the 2026/27 season, she returns to Zurich Opera House as a guest and appears as the Waitress in "La rondine".

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026

Sandro Howald

Actor Sandro Howald was born in Switzerland in 1990. He gained his first stage experience at the age of six at the children’s and youth theatre in Zug, where he spent a large part of his youth. After one semester of study at the Lee Strasberg Theatre & Film Institute in Los Angeles, California, he began studying acting at the Zurich University of the Arts in 2017. During his studies, he appeared in several short films, took on the role of the Fat Man in "Auf Hoher See", directed by Alexander Stutz at Theater Neumarkt, in 2018, and appeared as Felix Löwenstein in the Theater Lindenhof production "Aufstieg und Fall einer Firma" in summer 2019. In the 2020/21 season, Sandro Howald was a member of the acting studio at Theater Orchester Biel Solothurn. Since then, he has worked as a freelance actor on screen and on stage, taking him to, among others, Theater Regensburg and Theater Winkelwiese in Zurich. His more recent work includes "Antigone" and "TAR" in Zurich as well as "Der Sturm" in Ludwigsburg. In 2025, he made his debut at Zurich Opera House as Leopold in "Der Rosenkavalier". In the 2026/27 season, he will appear once again in Puccini’s "La rondine".

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026
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Orchestra of the Zurich Opera House

Cast

Oiseaux Rebelles11 / 13 / 16 / 18 / 27 Sept 2026 Die Zauberflöte20 / 25 Sept / 6 / 18 / 21 / 24 / 30 Oct 2026 / 2 / 8 / 18 / 20 / 23 Apr 2027 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Tannhäuser26 Sept / 4 / 9 / 13 Oct 2026 Die Fledermaus29 Sept / 8 / 17 / 23 / 25 Oct 2026 Ein Sommernachtstraum11 / 16 / 18 / 25 / 28 / 29 / 31 Oct / 12 / 13 / 14 Nov 2026 / 19 / 22 / 29 Jun / 3 Jul 2027 1th Philharmonic Concert3 Oct 2026 Alice im Wunderland8 / 15 / 19 / 21 / 26 / 28 Nov / 6 Dec 2026 / 2 / 7 / 8 / 10 / 17 Jan 2027 Romeo und Julia20 / 27 / 29 Nov / 6 / 13 / 19 / 26 / 27 Dec 2026 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026 Das Rheingold29 Nov / 4 / 12 / 17 Dec 2026 Gabetta & Noseda7 Nov 2026 Manon Lescaut11 / 15 / 18 / 22 / 26 Dec 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 Fuchs & Jordan1 / 2 Jan 2027 Trifonov & Järvi16 Jan 2027 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027 Doctor Atomic7 / 11 / 14 / 20 / 24 / 28 Feb 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 Sorita & Lyniv14 Feb 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027 Tosca11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 L'elisir d'amore25 / 27 / 29 Apr / 2 / 6 / 9 / 12 / 14 / 17 / 21 May 2027 Le nozze di Figaro2 / 6 / 8 / 15 / 19 May 2027 Balanas & Peltokoski18 Apr 2027 Requiem pour Ophélie4 / 7 / 9 May 2027 See the music, hear the dance22 / 28 May / 6 / 10 / 12 / 15 / 25 / 26 / 27 Jun 2027 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027 Samson et Dalila13 / 17 / 20 / 24 / 27 / 30 Jun / 2 / 9 Jul 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027 Viotti29 May 2027 Rachmaninow – Die drei Opern1 / 4 / 8 / 15 / 18 / 21 / 28 Nov 2026 Benefizkonzert «amiamusica»2 Oct 2026 Open-Air-Konzert4 Jul 2027

Choir of the Zurich Opera House

Der Chor der Oper Zürich bildet mit seinen 60 festangestellten Mitgliedern und der Mitwirkung von bis zu 160 Vorstellungen pro Saison einen wesentlichen Eckpfeiler des künstlerischen Ensembles am Opernhaus Zürich. Er vereinigt unter dem Dach des traditionsreichsten schweizerischen Opernhauses Sängerinnen und Sänger auf höchstem professionellen Niveau, deren musikalische und stilistische Versiertheit sich mit darstellerischer Gestaltungskraft und spontaner Spielfreude verbinden. Regelmässig stellen seine Mitglieder auch als Solisten ihr künstlerisches Format unter Beweis. Der Chor spiegelt in seiner internationalen Zusammensetzung den Anspruch und die Strahlkraft der Oper Zürich wieder, die sich durch zahlreiche DVD-Aufnahmen erwiesen haben und 2104 mit dem Preis der «Opera Company of the Year» ausgezeichnet wurden. Wichtige musikalische Impulse erhielten die Chormitglieder durch die Arbeit mit Dirigenten wie Nello Santi, Nikolaus Harnoncourt, Franz Welser-Möst, Bernard Haitink, Riccardo Chailly, Valery Gergiev, Daniele Gatti, Zubin Mehta und Fabio Luisi. Ihre schauspielerischen Fähigkeiten entwickelten sie im Dialog mit Regisseuren wie David Pountney, Robert Wilson, Harry Kupfer, Peter Stein, Peter Konwitschny oder Andreas Homoki. Gastspiele führten den Chor nach Tokio (Der Rosenkavalier und La traviata), London (Die Meistersinger von Nürnberg, Tannhäuser, Der fliegende Holländer), Paris (La cenerentola, Fierrabras), Athen (Carmen, Idomeneo) oder nach Rom, wo er anässlich einer Papstmesse zur Feier des 500-jährigen Bestehens der Schweizer Garde Mozarts Krönungsmesse aufführte. Als «International Chamber Vocalists» wirkte der Chor der Oper Zürich in der 2014 mit einem Echo-Preis ausgezeichneten Neueinspielung von Vincenzo Bellinis Norma mit.

Die Zauberflöte20 / 25 Sept / 6 / 18 / 21 / 24 / 30 Oct 2026 / 2 / 8 / 18 / 20 / 23 Apr 2027 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Tannhäuser26 Sept / 4 / 9 / 13 Oct 2026 Die Fledermaus29 Sept / 8 / 17 / 23 / 25 Oct 2026 Rachmaninow – Die drei Opern1 / 4 / 8 / 15 / 18 / 21 / 28 Nov 2026 Manon Lescaut11 / 15 / 18 / 22 / 26 Dec 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 Doctor Atomic7 / 11 / 14 / 20 / 24 / 28 Feb 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027 La clemenza di Tito7 / 10 / 12 / 16 / 18 / 21 Mar 2027 Tosca11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 L'elisir d'amore25 / 27 / 29 Apr / 2 / 6 / 9 / 12 / 14 / 17 / 21 May 2027 Requiem pour Ophélie4 / 7 / 9 May 2027 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027 Samson et Dalila13 / 17 / 20 / 24 / 27 / 30 Jun / 2 / 9 Jul 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027

Abstract

Magda leaves her wealthy patron when she meets the young Ruggero. Yet the feeling of a first love cannot be repeated. Puccini’s "La rondine" ("The Swallow"), composed as a commission for Vienna’s Carltheater, is an unusual blend of opera and operetta that puzzled critics: too heavy for some, too light for others. Despite several revised endings, Puccini regarded his "problem child" as a jewel that is still rarely performed today. Christof Loy stages this work as a compelling rediscovery. The musical direction is in the hands of Marco Armiliato.

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Synopsis

Back story
Magda, an orphan, grew up with an old aunt in Paris. When she was seventeen, the shy girl ran away for an evening and found her way to the Café Bullier, a dance hall where young students as well as rich bankers and pleasure-seeking widows meet. That evening Magda met a young student and they both fell in love. But Magda suddenly became afraid of her own courage, head over heels, left the student in the café and ran back to her aunt.

Many years have passed since then and she has never been able to get the student out of her mind. Her life was not as romantic as she had hoped. She was denied a profession of her own, and finally she had to capitalise on her beauty. The rich gentlemen of Parisian society now adorned themselves with her like a trophy, and so she passed from hand to hand. Now she has been the courtesan of the banker Rambaldo for some time, who offers her a life of luxury. She gives him her body in return, but not her feelings.

Act One
In the flat that Rambaldo puts at her disposal, Magda de Civry, as she is known in Parisian society, gives an afternoon reception. The guests are Rambaldo, his business associates and their female companions, young women whose lives have been no different from Magda's. Also invited that afternoon is the poet Prunier, an acquaintance from the days when she still moved in artistic circles and money played no role in her life. Prunier improvises a romance in front of the guests about the steadfast Doretta, who does not allow herself to be seduced by the king and his wealth. When he breaks off in the middle of his recital, Magda spontaneously invents the ending of the song. Doretta would one day find happiness in the arms and kiss of a young student. Everyone is impressed and almost a little affected by the passionate and unexpected devotion that the otherwise reserved Magda suddenly displays.

She reveals the secret behind this outburst to her friends and tells them the story of her youth, when for a few hours she discovered the happiness of love with the young student in the Café Bullier. While the women retire to an adjoining room where the poet Prunier is busy predicting their future, Rambaldo receives a young man, the son of a business friend from the province of southern France. While Magda is still following Prunier's prophecy that her life will be like that of a swallow, a «rondine», namely like a journey towards the light and happiness with a return to an uncertain future, her friends take care of the young provincial Ruggero. They give him advice on where best to spend the first evening in the cosmopolitan city of Paris. Finally, the maid Lisette speaks up: the best place to have a good time is the legendary Café Bullier. Suddenly all the guests set off to plunge into Paris at night.

Almost without noticing it herself, Magda had been watching young Ruggero, and memories of the experience with the young student she had met at the Café Bullier rise up in her again. She wants to return to the past, relive the moment of that time and transform herself into the girl from back then. She sets off for the Café Bullier. The maid Lisette also has an evening out. She has arranged to meet the poet Prunier. She is, even if he is embarrassed for her, his muse, whom he loves. The two of them also set off to go out in Paris, Lisette having secretly helped herself to her mistress Magda's wardrobe for the evening out.

Act Two
At the Café Bullier, Magda meets the young man she had only seen from a distance a few hours earlier in her salon. He, Ruggero, had hardly noticed her and does not recognize her.  Both are fascinated by each other and the magic of Café Bullier begins to work. They find each other in the dance and can't let go of each other. He asks her her name, she not only conceals her real name, but also gives him nothing more about herself, while he happily tells her about life in his home town of Montauban. Both also meet Prunier and Lisette in the café. Lisette thinks she recognises her mistress Magda, but is completely taken aback when Ruggero introduces her as his girlfriend Paulette. All four give in to their illusions, dreams, and toast to love, or rather to life, which in turn gives them love.

But Magda has an awakening when she realises that she is being secretly watched by Rambaldo. As Prunier manages to distract Ruggero, Magda and her financier Rambaldo come to a confrontation. In an act of superhuman effort, she renounces Rambaldo and her previous life. She wants to realise her lifelong dream and experience the happiness of love with Ruggero, to make up for what she missed years ago. Rambaldo withdraws. Magda trembles with happiness in Ruggero's arms and can hardly believe the decision she has just made.

Act Three
Magda and Ruggero have now been spending several weeks in a hotel near Nice. Magda is still trying to maintain the illusion of happiness, but Ruggero is more realistic and has secretly contacted his parents to help him and his new girlfriend out financially. One late summer morning he finally informs Magda of this - and says even more, namely that he has asked his parents to agree to marry her. Magda, who still keeps quiet about the life she has led, suspects that her dream of great happiness will soon end. While he describes his dream to her, life in a small town with a house, a garden and a child, she realises that she must end this relationship. But she is not yet ready to do so. Prunier has found out where Magda is and wants to help her get back to her former life. He comes with news from Rambaldo that he would forgive her and is ready to «support» her again. Prunier wants to convince Magda that it is the right thing for her to return to Rambaldo. He and Lisette had also come to an arrangement, and he had to realise that he could never make an avant-garde artist out of a woman who felt born to be a maid. Magda asks Prunier to spare her this advice. An intimate friendship comes to an end.

When Ruggero finally arrives overjoyed with a letter from his mother welcoming her son's wish, who has surely found an honourable and virtuous girl, Magda finally breaks her silence and makes it clear to Ruggero that they must separate. She has lied to him and can never be the wife he imagines. Although they love each other, Magda breaks away from Ruggero, who hardly understands what is going on. Magda goes back to her former life, back to her luxurious existence, to her pain and her dreams... and already it seems that her love with Ruggero was only a dream, too.


Written by Christof Loy