Madama Butterfly

Giacomo Puccini

Tragedia giapponese in two acts
Libretto by Giuseppe Giacosa and Luigi Illica

From 30. December 2025 until 16. January 2026

  • Duration :
    2 H. 45 Min. Inkl. Pause after approx. 50 Min.
  • Language:
    In Italian with German and English surtitles.
  • More information:
    Introduction 45 min before the performance.

Music Direction:
Evan Rogister

Evan Rogister

Evan Rogister is regarded as one of the most versatile conductors on the international scene, with projects ranging from the "Ring" cycle for the Gothenburg Opera (2018–2022) and his 2023 conducting of "Don Giovanni" with the Orchestra of the Age of Enlightenment at Glyndebourne to interpretations of contemporary works such as the opera "Fire Shut Up in My Bones" at the Metropolitan Opera in New York in 2021. From 2018 to 2025 he served as music director of the Washington National Opera and the Kennedy Center Opera House Orchestra. He has conducted ensembles such as the Swedish Radio Symphony Orchestra, the Bergen Philharmonic Orchestra, the Orchestre National du Capitole de Toulouse, the National Symphony Orchestra, the Gothenburg Symphony, the Luxembourg Philharmonic Orchestra and the Essen Philharmonic. In the 2017/18 season he made his debut at the Metropolitan Opera in New York with Mozart’s "Die Zauberflöte". He has also conducted operas such as "Tannhäuser" and "Rienzi" at Deutsche Oper Berlin, "Lohengrin" at the Bolshoi Theatre in Moscow and at the Royal Swedish Opera, "Elektra" at the Kennedy Center, Bartók’s "Duke Bluebeard’s Castle" and Schoenberg’s "Erwartung" in a double bill at the opera houses in Gothenburg and Seattle, "Otello" in Berlin and Luxembourg, as well as "Le nozze di Figaro" at Malmö Opera. In 2024 he made his debut with a concert programme at the Festival d’Aix-en-Provence and returned there in the summer of 2025. He is also committed to fostering the next generation of artists and regularly gives masterclasses, including through his collaboration with the Metropolitan Opera’s Laffont Competition. His debut recording on Deutsche Grammophon, "Follow, Poet", with the American ensemble LPR, was released in 2015.

Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026
Director:
Ted Huffman

Ted Huffman

Ted Huffman was born in New York. He studied at Yale University and participated in the San Francisco Merola Opera Program. The opera "Denis & Katya", created together with Philip Venables (Opera Philadelphia, Dutch National Opera, Music Theatre Wales, Opéra Montpellier, Opera Hannover), won the Fedora Generali Prize in 2019 and the Ivor Novello Award in 2020. With Philip Venables he also developed the opera "4.48 Psychosis" after Sarah Kane, which premiered at the Royal Opera House in London, received the UK Theatre Award for Opera, and was nominated for the Olivier Awards, the Royal Philharmonic Society Awards and the South Bank Awards, as well as "The Faggots and Their Friends Between Revolutions" (among others Factory International Manchester, Festival d’Aix-en-Provence, Bregenz Festival, Ruhrtriennale). In 2025 he directed the world premiere of Venables’s opera "We Are The Lucky Ones" at Dutch National Opera. Further directing work includes "The Time of Our Singing" at La Monnaie, "Rinaldo" in Frankfurt, "A Midsummer Night’s Dream" at Deutsche Oper Berlin, "Le premier meurtre" at the Opéra de Lille, "Il trionfo del Tempo e del Disinganno" at the Royal Danish Theatre, Luke Styles’s "Macbeth" at Glyndebourne, Ana Sokolović’s "Svádba" in Aix, "Les mamelles de Tirésias" among others in Brussels, Amsterdam and at the Aldeburgh Festival, as well as Monteverdi’s "L’incoronazione di Poppea" in Aix and "Street Scene" at the Paris Opéra. The world premiere of Stefan Wirth’s "Das Mädchen mit dem Perlenohrring" at Zurich Opera House was named "Best World Premiere 2022" by Opernwelt. In addition, "Madama Butterfly" (2017) and "Roméo et Juliette" (2023) were produced in Zurich.

Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026
Stage design:
Michael Levine

Michael Levine

Michael Levine comes from Canada. He studied at the Central School of Art and Design in London and has been working internationally as a stage and costume designer for almost forty years. Among the directors with whom he regularly collaborates are Andreas Homoki, Robert Carsen, Deborah Warner, Simon McBurney and Tim Albery. He designed sets, among others, for "Die tote Stadt" at the Komische Oper Berlin, "Hell’s Fury, The Hollywood Songbook" at the Luminato Festival Toronto, "The Rake’s Progress" at the Festival d’Aix-en-Provence, "Billy Budd" at the opera houses in Madrid and Rome, "Hänsel und Gretel" and "Turandot" at Dutch National Opera, "Madama Butterfly" at the Bregenz Festival, and "Parsifal" at the Opéra National de Lyon and at the Metropolitan Opera in New York. In 2022 he made his debut at the Bavarian State Opera in Munich with the stage design for Barrie Kosky’s "Das schlaue Füchslein" and returned there for "Semele" (2023) and "Die Liebe der Danae" (2025), both directed by Claus Guth. In 2023 he created the Schubert-inspired evening "Doppelgänger" for the Park Avenue Armory in New York, as well as "Chicago" at the Komische Oper Berlin and "Carmen" at the Metropolitan Opera in New York. At Zurich Opera House he worked with Andreas Homoki on "Wozzeck" (2015), "Sweeney Todd" (2018), "Iphigénie en Tauride" (2020) and "Ariadne auf Naxos" (2024). He also designed the set for Ted Huffman’s "Madama Butterfly" (2017) and for Cathy Marston’s ballet "Atonement" (2024). Michael Levine’s work has received numerous awards. In 1981 he was appointed "Chevalier des Arts et des Lettres".

Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026
Costumes:
Annemarie Woods

Annemarie Woods

The Irish costume and set designer Annemarie Woods won the Ring Award in Graz in 2011 together with the British director Sam Brown. In joint productions with Sam Brown she designed, among others, "I Capuleti e i Montecchi" at the Teatro Sociale di Como, "Der Zigeunerbaron" at Stadttheater Klagenfurt, "Sigurd der Drachentöter" at the Bavarian State Opera in Munich, "Il trionfo del Tempo e del Disinganno" at the Badisches Staatstheater Karlsruhe, the world premiere of Gerald Barry’s opera "The Importance of Being Earnest" at the Opéra National de Lorraine in Nancy, and "La Cenerentola" at Lucerne Theatre. She also has a long-standing collaboration with director Oliver Mears, for whose productions of "Macbeth", "Salome", "L’elisir d’amore" and "Don Giovanni" she likewise designed the costumes and sets. Further works include "Candide" in Nancy, "Agrippina" in Limerick, "My Fair Lady" in Karlsruhe and "L’Heure espagnole/Gianni Schicchi" (directed by Bruno Ravella) at the Opéra National de Lorraine. With Ted Huffman she collaborated, among other projects, in Frankfurt on "Rinaldo", in Cologne on "Salome", in Montpellier on "Le Songe d’une nuit d’été", at Deutsche Oper Berlin on "A Midsummer Night’s Dream" and in Zurich on "Madama Butterfly". She also designed the costumes for "Pagliacci/Cavalleria rusticana" in Amsterdam (directed by Robert Carsen), for "La traviata" at the Komische Oper Berlin (directed by Nicola Raab) and for "Osud" at the Janáček Brno Festival (directed by Robert Carsen). At Zurich Opera House she designed the costumes for Adele Thomas’s production of "Il trovatore", Ted Huffman’s productions of "Madama Butterfly", "Girl with a Pearl Earring" and "Roméo et Juliette", as well as for Evgeny Titov’s production of "L’Orfeo".

Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026
Lighting designer:
Franck Evin

Franck Evin

Franck Evin, born in Nantes, moved to Paris at the age of 19 to study piano. At night he accompanied singers at the café théâtre Le Connétable and also began to take an interest in lighting. He eventually decided on a combination of music and technology. Thanks to a scholarship from the French Ministry of Culture, he became assistant to the head of lighting at the Opéra de Lyon in 1983. There he worked, among others, with Ken Russell and Robert Wilson. In 1986 he began working as a freelance lighting designer at the Düsseldorfer Schauspielhaus and passed the master lighting designer examination in 1993. Particularly close during this period was his collaboration with Werner Schröter and with the conductor Eberhard Kloke. This was followed by productions in, among other places, Nantes, Strasbourg, Paris, Lyon, Vienna, Bonn, Brussels and Los Angeles. From 1995 to 2012 he was artistic director of the lighting department at the Komische Oper Berlin and was responsible there for all new productions. During this time, Andreas Homoki, Barrie Kosky, Calixto Bieito and Hans Neuenfels became especially important collaborators for him. In 2006 Franck Evin was awarded the "OPUS" in the category of lighting design. From the 2012/13 season to 2024/25 he worked as artistic director of the lighting department at Zurich Opera House. In addition to his work in Zurich, he continued to be involved as a guest in international productions, for example at the opera houses in Oslo, Stockholm, Tokyo, Amsterdam, Munich and Graz, as well as at the Opéra Bastille, La Scala in Milan, Teatro La Fenice, Vlaamse Opera and the Bayreuth Festival.

Carmen18 / 21 / 23 / 27 / 31 Jan 2026 Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun 2026 Fidelio3 / 6 / 10 / 14 / 16 May 2026 Così fan tutte3 / 7 / 9 / 12 Jul 2026
Chorus Master:
Ernst Raffelsberger

Ernst Raffelsberger

Ernst Raffelsberger comes from Gmunden, Upper Austria. He studied music education and church music at the University of Music and Performing Arts in Vienna, as well as choral conducting at the Salzburg Mozarteum. From 1983 to 1986, he was Kapellmeister of the Vienna Boys’ Choir. During this time, he led the ensemble in Vienna and on tours throughout Europe, South Africa, Canada, and the USA. Starting in 1986, Ernst Raffelsberger served as Chorus Director and Kapellmeister at the Landestheater Salzburg (participating in the Salzburg Mozart Week and the Salzburg Festival). In 1989, he moved to the theater in Freiburg im Breisgau as Chorus Director and Kapellmeister. Since autumn 1993, Ernst Raffelsberger has been engaged as Chorus Director at the Zurich Opera House. By now, he has overseen around 150 premieres and countless revivals, collaborating with many renowned conductors such as Marco Armiliato, Riccardo Chailly, Teodor Currentzis, Christoph von Dohnányi, Sir John Eliot Gardiner, Daniele Gatti, Bernard Haitink, Nikolaus Harnoncourt, Zubin Mehta, Gianandrea Noseda, and Franz Welser-Möst. Guest performances with the Zurich Opera House have taken him to Vienna, London, Paris, and Tokyo. Beginning in the summer of 2012, he additionally started a 10-year tenure as Chorus Director of the Concert Association of the Vienna State Opera Chorus at the Salzburg Festival. Here, he successfully collaborated with, among others, Riccardo Muti, Mariss Jansons, and Sir Simon Rattle. After concluding this work with the 2021 festival summer, he has once again been responsible—since 2025 and at the request of Maestro Muti—for the choral preparation for his festival concerts in Salzburg.

Numerous CD and DVD recordings document his work in both Zurich and Salzburg.

Manon24 / 27 Sept / 3 / 7 / 10 Oct 2025 Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 La clemenza di Tito26 / 29 Apr / 3 / 8 / 15 / 17 / 20 / 25 May 2026 Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Le nozze di Figaro24 / 29 Jan / 1 / 5 / 7 / 10 / 14 Feb 2026 Die Fledermaus7 / 10 / 12 / 14 / 18 / 26 / 28 / 31 Dec 2025 / 2 / 4 / 6 / 10 Jan 2026 Messa da Requiem20 / 22 / 28 Feb / 1 / 5 / 7 Mar / 6 Apr 2026 Arabella14 / 18 / 22 / 25 / 28 Apr 2026
Assistant choreographer:
Sonoko Kamimura

Sonoko Kamimura

Sonoko Kamimura comes from Gifu, Japan. She began her classical dance training at the Reiko Matsuoka Ballet Studio in Nagoya. She then studied contemporary dance at Codarts University of the Arts in Rotterdam. After her career as a dancer with Scapino Ballet Rotterdam and as a guest dancer with the Forsythe Company, she became self-employed as a choreographic assistant for opera productions. She first collaborated with Ted Huffman in 2017 on "Madama Butterfly" at Zurich Opera House. In close collaboration with Ted Huffman, she subsequently worked on his productions of "Il trionfo del Tempo e del Disinganno" at the Royal Danish Opera and at the Opéra National de Montpellier, "Les Mamelles de Tirésias" at the Palau de les Arts Reina Sofía, "Die Vögel" at the Opéra National du Rhin and "Girl with a Pearl Earring", again in Zurich. As a choreographic assistant, she worked with Christopher Roman on "Mexico Aura" at the Neuköllner Oper Berlin in 2022, and in the same year she served as movement consultant for "Madama Butterfly" at the Royal Opera House in London.

Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026
Dramaturgy:
Fabio Dietsche

Fabio Dietsche

Fabio Dietsche studierte Dramaturgie an der Zürcher Hochschule der Künste sowie Querflöte bei Maria Goldschmidt in Zürich und bei Karl-Heinz Schütz in Wien. Erste Erfahrungen als Dramaturg sammelte er 2012/13 bei Xavier Zuber am Konzert Theater Bern, wo er u.a. Matthias Rebstocks Inszenierung von neither (Beckett/Feldman) in der Berner Reithalle begleitete. Seit 2013 ist er Dramaturg am Opernhaus Zürich, wo er sein Studium mit der Produktionsdramaturgie von Puccinis La bohème abschloss. Hier wirkte er u.a. bei den Uraufführungen von Stefan Wirths Girl with a Pearl Earring und Leonard Evers Odyssee, an der Kammeroper Jakob Lenz von Wolfgang Rihm und an der Schweizerischen Erstaufführung von Manfred Trojahns Orest mit. Er arbeitete u.a. mit Robert Carsen, Tatjana Gürbaca, Rainer Holzapfel, Andreas Homoki, Ted Huffman, Mélanie Huber, Barrie Kosky, Hans Neuenfels und Kai Anne Schuhmacher zusammen. Zurzeit studiert er berufsbegleitend Kulturmanagement an der Universität Zürich.

Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Monster's Paradise8 / 14 / 18 Mar / 10 / 12 Apr 2026 Gianni Schicchi2 / 6 / 8 / 10 / 13 May 2026

Cast


Cio-Cio-San Elena Guseva


Suzuki Siena Licht Miller


Benjamin Franklin Pinkerton Stefan Pop


Sharpless Davide Luciano


Goro Martin Zysset


Fürst Yamadori / Der Standesbeamte Steffan Lloyd Owen


Onkel Bonze Stanislav Vorobyov


Der kaiserliche Kommissar Lobel Barun


Kate Pinkerton Flavia Stricker

Elena Guseva

The soprano Elena Guseva, born in Kurgan, Russia, initially studied choral conducting at the Shostakovich Conservatory in her hometown before taking up vocal studies at the Moscow State Conservatory with Galina Pisarenko. She is a regular guest at the Stanislavsky Theatre in Moscow, where she has been heard in major roles of her repertoire. These include, among others, Leonora ("La forza del destino"), Mimì ("La bohème"), the title role in "Tosca", Tatyana ("Eugene Onegin") and Lisa ("Pique Dame"). One of her signature roles is Cio-Cio-San ("Madama Butterfly"), which she has sung, among other places, at the Hamburg State Opera, Deutsche Oper Berlin, the Bavarian State Opera in Munich and at the Bregenz Festival. Further guest engagements have taken her to La Scala in Milan, the Vienna State Opera, the Semperoper Dresden, Theater Basel, Teatro Real in Madrid, the Opéra national de Lyon and the Savonlinna Opera Festival. Most recently she has sung, among others, Marietta ("Die tote Stadt") in Munich, Elisabetta di Valois ("Don Carlo") in Dresden, Lisa in Lyon and Hamburg, Aida and the Foreign Princess ("Rusalka") in Munich, Giordano’s "Fedora" in Geneva, Maddalena ("Andrea Chénier") in Moscow, as well as Verdi’s Requiem under Riccardo Muti in Chicago.

Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 La forza del destino21 / 26 / 29 Nov / 17 / 21 Dec 2025

Siena Licht Miller

Siena Licht Miller, a German-American mezzo-soprano, studied voice at the Curtis Institute of Music and the Oberlin Conservatory of Music. She completed her training with courses at Opera Philadelphia, the Santa Fe Opera, the Opera Theatre of St. Louis, and the Aspen Music Festival. She is a fellow of the Bagby Foundation and a prizewinner of the Metropolitan Opera National Council Auditions, the Marilyn Horne Rubin Foundation, and the Gerda Lissner Foundation. Highlights of her career so far include role debuts as Hermia in “A Midsummer Night’s Dream,” Second Lady in “Die Zauberflöte,” and one of the two solo parts in the world premiere of Philip Venables’ “Denis and Katya” at Opera Philadelphia. At the Aspen Opera Center, she sang the title role in Ravel’s “L’Enfant et les sortilèges” under the direction of Robert Spano. She regularly devotes herself to art song, performing in the “The Song Continues” series at Carnegie Hall in honor of her mentor Marilyn Horne and touring the U.S. with a recital alongside pianist Kevin Murphy. In the 2020/21 season, she was a member of the International Opera Studio at the Zurich Opera House, performing in productions such as “Maria Stuarda,” “Simon Boccanegra,” “Viva la mamma,” “Salome,” “Odyssey,” the ballet “Monteverdi,” “L’italiana in Algeri,” and as Flosshilde in “Das Rheingold.” Since the 2022/23 season, she has been a member of the Zurich Opera House ensemble and has recently appeared in “Barkouf,” “Salome,” “Anna Karenina,” “Lakmé,” “La rondine,” “Die Walküre,” and “Götterdämmerung,” as well as in the title role of Handel’s “Serse” at Theater Winterthur.

La scala di seta25 / 28 Sept / 19 / 24 Oct 2025 La clemenza di Tito26 / 29 Apr / 3 / 8 / 15 / 17 / 20 / 25 May 2026 Carmen18 / 21 / 23 / 27 / 31 Jan 2026 Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Così fan tutte3 / 7 / 9 / 12 Jul 2026 Hänsel und Gretel20 / 23 Nov / 2 / 16 / 18 Dec 2025 / 2 / 24 / 25 / 31 Jan 2026

Stefan Pop

The tenor Stefan Pop was born in Romania in 1987. He received his vocal training, among other places, at the Gheorghe Dima Academy of Music in Cluj-Napoca. He is the winner of numerous singing competitions, including the Hariclea Darclée Competition and the Sabin Drăgoi Competition. At the International Music Competition in Seoul he won first prize, and in 2010 he received both first prize and the audience award at Plácido Domingo’s Operalia Competition. In addition to appearances at the Cluj-Napoca Opera, he portrayed Nemorino ("L’elisir d’amore") at the National Opera in Timișoara. He made his debut as Alfredo ("La traviata") at the Teatro dell’Opera in Rome, in Athens and at the Vienna State Opera, and appeared as Nemorino at the Teatro Lirico in Trieste. Since then, his engagements have taken him, among other places, to the Vienna State Opera, Deutsche Oper Berlin, Hamburg State Opera, the Teatro Carlo Felice in Genoa, as well as to Trieste, Bucharest and Tel Aviv. Stefan Pop also maintains an active international concert career. Conductors with whom he has worked include Zubin Mehta, Fabio Luisi, Daniele Gatti, Michele Mariotti and Nello Santi. A concert tour with Angela Gheorghiu took him to Seoul, Shanghai and Muscat, Oman. Among future plans is his debut at the Royal Opera House Covent Garden in London in the summer of 2026 as Rodolfo ("La bohème").

Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026

Davide Luciano

The Italian baritone Davide Luciano comes from Benevento and studied with Gioacchino Zarrelli, with whom he continues to work. He has appeared at renowned houses such as the Metropolitan Opera in New York, La Scala in Milan, the Vienna State Opera, the Bavarian State Opera in Munich and the Teatro San Carlo in Naples, and has performed at leading festivals, including the Rossini Festival in Pesaro and the Salzburg Festival, where he made his debut as Don Giovanni in 2021 under the direction of Teodor Currentzis. He made his debut at the Metropolitan Opera in New York in the role of Belcore ("L’elisir d’amore") and returned there as Marcello ("La bohème") and Sharpless ("Madama Butterfly"). More recent engagements include Belcore at La Scala in Milan, Guglielmo ("Così fan tutte") and Count Almaviva ("Le nozze di Figaro") at Dutch National Opera, his role debut as Lescaut ("Manon Lescaut") at the Vienna State Opera, Zurga ("Les pêcheurs de perles") at the Teatro Massimo in Palermo, as well as Marcello at the Teatre Principal de Maó (Menorca). He is a regular guest at Deutsche Oper Berlin, where he has sung, among others, the title roles in "Don Giovanni" and "Le nozze di Figaro" as well as Marcello, Belcore and Lord Guglielmo Cecil ("Maria Stuarda"). As a member of the Accademia Rossiana, Davide Luciano has appeared several times at the Rossini Opera Festival in Pesaro, including as Don Profondo ("Il viaggio a Reims"), Haly ("L’italiana in Algeri") and Figaro.

Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026

Martin Zysset

Martin Zysset was born and raised in Solothurn. He trained as a clarinetist while simultaneously studying voice, complementing his education with master classes with Ernst Haefliger and Edith Mathis. In 1990/91, he was a member of the International Opera Studio at Zurich Opera House and, at the same time, a scholarship holder of the Migros Culture Percentage and a prizewinner of the Pro Arte Lyrica Competition in Lausanne. Since 1992, he has been a regular guest at the Selzach Summer Festival. He has been a permanent member of the Zurich Opera House ensemble since the 1991/92 season, where he has built up a wide-ranging repertoire encompassing both comic and dramatic roles, including Pedrillo, Monostatos, Spoletta, Incredibile (“Andrea Chénier”), Jaquino, Kudrjasch (“Káťa Kabanová”), Alfred (“Die Fledermaus”), Tamino, Tybalt, Dancaïro, Arturo, the Witch, Brighella, and the male lead in Udo Zimmermann’s “Weiße Rose.” He achieved great success as Simplicius in Johann Strauss’s operetta of the same name, which was also released on CD and DVD. Guest performances have taken him throughout Europe, to Shanghai, and to San Diego with “The Magic Flute,” “Le nozze di Figaro,” “Fidelio,” and “Tannhäuser.” For Bavarian Radio, he recorded Lehár’s operetta “Paganini.” Most recently at Zurich Opera House, he has appeared as Don Basilio (“Le nozze di Figaro”), Tschekalinski (“The Queen of Spades”), Triquet (“Eugene Onegin”), the Chief Eunuch (“The Land of Smiles”), Goro (“Madama Butterfly”), Spoletta (“Tosca”), Dormont (“La scala di seta”), the White Minister (“Le Grand Macabre”), the Devil/Narrator (“The Soldier’s Tale”), the Third Jew (“Salome”), Schmidt (“Werther”), and Feri (“The Csárdás Princess”).

La scala di seta25 / 28 Sept / 19 / 24 Oct 2025 Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun 2026 Le nozze di Figaro24 / 29 Jan / 1 / 5 / 7 / 10 / 14 Feb 2026 Werther14 / 19 Jun / 1 / 4 / 10 Jul 2026 Arabella14 / 18 / 22 / 25 / 28 Apr 2026

Steffan Lloyd Owen

Steffan Lloyd Owen, baritone, is from Wales and studied at the Royal Northern College of Music in Manchester. He has received numerous singing awards in the United Kingdom, including the W. Towyn Roberts Scholarship Prize, the Blue Riband Osborne Roberts Memorial Prize at the National Eisteddfod of Wales, and the Kathleen Ferrier Bursary Prize. In 2025, he won the Josep Palet Singing Competition and was selected as a finalist in the Paris Opera Competition. He has sung Sciarrone and the Jailer in a semi-staged production of "Tosca" alongside Sir Bryn Terfel and Kristine Opolais at the Llangollen International Musical Eisteddfod, Escamillo ("La tragédie de Carmen") at the Buxton International Festival, the Doctor in Verdi’s "Macbeth" at Mid Wales Opera, as well as the title role in Hans Krása’s children’s opera "Brundibár" and Guglielmo ("Così fan tutte") at Welsh National Opera. Concert highlights include Mozart’s "Requiem" with the Orchestre National de Bretagne in Rennes, as well as Beethoven’s Mass in C major and "Choral Fantasy" with the BBC National Orchestra and Chorus of Wales and the Orchestra of Welsh National Opera. Since the 2024/25 season, he has been a member of the International Opera Studio at the Zurich Opera House, where he has already sung roles such as the Usher ("Rigoletto"), Silvano ("Un ballo in maschera"), Hermann ("Les Contes d’Hoffmann"), and Sciarrone ("Tosca").

Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun 2026 Rigoletto20 / 23 / 27 Dec 2025 / 1 / 4 Jan 2026

Stanislav Vorobyov

Stanislav Vorobyov is a native of Russia and studied at the Moscow Conservatory. He was a member of the International Opera Studio and has been part of the ensemble at Zurich Opera House since the 2018/19 season. In Zurich, he has appeared in roles such as Colline (“La bohème”), Alidoro (“La Cenerentola”), High Priest (“Nabucco”), Notary (“Der Rosenkavalier”), Reinmar von Zweter (“Tannhäuser”), Faust (“The Fiery Angel”), Zaretsky (“Eugene Onegin”), Cesare Angelotti (“Tosca”), Fifth Jew and First Nazarene (“Salome”), Lord Rochefort (“Anna Bolena”), Doctor Grenvil (“La traviata”), Crébillon (“La rondine”), and Zuniga (“Carmen”), as well as Roberto (“I vespri siciliani”), Roucher (“Andrea Chénier”), and the Police Commissioner (“Der Rosenkavalier”). He also sang Don Basilio (“Il barbiere di Siviglia”) at the Bregenz Festival, Nourabad (“Les Pêcheurs de perles”) at Opera Vlaanderen and in Luxembourg, and Ombra di Nino (“Semiramide”) at the Concertgebouw in Amsterdam. At the Bregenz Festival, he also appeared as Uncle Bonzo in “Madama Butterfly” and as Il capitano/L’ispettore in Umberto Giordano’s “Siberia.” In 2024, he was additionally heard as Colline (“La bohème”) at the Tokyo Metropolitan Theatre and ROHM Theatre Kyoto.

Cardillac15 / 18 / 21 / 25 Feb / 1 / 6 / 10 Mar 2026 La Damnation de Faust10 / 14 / 17 May 2026 Carmen18 / 21 / 23 / 27 / 31 Jan 2026 Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Der Rosenkavalier21 / 26 Sept / 1 / 5 / 14 / 17 / 21 / 26 Oct 2025

Lobel Barun

Lobel Barun, bass, is from Croatia. He studied with Alexei Tanovitski in Zagreb. In 2023, he won the special prize "Željko Lučić" at the International Singing Competition "Lazar Jovanović" in Belgrade. In the same year, he made his debut at the Croatian National Theatre in Zagreb as Bacchus in Boris Papandopulo’s Amphitryon. He has also performed with the Zagreb Philharmonic and portrayed Salieri in Rimsky-Korsakov’s "Mozart and Salieri" at the Opera Studio of the Zagreb Academy of Music. His repertoire includes, among others, Sarastro ("The Magic Flute"), Commendatore and Masetto ("Don Giovanni"), Don Basilio ("Il barbiere di Siviglia"), Banco ("Macbeth"), Padre Guardiano ("La forza del destino"), Colline ("La bohème"), Gremin ("Eugene Onegin"), and Zuniga ("Carmen"). He made his debut at the Bregenz Festival as Alidoro ("La Cenerentola") and has also performed Verdi’s Requiem with the Orquesta Reino de Aragón in Zaragoza. Since the 2024/25 season, he has been a member of the International Opera Studio.

Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Werther14 / 19 Jun / 1 / 4 / 10 Jul 2026

Flavia Stricker

Flavia Stricker, soprano, is from Brazil and studied at the Lübeck University of Music. She performed Fiordiligi ("Così fan tutte") at the Hamburg University of Music and Theatre and Galathée (Franz von Suppé’s "Die schöne Galathée") at the Lübeck University of Music. In 2023 she won, in addition to the second prize at the Concorso Lirico Internazionale di Portofino, a sponsorship award from the Kulturstiftung Insel Mainau. Since the 2023/24 season she has been a member of the International Opera Studio at Zurich Opera House, where she has appeared, among others, as Madama Cortese ("Il viaggio a Reims"), Kate Pinkerton ("Madama Butterfly"), Contessa di Ceprano ("Rigoletto"), the Widow in Mendelssohn’s "Elias", and in Stravinsky’s "Les Noces". At the Théâtre de La Monnaie in Brussels she sang in Rossini’s "Petite Messe solennelle", and with the Singapore Symphony Orchestra in 2025 she performed as Rosalinde ("Die Fledermaus").

Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Rigoletto20 / 23 / 27 Dec 2025 / 1 / 4 Jan 2026 Sillons de Mémoires5 / 6 / 7 Feb 2026
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Chor der Oper Zürich

Der Chor der Oper Zürich bildet mit seinen 60 festangestellten Mitgliedern und der Mitwirkung von bis zu 160 Vorstellungen pro Saison einen wesentlichen Eckpfeiler des künstlerischen Ensembles am Opernhaus Zürich. Er vereinigt unter dem Dach des traditionsreichsten schweizerischen Opernhauses Sängerinnen und Sänger auf höchstem professionellen Niveau, deren musikalische und stilistische Versiertheit sich mit darstellerischer Gestaltungskraft und spontaner Spielfreude verbinden. Regelmässig stellen seine Mitglieder auch als Solisten ihr künstlerisches Format unter Beweis. Der Chor spiegelt in seiner internationalen Zusammensetzung den Anspruch und die Strahlkraft der Oper Zürich wieder, die sich durch zahlreiche DVD-Aufnahmen erwiesen haben und 2104 mit dem Preis der «Opera Company of the Year» ausgezeichnet wurden. Wichtige musikalische Impulse erhielten die Chormitglieder durch die Arbeit mit Dirigenten wie Nello Santi, Nikolaus Harnoncourt, Franz Welser-Möst, Bernard Haitink, Riccardo Chailly, Valery Gergiev, Daniele Gatti, Zubin Mehta und Fabio Luisi. Ihre schauspielerischen Fähigkeiten entwickelten sie im Dialog mit Regisseuren wie David Pountney, Robert Wilson, Harry Kupfer, Peter Stein, Peter Konwitschny oder Andreas Homoki. Gastspiele führten den Chor nach Tokio (Der Rosenkavalier und La traviata), London (Die Meistersinger von Nürnberg, Tannhäuser, Der fliegende Holländer), Paris (La cenerentola, Fierrabras), Athen (Carmen, Idomeneo) oder nach Rom, wo er anässlich einer Papstmesse zur Feier des 500-jährigen Bestehens der Schweizer Garde Mozarts Krönungsmesse aufführte. Als «International Chamber Vocalists» wirkte der Chor der Oper Zürich in der 2014 mit einem Echo-Preis ausgezeichneten Neueinspielung von Vincenzo Bellinis Norma mit.

Der Rosenkavalier21 / 26 Sept / 1 / 5 / 14 / 17 / 21 / 26 Oct 2025 Manon24 / 27 Sept / 3 / 7 / 10 Oct 2025 Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 La clemenza di Tito26 / 29 Apr / 3 / 8 / 15 / 17 / 20 / 25 May 2026 Tannhäuser21 / 24 / 27 Jun / 2 / 5 / 8 / 11 Jul 2026 Cardillac15 / 18 / 21 / 25 Feb / 1 / 6 / 10 Mar 2026 La Damnation de Faust10 / 14 / 17 May 2026 Carmen18 / 21 / 23 / 27 / 31 Jan 2026 Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Rigoletto20 / 23 / 27 Dec 2025 / 1 / 4 Jan 2026 Le nozze di Figaro24 / 29 Jan / 1 / 5 / 7 / 10 / 14 Feb 2026 Fidelio3 / 6 / 10 / 14 / 16 May 2026 Così fan tutte3 / 7 / 9 / 12 Jul 2026 Macbeth8 / 11 / 14 / 19 / 22 / 30 Nov 2025 Die Fledermaus7 / 10 / 12 / 14 / 18 / 26 / 28 / 31 Dec 2025 / 2 / 4 / 6 / 10 Jan 2026 Messa da Requiem20 / 22 / 28 Feb / 1 / 5 / 7 Mar / 6 Apr 2026 Arabella14 / 18 / 22 / 25 / 28 Apr 2026

Statistenverein am Opernhaus Zürich

Der Statistenverein am Opernhaus Zürich wurde im Jahr 1900 gegründet und dürfte damit einer der traditionsreichsten Vereine auf dem Kulturplatz Zürich sein. Rund hundert Frauen und Männer im Alter von 16 bis 70 Jahren bereichern das Bühnengeschehen in zahlreichen Inszenierungen.Statisten, früher auch als Figuranten bezeichnet, haben generell nicht sprechende Rollen. Ihre Einsätze am Opernhaus Zürich fallen je nach Inszenierung unterschiedlich umfangreich aus. Während früher Massenszenen im Vordergrund standen, sind die Statistinnen und Statisten seit der Ära Pereira und der Intendanz von Andreas Homoki zunehmend auch für aufwändigere Einzelauftritte sowie für anspruchsvolle technische Einsätze gefragt. Die Mitglieder des Statistenvereins üben ihre Einsätze in der Freizeit und ohne finanzielle Interessen aus. Sie bringen Begeisterung für Musik und Theater mit.

Manon24 / 27 Sept / 3 / 7 / 10 Oct 2025 La scala di seta25 / 28 Sept / 19 / 24 Oct 2025 Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Rigoletto20 / 23 / 27 Dec 2025 / 1 / 4 Jan 2026 Le nozze di Figaro24 / 29 Jan / 1 / 5 / 7 / 10 / 14 Feb 2026 Werther14 / 19 Jun / 1 / 4 / 10 Jul 2026 Così fan tutte3 / 7 / 9 / 12 Jul 2026 Macbeth8 / 11 / 14 / 19 / 22 / 30 Nov 2025 Arabella14 / 18 / 22 / 25 / 28 Apr 2026 Der Rosenkavalier21 / 26 Sept / 1 / 5 / 14 / 17 / 21 / 26 Oct 2025 La clemenza di Tito26 / 29 Apr / 3 / 8 / 15 / 17 / 20 / 25 May 2026 Cardillac15 / 18 / 21 / 25 Feb / 1 / 6 / 10 Mar 2026 Hänsel und Gretel16 / 20 / 23 / 28 / 30 Nov / 2 / 4 / 11 / 16 / 18 / 21 Dec 2025 / 2 / 24 / 25 / 31 Jan 2026 Carmen18 / 21 / 23 / 27 / 31 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun 2026 Die Fledermaus7 / 10 / 12 / 14 / 18 / 26 / 28 / 31 Dec 2025 / 2 / 4 / 6 / 10 Jan 2026 Giulio Cesare in Egitto11 / 13 / 15 / 17 / 21 / 25 / 28 Mar 2026 Scylla et Glaucus27 / 29 / 31 Mar / 2 / 6 / 30 Apr / 2 May 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Sillons de Mémoires5 / 6 / 7 Feb 2026 Gianni Schicchi2 / 6 / 8 / 10 / 13 May 2026

Abstract

The «Japanese tragedy» by Giacomo Puccini shows how the American naval officer Pinkerton embraces Japanese culture, marrying Cio-Cio-San, a young geisha, for the duration of his stay. When he later returns with his «real» wife to take the child he had with Cio-Cio-San back to his homeland, the young woman is left with only one way out. With his ambitious composition, Puccini combined Eastern and Western motifs, producing one of his most successful operas at the start of the 20th century. Director Ted Huffman brings the opera to the stage in stunningly beautiful images and with great narrative tension.

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Trailer «Madama Butterfly»

The trailer of the opera

Photos «Madama Butterfly»


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Synopsis

Discover the heart of every story: Our synopses provide guidance on the plot and the conflicts that drive its characters.

Act One
American Navy Lieutenant B.F. Pinkerton is temporarily stationed in Nagasaki in Japan. Goro, a matchmaker, shows Pinkerton the house that the latter has rented for the length of his stay. This is where Pinkerton will marry and then live with the young geisha Cio-Cio-san. The marriage contract will remain valid until Pinkerton decides to end it.
With the American Consul Sharpless in attendance, Pinkerton enthuses about the freedom he enjoys of being able to do whatever he wishes, all over the world. Sharpless disapproves of this inconsiderate attitude, and of the arranged marriage with Cio-Cio-san, too. He warns Pinkerton not to break the girl’s heart. But Pinkerton ignores Sharpless’s concerns, and raises a glass with him to the day he will find a «real» bride back in America.
Cio-Cio-san, known as Butterfly, arrives with her friends. She is 15, and comes from a once-affluent family. Since the death of her father, however, she has been forced to work as a geisha. Pinkerton is fascinated by her.
The Imperial Commissioner, the Registrar and Butterfly’s family arrive for the wedding. Butterfly shows Pinkerton a few things she has brought with her. The items include a dagger that her father used to take his own life. She also confides to Pinkerton that she has secretly converted to Christianity.
The couple are married. But in the midst of the celebrations, Butterfly’s uncle, a holy man, arrives in a rage. He has heard of Butterfly’s conversion, and curses her for it. Pinkerton chases him out. Butterfly’s family, equally outraged, shun the bride and leave.
Pinkerton comforts Butterfly. Slowly, she puts her trust in him. As night falls, they are both overcome by love.

Act Two
Three years later, Butterfly is waiting for Pinkerton, who has returned to America. Money is running out. Butterfly is convinced that Pinkerton will come back; her maid Suzuki is not so sure.
Consul Sharpless comes by with a letter from Pinkerton. But before he can read it out, they are interrupted by Goro, who wants to marry Butterfly to the affluent Prince Yamadori. Butterfly declines: she cannot just end her marriage to an American so lightly, she protests.
Pinkerton, in his letter, has asked Sharpless to tell Butterfly as gently as possible that he will not be coming back to her. Sharpless cannot bring himself to do this, and opts instead to ask Butterfly what she would do if Pinkerton never returned. She would have only one choice, she replies: she would kill herself. Fearing the worst, she reveals to Sharpless that her marriage to Pinkerton has produced a son. Sharpless leaves, deeply moved, and intent on telling Pinkerton this news.
A cannon shot is heard from the harbour. Butterfly recognizes Pinkerton’s ship. She cries and laughs with joy at his imminent return. Together with Suzuki, she adorns the house with flowers. And she stays up all night waiting.
As dawn breaks, Butterfly falls asleep, exhausted. While she sleeps, Sharpless and Pinkerton arrive. Suzuki learns that Pinkerton has married «properly» in America. He is here now with his American wife, Kate: he has heard about Butterfly’s child with him, and intends to take the boy back to America. He cannot face meeting Butterfly, though.
As Suzuki is talking to Kate, Butterfly comes in. She realizes the hopelessness of her situation. And for the sake of the child, she agrees to Pinkerton’s plan. In emotional agony, she says farewell to her son. And takes her own life.