La rondine

Giacomo Puccini

Commedia lirica in three acts
Text by Giuseppe Adami after a libretto draft by
Artur Maria Willner and Heinz Reichert

From 24. September 2026 until 15. October 2026

  • Duration :
    2 H. 25 Min. Inkl. Pause after approx. 1 H. 15 Min.
  • Language:
    In Italian with German and English surtitles.
  • More information:
    Introduction 45 min before the performance.

Musical Director:
Marco Armiliato

Marco Armiliato

Marco Armiliato studied piano at the Paganini Conservatory in his hometown of Genoa and began his conducting career in 1989 with “L’elisir d’amore” in Lima, Peru. In 1995, he made his debut with “Il barbiere di Siviglia” at Teatro La Fenice in Venice, followed a year later by “Andrea Chénier” at the Vienna State Opera and “La Bohème” at the San Francisco Opera. Since then, his career has taken him to the world’s most prestigious opera houses, including the Bavarian State Opera in Munich, Deutsche Oper Berlin, the Royal Opera House Covent Garden, the Opéra National de Paris, Teatro Real in Madrid, Gran Teatre del Liceu in Barcelona, La Scala in Milan, and the Lyric Opera of Chicago. At the Salzburg Festival, he has conducted “Tosca” and “Andrea Chénier,” as well as concert performances of “Manon Lescaut,” “Lucrezia Borgia,” and “I Capuleti e i Montecchi.” In 2022, he served as Music Director of the Arena di Verona Festival. He maintains a close collaboration with the Metropolitan Opera in New York, where since his 1998 debut he has conducted nearly 500 performances, including “Il trovatore,” “La Bohème,” “Aida,” “Turandot,” “Rigoletto,” and “Lucia di Lammermoor.” His recording Verismo (2009) with Renée Fleming received a Grammy Award, and Romantic Arias (2008) with Jonas Kaufmann was honored with a Diapason d’Or. At the Vienna State Opera, where he has been an honorary member since 2019, he has conducted a wide range of works from the Italian and French repertoire, as well as galas and festival concerts. At the Zurich Opera House, his recent performances have included “La traviata,” “Otello,” “La Bohème,” “Manon,” “Simon Boccanegra,” “La rondine,” “Messa da Requiem,” and “Tosca.”

Tosca28 Sept / 8 / 11 / 15 / 19 Oct 2025 Werther14 / 19 Jun / 1 / 4 / 10 Jul 2026 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027
Production:
Christof Loy

Christof Loy

Christof Loy studied music theatre directing in Essen as well as philosophy, art history, and Italian philology in Munich. He has worked as a freelance director since 1990. He regularly directs, among others, at the Deutsche Oper Berlin, the Theater an der Wien, the Royal Swedish Opera in Stockholm, the Royal Opera House Covent Garden in London, the Opera Amsterdam, the Teatro Real in Madrid, and at the festivals in Glyndebourne and Salzburg. In Amsterdam, he was also responsible for choreography for the first time in 2019 with "Tannhäuser". At the Zurich Opera House, he directed "La straniera", "Alcina", "I Capuleti e i Montecchi", "Don Pasquale", and "La rondine". In 2017 and 2024, he was named Director of the Year at the International Opera Awards, after already winning the award for Best New Production there in 2016 for Britten’s "Peter Grimes" at the Theater an der Wien. For three productions at the Bavarian State Opera, "Saul" (2003), "Roberto Devereux" (2004), and "Die Bassariden" (2008), he was named Director of the Year by the magazine "Opernwelt". In 2024/25, he made his debut at the Teatro alla Scala in Milan with "Werther". Since then, he has directed, among others, "Elektra" at the Royal Opera House London, "Eugene Onegin" at the Teatro Real Madrid, "Turandot" at Theater Basel, "Il trittico" at the Opéra de Paris, and Charpentier’s "Louise" at the Festival d’Aix-en-Provence. One of his most important artistic concerns today is the rediscovery of zarzuela. His most recent directing works include the zarzuelas "Benamor" at the Theater an der Wien, "El gato montés" at the Teatro de la Zarzuela in Madrid, and "El barberillo de Lavapiés" at the Theater Basel.

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027
Set Design:
Étienne Pluss

Étienne Pluss

Étienne Pluss was born in Geneva, where he initially ran an art gallery before beginning studies in stage design at the University of the Arts in Berlin. He started his theater career as a design assistant to Achim Freyer and Karl-Ernst Herrmann. Since 2000, he has been working as a freelance stage designer and has since worked at numerous renowned houses in both theater and opera. He has a close collaboration with Claus Guth. For Guth’s productions, he created, among others, the stage designs for Beat Furrer’s "Violetter Schnee" at Staatsoper Unter den Linden (FAUST Theater Prize 2019), "La bohème" at Opéra National de Paris, "Die Sache Makropulos" at Staatsoper Berlin, Dusapin’s "Il Viaggio, Dante" at the Festival d’Aix-en-Provence, "Don Carlo" at Teatro San Carlo in Naples, "Salome" at the Bolshoi Theatre in Moscow in cooperation with the Metropolitan Opera New York, as well as "Bluthaus" at the Bavarian State Opera. In addition, he designed the sets for Weinberg’s "Die Passagierin" at the Graz Opera and "Hamlet" at the Komische Oper Berlin, both directed by Nadja Loschky. For "Il trittico" at the Salzburg Festival, he collaborated with Christof Loy. With Richard Brunel, he realized the stage designs for Boesmans’ "On purge bébé" at La Monnaie in Brussels and Escaich’s opera "Shirine" in Lyon. With Evgeny Titov, he developed Shakespeare’s "Richard III." at Schauspielhaus Düsseldorf. In 1998, he was invited to the Berliner Theatertreffen; the following year, he received the Kainz Medal for his work on Thomas Bernhard’s "Claus Peymann kauft sich eine Hose und geht mit mir essen." Most recently in Zurich, he designed the stage for "Alice."

Scylla et Glaucus27 / 29 / 31 Mar / 2 / 6 / 30 Apr / 2 May 2026 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Alice im Wunderland8 / 15 / 19 / 21 / 26 / 28 Nov / 6 Dec 2026 / 2 / 7 / 8 / 10 / 17 Jan 2027
Costumes:
Barbara Drosihn

Barbara Drosihn

Barbara Drosihn, born in Hamburg, studied costume design at the University of Applied Sciences in her hometown after training as a seamstress. Since then she has worked as a freelance costume designer at venues including the Thalia Theater, the Deutsches Schauspielhaus Hamburg, the Burgtheater Vienna, the Schauspielhaus Bochum, the Staatsschauspiel Dresden and the Schauspiel Köln. In the process, she has created works for directors such as Michael Thalheimer, Stephan Kimmig, Nicolas Stemann, Andreas Kriegenburg and Stefan Bachmann. She designed her first opera in 2009 with "Lucrezia Borgia" for Christof Loy at the Bavarian State Opera in Munich. This was followed by productions including "Der Rosenkavalier" and "Der Distant Sound" at the Royal Opera Stockholm, "The Miracle of Heliane" at the Deutsche Oper Berlin, "Così fan tutte" at the Salzburg Festival and "Don Pasquale" at the Zurich Opera House. There she also designed the costumes for Andreas Homoki's productions of "I puritani" and "Fidelio". She has a close artistic collaboration with Tatjana Gürbaca, for whom she created the costumes for "Parsifal" and "The Flying Dutchman" in Antwerp, "La traviata" in Oslo, "Capriccio" and the "Ring" trilogy at Theater an der Wien, as well as "La finta giardiniera" and "Le Grand Macabre" at the Zurich Opera House. In recent seasons she designed the costumes for "The Treasure Seeker" at the Deutsche Oper Berlin, "Káťa Kabanová" at the Deutsche Oper am Rhein, "Il trittico" at the Salzburg Festival, "The King's Children" in Amsterdam, "Bluebeard's Castle" / "The Miraculous Mandarin" in Basel, "Rusalka" in Hanover and "La Voix humaine" / "Erwartung" at the Teatro Real in Madrid.

Fidelio3 / 6 / 10 / 14 / 16 May 2026 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027
Lighting Design:
Fabrice Kébour

Fabrice Kébour

Fabrice Kébour, born in France, works in the fields of dance, spoken theatre, musical theatre and opera and has designed the lighting for more than 250 productions. He began his career in New York, where he worked, among other places, on Broadway. Over the past 20 years, his work has been seen at such renowned venues and festivals as the Comédie-Française, the Vienna State Opera, the Bregenz Festival, La Scala in Milan, the Mariinsky Theatre in St Petersburg and La Monnaie in Brussels. Since 2007 he has created the lighting design for several productions by David Pountney, including "La forza del destino" in Vienna, "Die Zauberflöte" in Bregenz, the world premiere of Philip Glass’s "Spuren der Verirrten" for the opening of Musiktheater Linz, and "Die Meistersinger von Nürnberg" at Leipzig Opera. With Claus Guth he collaborated, among other projects, on the world premiere of Michael Jarrell’s "Bérénice" at the Paris Opéra. In 2022 he created the lighting design for the world premiere of Philip Glass’s ballet "Alice" at the Opéra national du Rhin. In addition to his work for musical and opera houses, he also creates lighting designs for large-scale events, such as the opening and closing ceremonies of the Asian Games in Doha or shows at Disneyland. He is a co-founder of the Union des Créateurs Lumière, which he chaired as president until 2012. In 2011 he was invited by the Prague Quadrennial to take part in the exhibition Light Speaks, which presented works by leading lighting designers from around the world. Fabrice Kébour has received numerous prizes and awards and has been nominated three times for the prestigious French theatre award Molière.

La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026
Chorus Master:
Alice Lapasin Zorzit

Alice Lapasin Zorzit

Alice Lapasin Zorzit completed her piano studies at the Conservatorio di Musica Luigi Boccherini in Lucca and continued her training at the Anton Bruckner Private University in Linz, where she graduated with distinction in 2018 with a Bachelor’s degree in choral conducting. During this time, she gained her first experience in the opera world as a répétiteur at the Landestheater Linz. In 2017 she took part in the Riccardo Muti Italian Opera Academy, and in the 2018/19 season she served as a répétiteur with the Orchestra Academy of the Zurich Opera House. The 2019/20 season brought an engagement as deputy children’s choir director and guest pianist at the Staatsoper Unter den Linden in Berlin. She subsequently moved to the Staatstheater Darmstadt, where she worked from 2020 to 2022 as deputy chorus director and children’s choir director. Alongside her professional development, she continued her academic studies: in 2021 she completed her Master’s degree in conducting and opera coaching at the University of Music and Performing Arts Graz, followed in 2022 by a part-time Master’s degree in cultural management (EMAA) at the University of Zurich. As a cultural manager, she was a scholarship holder of the Deutsche Bank Foundation (AMH) and founded the artist agency ArteMIS in 2024. From 2023 to 2025, Alice Lapasin Zorzit was chorus director with conducting duties at the Landestheater Coburg, and in the summer of 2025 she worked as chorus assistant at the Bayreuth Festival. Since January 2026 she has been deputy chorus director at Zurich Opera House.

Werther14 / 19 Jun / 1 / 4 / 10 Jul 2026 Così fan tutte3 / 7 / 9 / 12 Jul 2026 Giulio Cesare in Egitto11 / 13 / 15 / 17 / 21 / 25 / 28 Mar 2026 Scylla et Glaucus27 / 29 / 31 Mar / 2 / 6 / 30 Apr / 2 May 2026 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Alice im Wunderland8 / 15 / 19 / 21 / 26 / 28 Nov / 6 Dec 2026 / 2 / 7 / 8 / 10 / 17 Jan 2027 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 Tosca11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Le nozze di Figaro2 / 6 / 8 / 15 / 19 May 2027 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027 Herr der Diebe27 Feb / 2 / 4 / 6 / 7 / 9 / 10 / 11 Mar 2027
Choreography and assistant direction:
Thomas Wilhelm

Thomas Wilhelm

Thomas Wilhelm erhielt seine Ausbildung an der Palucca Schule Dresden. Als Tänzer war er u. a. an der Dresdner Semperoper, der Oper Göteborg sowie in der Compagnie von Stephan Thoss engagiert und arbeitete am Staatstheater Hannover. Seit 2006 ist er freischaffender Choreograf. Mit dem Regisseur Christof Loy verbindet ihn eine lange Zusammenarbeit, aus der zahlreiche Inszenierungen u. a. an den Opernhäusern in Barcelona, Göteborg, Stockholm, Zürich (Alcina, Capuleti e i Montecchi), Genf, Basel, Hamburg und Frankfurt, an der Bayerischen Staatsoper, der Deutschen Oper Berlin und dem Royal Opera House London hervorgingen. Peter Grimes am Theater an der Wien wurde mit dem International Opera Award als beste Neuproduktion des Jahres 2015 ausgezeichnet. Bei den Salzburger Festspielen war Thomas Wilhelm Choreograf in Loys Inszenierungen von Theodora (2009) und Die Frau ohne Schatten (2011) sowie in Shirin Neshats Inszenierung von Aida (2017). Er arbeitet aus­serdem regelmässig mit Nadja Loschky zusammen, u. a. für L’incoronazione di Poppea, La traviata und Death in Venice am Theater Bielefeld sowie für Hamlet an der Komischen Oper Berlin, und übernahm die Choreografie in bisher zahlreichen Inszenierungen von Amélie Niermeyer. Bei den Salzburger Festspielen entstand 2019 mit Alcina die erste Zusammenarbeit mit Damiano Michieletto, welche sie mit Salome an der Scala in Mailand, mit Giulio Cesare in Egitto am Théâtre des Champs-Elysées, mit Orfeo ed Euridice an der Komischen Oper Berlin, mit Le Baruffe am Teatro la Fenice und mit der Uraufführung von Raskatovs Animal Farm in Amsterdam fortsetzten. Am Opernhaus Zürich choreografierte er zudem für Sebastian Baumgarten bei Belshazzar.

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026
Dramaturgy:
Kathrin Brunner

Kathrin Brunner

Kathrin Brunner was born in Zurich. She studied German, Musicology, and French in her hometown and at the Humboldt University in Berlin. After various assistant directorships (including "The Threepenny Opera" at the Lucerne Theater, directed by Vera Nemirova) and dramaturgy internships, she has been a dramaturge at the Zurich Opera House since 2008. There, she has worked with directors such as Achim Freyer ("Moses und Aron"), Harry Kupfer ("Die Meistersinger von Nürnberg", "Tannhäuser"), Stephan Müller, Guy Joosten, Damiano Michieletto, Christof Loy ("La straniera", "Alcina", "I Capuleti e i Montecchi", "Don Pasquale", "La rondine"), Willy Decker ("Il ritorno d’Ulisse in patria", "The Turn of the Screw"), Andreas Homoki ("Wozzeck", "Das Land des Lächelns", "La forza del destino"), Christoph Marthaler ("Il viaggio a Reims", "Orphée et Euridice"), Barrie Kosky ("Die Gezeichneten", "Boris Godunov"), Nadja Loschky, Nina Russi, Jan Essinger, and Jetske Mijnssen ("Idomeneo", "Hippolyte et Aricie", "Platée").
At the 2012 Salzburg Festival, she worked on "La bohème" with Damiano Michieletto. During the COVID-19 pandemic, she co-founded the concert series "Altchemie live" at the Alte Chemie in Uetikon. In 2025, she served as dramaturge for Jetske Mijnssen’s production of Francesco Cavalli’s "La Calisto" at the Festival d’Aix-en-Provence.

Der Rosenkavalier21 / 26 Sept / 1 / 5 / 14 / 17 / 21 / 26 Oct 2025 Manon24 / 27 Sept / 3 / 7 / 10 Oct 2025 La clemenza di Tito26 / 29 Apr / 3 / 8 / 15 / 17 / 20 / 25 May 2026 / 7 / 10 / 12 / 16 / 18 / 21 Mar 2027 Carmen18 / 21 / 23 / 27 / 31 Jan 2026 Cardillac18 / 21 / 25 Feb / 1 / 6 / 10 Mar 2026 Arabella14 / 18 / 22 / 25 / 28 Apr 2026 Die Zauberflöte20 / 25 Sept / 6 / 18 / 21 / 24 / 30 Oct 2026 / 2 / 8 / 18 / 20 / 23 Apr 2027 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027 Angels in America7 / 9 / 19 / 21 / 23 May 2027

Cast


Magda Ermonela Jaho


Lisette Sandra Hamaoui


Ruggero Benjamin Bernheim


Prunier Juan Francisco Gatell


Rambaldo Vladimir Stoyanov


Périchaud Guram Margvelashvili


Gobin/un giovane/Adolfo Samuel Wallace

Crébillon Mikayel Sargsyan


Yvette/ Georgette Thalia Cook-Hansen


Bianca/ Gabriella Natália Tuznik


Suzy/ Lolette Cashlin Oostindië


Butler Valeriy Murga

Rabonnier Benjamin Suran


Die Kellnerin Sylwia Salamońska-Bączyk


Der Kellner Sandro Howald

Ermonela Jaho

Ermonela Jaho was born in Albania and studied singing at the Conservatory of Tirana as well as at the Accademia Nazionale di Santa Cecilia in Rome. Her repertoire includes, among others, Violetta, Cio-Cio-San, Suor Angelica, Adriana Lecouvreur, Anna Bolena, Thaïs, and Luisa Miller – roles with which she has performed at venues such as the Royal Opera House in London, the Metropolitan Opera in New York, the Bavarian State Opera, the Gran Teatre del Liceu, the Teatro alla Scala in Milan, the Opéra national de Paris, the Vienna State Opera, the Teatro Real in Madrid, the Teatro Colón in Buenos Aires, and the Arena di Verona. Recently, she won the International Classical Music Award for Vocal Music and was appointed Chevalier de l’Ordre des Arts et des Lettres in France. In addition, she was named Artist of the Year at the 2023 International Classical Music Awards, Best Singer at the 2024 German Oper! Awards, and Best Foreign Artist at the 2024 Spanish Opera XXI Awards. She is an Artistic Ambassador of Opera Rara and Opera for Peace, as well as a member of the Academy of Sciences of Albania. Under the label Opera Rara, she most recently released a recording of Puccini’s "La rondine" as well as two albums in 2024 featuring French and Italian songs by Donizetti.

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026

Sandra Hamaoui

The French-American soprano Sandra Hamaoui studied at the Conservatory in San Francisco and at the Juilliard School in New York. She is a prizewinner of numerous competitions; among others, she was a semifinalist at the Metropolitan Opera National Council Auditions and won first prize at the New England Regional Finals, the West Bay Opera League Competition, and the Mary Trueman Vocal Competition. Whilst still a student, she sang the title role in Gounod’s "Roméo et Juliette" with the Canadian Vocal Arts Institute as well as Adina in "L’elisir d’amore" with the San Francisco Conservatory of Music at the Kennedy Center. In the 2017/18 season, she was a member of the ensemble at the Deutsche Oper Berlin, where she sang, among others, Ninetta in "Die Liebe zu den drei Orangen" and Pamina in "Die Zauberflöte". As a member of the ensemble at the Zurich Opera House, she appeared, among others, as Susanna in "Le nozze di Figaro", Gilda in "Rigoletto", Nanetta in "Falstaff", Gretel in "Hänsel und Gretel", and Lisette in "La rondine". Her recent engagements include the title role in "Roméo et Juliette" with the Orchestre de Chambre de Genève, Leïla in "Les pêcheurs de perles" at the Théâtre des Champs-Élysées, as well as the opening of the 2024/25 season at the Hamburg State Opera with the leading role in "Trionfi" under Kent Nagano.

Le nozze di Figaro24 / 29 Jan / 1 / 5 / 7 / 10 / 14 Feb 2026 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026

Benjamin Bernheim

Benjamin Bernheim studied with Gary Magby in Lausanne and was a member of the International Opera Studio as well as of the ensemble at the Zürich Opera House. The French tenor has meanwhile established himself as a regular guest at the most renowned stages, including at the Opéra national de Paris, at the Vienna State Opera, at the Staatsoper Unter den Linden and at the Royal Opera House Covent Garden, where he sings leading tenor roles of the romantic repertoire. He performed at the closing ceremony of the 2024 Olympic Games in Paris as well as at the reopening of Notre-Dame de Paris in December 2024. He has been honored, among others, at the Victoires de la Musique as Opera Singer of the Year, by the Syndicat professionnel de la critique as Musical Personality of the Year, and most recently at Opus Klassik 2025 as Singer of the Year. His discography includes several albums, including his debut album, which was awarded a Diapason d’Or and a Choc de Classica, "Douce France: Mélodies & Chansons" as well as the 2022 release "Boulevard des Italiens". Highlights of his career include the title roles in "Les contes d’Hoffmann" and "Faust", Rodolfo in "La bohème", Des Grieux in "Manon" and Edgardo in "Lucia di Lammermoor".

Manon24 / 27 Sept / 3 / 7 / 10 Oct 2025 Open-Air-Concert28 Jun 2026 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026

Juan Francisco Gatell

Juan Francisco Gatell wurde in La Plata, Argentinien, geboren und begann seine musikalische Ausbildung am Konservatorium seiner Heimatstadt, bevor er nach Spanien zog und dort sein Studium am Konservatorium in Madrid abschloss. 2004 gewann er den Caruso-Award, 2005 den ersten Preis beim Concorso Città di Pistoria und 2006 den ersten Preis beim ASLICO-Wettbewerb für seinen Don Ottavio in Don Giovanni. Einladungen führten ihn seither an die grossen Opern- und Konzertbühnen in Europa, Nord- und Südamerika. Höhepunkte seiner bisherigen Karriere waren seine Debüts als Alessandro Magno in Il re pastore und als Tom Rakewell in The Rake’s Progress am La Fenice in Venedig, Demetrio in Rossinis Demetrio e Polibio und Almaviva (Il barbiere di Siviglia) beim Rossini Festival in Pesaro, Almaviva am Royal Opera House Muscat im Oman, in Buenos Aires und in Wien sowie Fenton (Falstaff) in Lyon und Aix-en-Provence. Don Ottavio sang er u.a. an der Scala in Mailand, in Washington und Tokio sowie Ferrando (Così fan tutte) in Madrid, Florenz und Brüssel. Die Spielzeit 2023/24 führt ihn mit L’elisir d’amore nach Bologna, mit Die Zauberflöte nach Rom, Don Pasquale nach Tokyo und in der Titelrolle der Oper Tenorio (Tomás Marco, szenische Uraufführung) nach Madrid.

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026

Vladimir Stoyanov

Vladimir Stoyanov wurde in Pernik, Bulgarien geboren und studierte Gesang an der Musikakademie in Sofia sowie in Rom und an der Accademia della Scala in Mailand. Zunächst war er für drei Jahre Ensemblemitglied an der Oper in Plovdiv, seit 1999 ist er als freischaffender Künstler tätig. 1998 debütierte er mit der Titelpartie in Macbeth am Teatro San Carlo in Neapel und gastiert seither er an zahlreichen renommierten Opernhäusern weltweit, der Scala in Mailand, der Staatsoper Berlin, der Deutschen Oper Berlin, der Wiener Staatsoper, der Metropolitan Opera in New York, dem Royal Opera House London, der Bayerischen Staatsoper, dem New National Theatre Tokyo, dem Teatre del Liceu Barcelona, am Bolschoi in Moskau, der Opéra in Paris, dem Teatro Real Madrid und den Opernhäusern in Neapel, Parma und Rom. Sein Repertoire umfasst Partien wie die Titelpartie in Rigoletto, Jago (Otello), Scarpia (Tosca), Conte di Luna (Il trovatore), Don Carlo (Ernani), Rodrigo (Don Carlo) und Jeletzki (Pique Dame). In der Spielzeit 2023/24 singt er Nabucco in Parma, Rambaldo Fernandez (La rondine) in Zürich und Turin, Sharpless (Madama Butterfly) in Genua, Simon Boccanegra in Helsinki sowie Jago (Otello) in Rom.

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026

Guram Margvelashvili

Guram Margvelashvili is from Georgia. He completed his vocal studies in 2024 at the State Conservatory in Tbilisi. From 2019 to 2023, he was a member of the Tbilisi Opera Studio, where he performed roles such as the Priest and Papageno in "The Magic Flute," Valentin in Gounod’s "Faust," and the title roles in "Don Giovanni" and "Eugene Onegin." He also sang Belcore in Donizetti’s "L’elisir d’amore." Guram Margvelashvili has received several scholarships and was a finalist in the Giuseppe Di Stefano International Singing Competition in Sicily and the Tamar Iveri International Singing Competition in Georgia. Since the 2025/26 season, he has been a member of the International Opera Studio at the Zürich Opera House.

Rigoletto20 / 23 / 27 Dec 2025 / 1 / 4 Jan 2026 Werther14 / 19 Jun / 1 / 4 / 10 Jul 2026 Macbeth8 / 11 / 14 / 19 / 22 / 30 Nov 2025 Carmen18 / 21 / 23 / 27 / 31 Jan 2026 Gianni Schicchi2 / 6 / 8 / 10 / 13 May 2026 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027 Angels in America7 / 9 / 19 / 21 / 23 May 2027

Samuel Wallace

Samuel Wallace is from Brazil, where he studied singing with Lício Bruno. In 2024, he received a scholarship from the Mozarteum Brasileiro and subsequently participated in Rolf Beck’s International Choir Academy in Lübeck. During this time, he gave concerts in Germany as well as at the Philharmonie de Paris under Raphaël Pichon. His operatic repertoire includes roles such as Tamino ("The Magic Flute") and the title role in Guilherme Bernstein’s opera "Serafim und der Ort, an dem man nicht stirbt." In 2024, he performed Dorvil in Rossini’s "La scala di seta" and participated in the Gala Lírica of the 13th Tenor Meeting of Brazil at the Teatro Amazonas in Manaus. He was a semifinalist at the Paris Opera Competition, a finalist at the Maria Callas Competition, and a prizewinner in the Joaquina Lapinha and Natércia Lopes singing competitions. Since 2025/26, he has been a member of the International Opera Studio at the Zurich Opera House.

Manon24 / 27 Sept / 3 / 7 / 10 Oct 2025 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun 2026 Arabella14 / 18 / 22 / 25 / 28 Apr 2026 Sillons de Mémoires5 / 6 / 7 Feb 2026 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027

Mikayel Sargsyan

Cast

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027 Tosca11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027

Thalia Cook-Hansen

Thalia Cook-Hansen, soprano, is from the USA. After studying voice in the USA and Canada, she completed her master’s degree at the Dutch National Opera Academy. She also attended masterclasses with, among others, Elliot Madore, Floris Visser, and Lynne Dawson. In Amsterdam, she performed roles such as Nerina in Haydn’s "La fedeltà premiata," Fanny in Rossini’s "La cambiale di matrimonio," Bastienne in Mozart’s "Bastien et Bastienne," and Adele in "Die Fledermaus." She sang Barbarina ("Le nozze di Figaro") at the Estates Theatre in Prague, as well as the First Lady ("The Magic Flute") and Mademoiselle Silberklang ("Der Schauspieldirektor") in Toronto. Her repertoire also includes roles such as Bubikopf in Viktor Ullmann’s "Der Kaiser von Atlantis," Singer No. 1 in Conrad Susa’s "Transformations," Amore in Monteverdi’s "Il ritorno d’Ulisse in patria," and the title role in Donizetti’s "Lucia di Lammermoor." Since the 2025/26 season, she has been a member of the International Opera Studio at the Zürich Opera House.

Werther14 / 19 Jun / 1 / 4 / 10 Jul 2026 Der Rosenkavalier26 Sept / 1 / 5 / 14 / 17 / 21 / 26 Oct 2025 Macbeth8 / 11 / 14 / 19 / 22 / 30 Nov 2025 Gianni Schicchi2 / 6 / 8 / 10 / 13 May 2026 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Tannhäuser26 Sept / 4 / 9 / 13 Oct 2026 Alice im Wunderland19 / 21 Nov / 6 Dec 2026 / 2 / 7 / 17 Jan 2027 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 Angels in America7 / 9 / 19 / 21 / 23 May 2027 c-Moll-Messe17 Mar 2027

Natália Tuznik

Natália Tuznik, soprano, was born in Budapest and completed her vocal studies at the Franz Liszt Academy of Music there. She was awarded the Junior Prima Prize. In 2023, she was a member of the Opera Academy at the Teatr Wielki in Warsaw and the following year took part in the "Exzellenz Labor Oper," founded by Hedwig Fassbender. She attended numerous masterclasses and worked with artists such as Éva Marton, Claudio Di Segni, Anatoli Goussev, Izabela Kłosińska, Fausto Nardi, Katelan Trần Terrell, Michał Biel, and René Massis. In 2022, she made her debut as Wellgunde ("Götterdämmerung") at the Hungarian State Opera and sang the First Lady ("The Magic Flute") on a tour of Japan. At the Hungarian State Opera, she has also performed the title role in Gluck’s "Iphigenie auf Tauris", Donna Anna ("Don Giovanni"), Alice Ford ("Falstaff"), and most recently Countess Almaviva ("Le nozze di Figaro"). Since the 2025/26 season, she has been a member of the International Opera Studio at the Zürich Opera House.

La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Gianni Schicchi2 / 6 / 8 / 10 / 13 May 2026 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026

Cashlin Oostindië

Cashlin Oostindië is a Dutch mezzo-soprano. She received her training at the Amsterdam Conservatory and in Athens, as well as privately with Lauren Athey-Janka and Eva-Maria Westbroek. During her studies, she was a member of Young Opera Noord Holland, sang Marcellina ("Le nozze di Figaro"), participated in the chorus of Poulenc’s "Dialogues des Carmélites," and performed as a soloist at the Lefkas Music Week Festival in Greece. In concert, she has sung the alto parts in Bruckner’s "Requiem" and Rossini’s "Petite Messe solennelle." She regularly gives song recitals in the Netherlands with pianist Florence van der Does. Since the 2025/26 season, she has been a member of the International Opera Studio at the Zürich Opera House.

Rigoletto20 / 23 / 27 Dec 2025 / 1 / 4 Jan 2026 Der Rosenkavalier26 Sept / 1 / 5 / 14 / 17 / 21 / 26 Oct 2025 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027 Angels in America7 / 9 / 19 / 21 / 23 May 2027 Gianni Schicchi2 / 6 / 8 / 10 / 13 May 2026 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026

Valeriy Murga

Bass Valeriy Murga studied at the National Music Academy of Ukraine in Kyiv. He was a finalist at both the 41st International Singing Competition in Toulouse (1996) and the 7th Julian Gayarre Competition in Pamplona (1998). In 1997, he won second prize at the Maria Callas Grand Prix in Athens and participated in the Cardiff Singer of the World competition in 1999. From 1997 to 1999, he was a soloist at the Ukrainian National Opera in Kyiv, where he performed roles including Figaro (“Le nozze di Figaro”), Escamillo (“Carmen”), Schaunard (“La bohème”), and the title roles in “Eugene Onegin,” “Don Giovanni,” and “Prince Igor.” His repertoire also includes the roles of Marchese di Posa (“Don Carlo”) and Shaklovity (“Khovanshchina”). At the Zürich Opera House, Valeriy Murga was initially a member of the International Opera Studio and during this time performed, among others, Sciarrone and the Jailor (“Tosca”) as well as Monterone (“Rigoletto”). Since the 2000/01 season, he has been a permanent ensemble member at the Zürich Opera House, where he has performed roles such as Prince Yeletsky (“The Queen of Spades”), Moralès (“Carmen”), Second Soldier (“Salome”), Alessio (“La sonnambula”), Ali (“L’italiana in Algeri”), Wagner (“Faust”), Sacristan (“Tosca”), Butler (“La rondine”), and Bogdanovich (“The Merry Widow”), as well as in family operas including “The Canterville Ghost,” “Robin Hood,” “The Enchanted Pig,” “Jim Knopf,” and “Wir pfeiffen auf den Gurkenkönig” He has also appeared as a guest in Eugen d’Albert’s “Tiefland” at the Liceu in Barcelona and in “L’italiana in Algeri” at the Staatsoper Unter den Linden in Berlin.

Manon24 / 27 Sept / 3 / 7 / 10 Oct 2025 Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 / 11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Werther14 / 19 Jun / 1 / 4 / 10 Jul 2026 Hänsel und Gretel20 / 23 Nov / 2 / 16 / 18 Dec 2025 / 2 / 24 / 25 / 31 Jan 2026 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Alice im Wunderland8 / 15 / 19 / 28 Nov 2026 / 2 / 8 / 17 Jan 2027 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027 Herr der Diebe27 Feb / 2 / 4 / 6 / 7 / 9 / 10 / 11 Mar 2027

Benjamin Suran

Cast

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027 Tosca11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027

Sylwia Salamońska-Bączyk

Sylwia Salamońska-Bączyk, soprano, studied with Wojciech Maciejowski in Poznań. She also attended masterclasses with, among others, Olga Pasiecznik, Izabela Kłosińska, Mariusz Kwiecień, Hedwig Fassbender, and Edith Wiens, as well as with vocal coaches and pianists Sofia Muñoz, Maciej Pikulski, Katelan Tran Terrell, and Michał Biel. During her studies, she sang roles such as Lauretta ("Gianni Schicchi") and Zosia (Stanisław Moniuszko’s "Die Geister"). In the 2023/24 season, she was part of the Opera Academy Young Talent Development Programme at the National Opera in Warsaw, where she made her debut as the First Attendant of Dirce in Cherubini’s "Medea" and sang Papagena in Mozart’s "The Magic Flute." Since the 2024/25 season, she has been a member of the International Opera Studio at the Zürich Opera House, where she has performed roles including Nick in Penderbeyne’s "Wir pfeifen auf den Gurkenkönig," in Dove’s "Around the World in 80 Days," Najade ("Ariadne auf Naxos"), and the Boy in Mendelssohn’s "Elijah." This season, she will perform roles including the Dew Fairy ("Hänsel und Gretel") and Shepherd ("Tannhäuser").

Hänsel und Gretel16 / 20 / 23 / 28 / 30 Nov / 2 / 4 / 11 / 16 / 18 / 21 Dec 2025 / 2 / 24 / 25 / 31 Jan 2026 Der Rosenkavalier26 Sept / 1 / 5 / 14 / 17 / 21 / 26 Oct 2025 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026

Sandro Howald

Actor Sandro Howald was born in Switzerland in 1990. He gained his first stage experience at the age of six at the Zug Children's and Youth Theater, where he spent much of his youth. After a semester of classes at the Lee Strasberg Theatre & Film Institute in Los Angeles, California, he began studying acting at the Zurich University of the Arts in 2017. During his studies, he appeared in several short films, took on the role of Dicken in “Auf Hoher See” (On the High Seas) directed by Alexander Stutz at the Theater Neumarkt in 2018, and appeared as Felix Löwenstein in the Theater Lindenhof's production of “Aufstieg und Fall einer Firma” (Rise and Fall of a Company) in the summer of 2019. In the 20/21 season, Sandro Howald was a member of the acting studio at the Theater Orchester Biel Solothurn. Since completing his studies, he has been working as a freelance actor in front of the camera and on stage, which has taken him to the Theater Regensburg and the Theater Winkelwiese in Zurich, among others.

Der Rosenkavalier21 / 26 Sept / 1 / 5 / 14 / 17 / 21 / 26 Oct 2025 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026
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Orchester der Oper Zürich

Cast

Der Rosenkavalier21 / 26 Sept / 1 / 5 / 14 / 17 / 21 / 26 Oct 2025 Tugan Sokhiev12 Jul 2026 Manon24 / 27 Sept / 3 / 7 / 10 Oct 2025 La scala di seta25 / 28 Sept / 19 / 24 Oct 2025 Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 / 11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Capuçon & Heras-Casado4 Oct 2025 Tannhäuser21 / 24 / 27 Jun / 2 / 5 / 8 / 11 Jul / 26 Sept / 4 / 9 / 13 Oct 2026 Cardillac15 / 18 / 21 / 25 Feb / 1 / 6 / 10 Mar 2026 La Damnation de Faust10 / 14 / 17 May 2026 Hänsel und Gretel16 / 20 / 23 / 28 / 30 Nov / 2 / 4 / 11 / 16 / 18 / 21 Dec 2025 / 2 / 24 / 25 / 31 Jan 2026 Carmen18 / 21 / 23 / 27 / 31 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Rigoletto20 / 23 / 27 Dec 2025 / 1 / 4 Jan 2026 Le nozze di Figaro24 / 29 Jan / 1 / 5 / 7 / 10 / 14 Feb 2026 / 2 / 6 / 8 / 15 / 19 May 2027 Fidelio3 / 6 / 10 / 14 / 16 May 2026 Werther14 / 19 Jun / 1 / 4 / 10 Jul 2026 Oiseaux Rebelles12 / 18 / 23 / 25 / 31 Oct / 1 / 9 / 13 Nov / 2 / 5 / 6 / 9 Dec 2025 / 11 / 13 / 16 / 18 / 27 Sept 2026 Macbeth8 / 11 / 14 / 19 / 22 / 30 Nov 2025 Ehnes & Noseda23 Nov 2025 Die Fledermaus7 / 10 / 12 / 14 / 18 / 26 / 28 / 31 Dec 2025 / 2 / 4 / 6 / 10 Jan / 29 Sept / 8 / 17 / 23 / 25 Oct 2026 Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Countertime5 / 7 / 14 Sept 2025 Altstaedt & Chan11 Jan 2026 Jussen & Rustioni8 Feb 2026 Celebratory concert for Ralf Weikert’s 85th birthday22 Feb 2026 Monster's Paradise8 / 14 / 18 Mar / 10 / 12 Apr 2026 Messa da Requiem20 / 22 / 28 Feb / 1 / 5 / 7 Mar / 6 Apr 2026 Arabella14 / 18 / 22 / 25 / 28 Apr 2026 Romeo und Julia23 / 29 / 30 May / 4 / 6 / 7 / 10 / 12 / 14 / 23 / 26 Jun / 20 / 27 / 29 Nov / 6 / 13 / 19 / 26 / 27 Dec 2026 Open-Air-Concert28 Jun 2026 / 4 Jul 2027 Mühlemann & Noseda21 / 28 Mar / 1 Apr 2026 Europa-Tournee 2026 «Messa da Requiem»22 / 23 / 25 / 26 / 29 / 31 Mar 2026 Die Zauberflöte20 / 25 Sept / 6 / 18 / 21 / 24 / 30 Oct 2026 / 2 / 8 / 18 / 20 / 23 Apr 2027 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Ein Sommernachtstraum26 Sept / 11 / 16 / 18 / 25 / 28 / 29 / 31 Oct / 12 / 13 / 14 Nov 2026 / 19 / 22 / 29 Jun / 3 Jul 2027 1th Philharmonic Concert3 Oct 2026 Alice im Wunderland8 / 15 / 19 / 21 / 26 / 28 Nov / 6 Dec 2026 / 2 / 7 / 8 / 10 / 17 Jan 2027 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026 Das Rheingold29 Nov / 4 / 12 / 17 Dec 2026 Gabetta & Noseda7 Nov 2026 Manon Lescaut11 / 15 / 18 / 22 / 26 Dec 2026 Fuchs & Jordan1 / 2 Jan 2027 Trifonov & Järvi16 Jan 2027 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027 Doctor Atomic7 / 11 / 14 / 20 / 24 / 28 Feb 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 Sorita & Lyniv14 Feb 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027 L'elisir d'amore25 / 27 / 29 Apr / 2 / 6 / 9 / 12 / 14 / 17 / 21 May 2027 Balanas & Peltokoski18 Apr 2027 Requiem pour Ophélie4 / 7 / 9 May 2027 See the music, hear the dance22 / 28 May / 6 / 10 / 12 / 15 / 25 / 26 / 27 Jun 2027 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027 Samson et Dalila13 / 17 / 20 / 24 / 27 / 30 Jun / 2 / 9 Jul 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027 Viotti29 May 2027 Rachmaninov – Die drei Opern1 / 4 / 8 / 15 / 18 / 21 / 28 Nov 2026 Benefiz «amiamusica»2 Oct 2026

Chor der Oper Zürich

Der Chor der Oper Zürich bildet mit seinen 60 festangestellten Mitgliedern und der Mitwirkung von bis zu 160 Vorstellungen pro Saison einen wesentlichen Eckpfeiler des künstlerischen Ensembles am Opernhaus Zürich. Er vereinigt unter dem Dach des traditionsreichsten schweizerischen Opernhauses Sängerinnen und Sänger auf höchstem professionellen Niveau, deren musikalische und stilistische Versiertheit sich mit darstellerischer Gestaltungskraft und spontaner Spielfreude verbinden. Regelmässig stellen seine Mitglieder auch als Solisten ihr künstlerisches Format unter Beweis. Der Chor spiegelt in seiner internationalen Zusammensetzung den Anspruch und die Strahlkraft der Oper Zürich wieder, die sich durch zahlreiche DVD-Aufnahmen erwiesen haben und 2104 mit dem Preis der «Opera Company of the Year» ausgezeichnet wurden. Wichtige musikalische Impulse erhielten die Chormitglieder durch die Arbeit mit Dirigenten wie Nello Santi, Nikolaus Harnoncourt, Franz Welser-Möst, Bernard Haitink, Riccardo Chailly, Valery Gergiev, Daniele Gatti, Zubin Mehta und Fabio Luisi. Ihre schauspielerischen Fähigkeiten entwickelten sie im Dialog mit Regisseuren wie David Pountney, Robert Wilson, Harry Kupfer, Peter Stein, Peter Konwitschny oder Andreas Homoki. Gastspiele führten den Chor nach Tokio (Der Rosenkavalier und La traviata), London (Die Meistersinger von Nürnberg, Tannhäuser, Der fliegende Holländer), Paris (La cenerentola, Fierrabras), Athen (Carmen, Idomeneo) oder nach Rom, wo er anässlich einer Papstmesse zur Feier des 500-jährigen Bestehens der Schweizer Garde Mozarts Krönungsmesse aufführte. Als «International Chamber Vocalists» wirkte der Chor der Oper Zürich in der 2014 mit einem Echo-Preis ausgezeichneten Neueinspielung von Vincenzo Bellinis Norma mit.

Der Rosenkavalier21 / 26 Sept / 1 / 5 / 14 / 17 / 21 / 26 Oct 2025 Manon24 / 27 Sept / 3 / 7 / 10 Oct 2025 Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 / 11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 La clemenza di Tito26 / 29 Apr / 3 / 8 / 15 / 17 / 20 / 25 May 2026 / 7 / 10 / 12 / 16 / 18 / 21 Mar 2027 Tannhäuser21 / 24 / 27 Jun / 2 / 5 / 8 / 11 Jul / 26 Sept / 4 / 9 / 13 Oct 2026 Cardillac15 / 18 / 21 / 25 Feb / 1 / 6 / 10 Mar 2026 La Damnation de Faust10 / 14 / 17 May 2026 Carmen18 / 21 / 23 / 27 / 31 Jan 2026 Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Rigoletto20 / 23 / 27 Dec 2025 / 1 / 4 Jan 2026 Le nozze di Figaro24 / 29 Jan / 1 / 5 / 7 / 10 / 14 Feb 2026 Fidelio3 / 6 / 10 / 14 / 16 May 2026 Così fan tutte3 / 7 / 9 / 12 Jul 2026 Macbeth8 / 11 / 14 / 19 / 22 / 30 Nov 2025 Die Fledermaus7 / 10 / 12 / 14 / 18 / 26 / 28 / 31 Dec 2025 / 2 / 4 / 6 / 10 Jan / 29 Sept / 8 / 17 / 23 / 25 Oct 2026 Messa da Requiem20 / 22 / 28 Feb / 1 / 5 / 7 Mar / 6 Apr 2026 Arabella14 / 18 / 22 / 25 / 28 Apr 2026 Europa-Tournee 2026 «Messa da Requiem»22 / 23 / 25 / 26 / 29 / 31 Mar 2026 Die Zauberflöte20 / 25 Sept / 6 / 18 / 21 / 24 / 30 Oct 2026 / 2 / 8 / 18 / 20 / 23 Apr 2027 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Rachmaninov – Die drei Opern1 / 4 / 8 / 15 / 18 / 21 / 28 Nov 2026 Manon Lescaut11 / 15 / 18 / 22 / 26 Dec 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 Doctor Atomic7 / 11 / 14 / 20 / 24 / 28 Feb 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027 L'elisir d'amore25 / 27 / 29 Apr / 2 / 6 / 9 / 12 / 14 / 17 / 21 May 2027 Requiem pour Ophélie4 / 7 / 9 May 2027 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027 Samson et Dalila13 / 17 / 20 / 24 / 27 / 30 Jun / 2 / 9 Jul 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027

Abstract

Magda leaves her wealthy patron when she meets the young Ruggero. Yet the feeling of a first love cannot be repeated. Puccini’s "La rondine" ("The Swallow"), composed as a commission for Vienna’s Carltheater, is an unusual blend of opera and operetta that puzzled critics: too heavy for some, too light for others. Despite several revised endings, Puccini regarded his "problem child" as a jewel that is still rarely performed today. Christof Loy stages this work as a compelling rediscovery. The musical direction is in the hands of Marco Armiliato.

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Synopsis

Back story
Magda, an orphan, grew up with an old aunt in Paris. When she was seventeen, the shy girl ran away for an evening and found her way to the Café Bullier, a dance hall where young students as well as rich bankers and pleasure-seeking widows meet. That evening Magda met a young student and they both fell in love. But Magda suddenly became afraid of her own courage, head over heels, left the student in the café and ran back to her aunt.

Many years have passed since then and she has never been able to get the student out of her mind. Her life was not as romantic as she had hoped. She was denied a profession of her own, and finally she had to capitalise on her beauty. The rich gentlemen of Parisian society now adorned themselves with her like a trophy, and so she passed from hand to hand. Now she has been the courtesan of the banker Rambaldo for some time, who offers her a life of luxury. She gives him her body in return, but not her feelings.

Act One
In the flat that Rambaldo puts at her disposal, Magda de Civry, as she is known in Parisian society, gives an afternoon reception. The guests are Rambaldo, his business associates and their female companions, young women whose lives have been no different from Magda's. Also invited that afternoon is the poet Prunier, an acquaintance from the days when she still moved in artistic circles and money played no role in her life. Prunier improvises a romance in front of the guests about the steadfast Doretta, who does not allow herself to be seduced by the king and his wealth. When he breaks off in the middle of his recital, Magda spontaneously invents the ending of the song. Doretta would one day find happiness in the arms and kiss of a young student. Everyone is impressed and almost a little affected by the passionate and unexpected devotion that the otherwise reserved Magda suddenly displays.

She reveals the secret behind this outburst to her friends and tells them the story of her youth, when for a few hours she discovered the happiness of love with the young student in the Café Bullier. While the women retire to an adjoining room where the poet Prunier is busy predicting their future, Rambaldo receives a young man, the son of a business friend from the province of southern France. While Magda is still following Prunier's prophecy that her life will be like that of a swallow, a «rondine», namely like a journey towards the light and happiness with a return to an uncertain future, her friends take care of the young provincial Ruggero. They give him advice on where best to spend the first evening in the cosmopolitan city of Paris. Finally, the maid Lisette speaks up: the best place to have a good time is the legendary Café Bullier. Suddenly all the guests set off to plunge into Paris at night.

Almost without noticing it herself, Magda had been watching young Ruggero, and memories of the experience with the young student she had met at the Café Bullier rise up in her again. She wants to return to the past, relive the moment of that time and transform herself into the girl from back then. She sets off for the Café Bullier. The maid Lisette also has an evening out. She has arranged to meet the poet Prunier. She is, even if he is embarrassed for her, his muse, whom he loves. The two of them also set off to go out in Paris, Lisette having secretly helped herself to her mistress Magda's wardrobe for the evening out.

Act Two
At the Café Bullier, Magda meets the young man she had only seen from a distance a few hours earlier in her salon. He, Ruggero, had hardly noticed her and does not recognize her.  Both are fascinated by each other and the magic of Café Bullier begins to work. They find each other in the dance and can't let go of each other. He asks her her name, she not only conceals her real name, but also gives him nothing more about herself, while he happily tells her about life in his home town of Montauban. Both also meet Prunier and Lisette in the café. Lisette thinks she recognises her mistress Magda, but is completely taken aback when Ruggero introduces her as his girlfriend Paulette. All four give in to their illusions, dreams, and toast to love, or rather to life, which in turn gives them love.

But Magda has an awakening when she realises that she is being secretly watched by Rambaldo. As Prunier manages to distract Ruggero, Magda and her financier Rambaldo come to a confrontation. In an act of superhuman effort, she renounces Rambaldo and her previous life. She wants to realise her lifelong dream and experience the happiness of love with Ruggero, to make up for what she missed years ago. Rambaldo withdraws. Magda trembles with happiness in Ruggero's arms and can hardly believe the decision she has just made.

Act Three
Magda and Ruggero have now been spending several weeks in a hotel near Nice. Magda is still trying to maintain the illusion of happiness, but Ruggero is more realistic and has secretly contacted his parents to help him and his new girlfriend out financially. One late summer morning he finally informs Magda of this - and says even more, namely that he has asked his parents to agree to marry her. Magda, who still keeps quiet about the life she has led, suspects that her dream of great happiness will soon end. While he describes his dream to her, life in a small town with a house, a garden and a child, she realises that she must end this relationship. But she is not yet ready to do so. Prunier has found out where Magda is and wants to help her get back to her former life. He comes with news from Rambaldo that he would forgive her and is ready to «support» her again. Prunier wants to convince Magda that it is the right thing for her to return to Rambaldo. He and Lisette had also come to an arrangement, and he had to realise that he could never make an avant-garde artist out of a woman who felt born to be a maid. Magda asks Prunier to spare her this advice. An intimate friendship comes to an end.

When Ruggero finally arrives overjoyed with a letter from his mother welcoming her son's wish, who has surely found an honourable and virtuous girl, Magda finally breaks her silence and makes it clear to Ruggero that they must separate. She has lied to him and can never be the wife he imagines. Although they love each other, Magda breaks away from Ruggero, who hardly understands what is going on. Magda goes back to her former life, back to her luxurious existence, to her pain and her dreams... and already it seems that her love with Ruggero was only a dream, too.


Written by Christof Loy