Horizonte

From 22. October 2022 until 25. March 2023

  • Duration :
    1 H. 30 Min. Inkl. Pause after approx. 25 Min.

WOLC

Choreography by Shaked Heller


Choreography:
Shaked Heller

Shaked Heller

Shaked Heller is from Israel, and trained at the Thelma Yellin High School of Arts and at the Kirov Academy in Washington. An award winner at both the Mia Arbatova Competition and the Jeannette Ordman Competition, he spent a year with the Israel Ballet, and is now in his first Junior Ballet season.

Music:
Oskar Sala,
François Couperin,
Matmos
Lighting designer:
Martin Gebhardt

Martin Gebhardt

Martin Gebhardt was lighting designer and master electrician for John Neumeier’s Hamburg Ballet. From 2002 onward he collaborated with Heinz Spoerli and Ballett Zürich. Ballet productions of both companies took him to renowned theatres across Europe, Asia, and the Americas. At Zurich Opera House he created the lighting design for productions by Jürgen Flimm, David Alden, Jan Philipp Gloger, Grischa Asagaroff, Matthias Hartmann, David Pountney, Moshe Leiser/Patrice Caurier, Damiano Michieletto, and Achim Freyer. At the Salzburg Festival he designed the lighting for "La bohème" and for a new version of Spoerli’s "Der Tod und das Mädchen". Since the 2012/13 season Martin Gebhardt has been Head of Lighting at Zurich Opera House. He maintains a close collaboration with choreographer Christian Spuck (including "Winterreise", "Nussknacker und Mausekönig", "Messa da Requiem", "Anna Karenina", "Woyzeck", "Der Sandmann", "Leonce und Lena", "Das Mädchen mit den Schwefelhölzern"). He has also worked as lighting designer for choreographers Edward Clug (including "Strings", "Le Sacre du printemps" and "Faust" in Zurich), Alexei Ratmansky, Wayne McGregor, Marco Goecke, and Douglas Lee. He collaborated with Christoph Marthaler and Anna Viebrock on Handel’s "Sale" and Rossini’s "Il viaggio a Reims" in Zurich as well as on "Lulu" at the Hamburg State Opera, and with Jossi Wieler and Sergio Morabito at the Grand Théâtre de Genève for "Les Huguenots". In 2023 he designed the lighting for Spuck’s ballet "Bovary" at Staatsballett Berlin and in 2024 for Rossini’s "Tancredi" at the Bregenz Festival. He was also the lighting designer for Cathy Marston’s "Atonement" at Zurich Opera House.

Tannhäuser21 / 24 / 27 Jun / 2 / 5 / 8 / 11 Jul 2026 Le nozze di Figaro24 / 29 Jan / 1 / 5 / 7 / 10 / 14 Feb 2026 Oiseaux Rebelles12 / 18 / 23 / 25 / 31 Oct / 1 / 9 / 13 Nov / 2 / 5 / 6 / 9 Dec 2025 Die Fledermaus7 / 10 / 12 / 14 / 18 / 26 / 28 / 31 Dec 2025 / 2 / 4 / 6 / 10 Jan 2026 Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Timeframed17 / 18 / 22 / 25 / 30 Jan / 1 / 4 / 6 / 8 / 11 / 12 Feb 2026 Scylla et Glaucus27 / 29 / 31 Mar / 2 / 6 / 30 Apr / 2 May 2026 The Butterfly Effect4 / 13 / 23 Apr 2026 Messa da Requiem20 / 22 / 28 Feb / 1 / 5 / 7 Mar / 6 Apr 2026 Romeo und Julia23 / 29 / 30 May / 4 / 6 / 7 / 10 / 12 / 14 / 23 / 26 Jun 2026 Nachtträume20 / 25 / 28 / 30 Jun / 4 Jul 2026
Dramaturgy:
Michael Küster

Michael Küster

Michael Küster is from Germany. After studying German studies, art, and speech science at the University of Halle, he worked as a presenter, author, and speaker at various broadcasting stations in Germany. There, he hosted numerous classical music programs and live broadcasts of major concert events, including those from the Metropolitan Opera New York, the Semperoper Dresden, and the Leipzig Gewandhaus.
Since 2002, he has been a dramaturg at the Zurich Opera House, working with directors such as Matthias Hartmann, David Alden, Robert Carsen, Moshe Leiser/Patrice Caurier, Damiano Michieletto, David Pountney, Johannes Schaaf, and Graham Vick.
As dramaturg of Ballett Zürich, Michael Küster has collaborated since 2012 with Cathy Marston, Marco Goecke, Marcos Morau, Kim Brandstrup, Edward Clug, Alexei Ratmansky, William Forsythe, Jiří Kylián, and Hans van Manen. Together with Christian Spuck, he worked on productions including «Winterreise» («Prix Benois de la Danse»), «Romeo and Juliet», «Messa da Requiem», and «The Sleeping Beauty».
At La Scala in Milan, Michael Küster was dramaturg for Matthias Hartmann’s opera productions of «Der Freischütz», «Idomeneo», and «The Queen of Spades».

Oiseaux Rebelles12 / 18 / 23 / 25 / 31 Oct / 1 / 9 / 13 Nov / 2 / 5 / 6 / 9 Dec 2025 Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Countertime5 / 7 / 14 Sept 2025 Timeframed17 / 18 / 22 / 25 / 30 Jan / 1 / 4 / 6 / 8 / 11 / 12 Feb 2026 The Butterfly Effect4 / 13 / 23 Apr 2026 Messa da Requiem20 / 22 / 28 Feb / 1 / 5 / 7 Mar / 6 Apr 2026 Romeo und Julia23 / 29 / 30 May / 4 / 6 / 7 / 10 / 12 / 14 / 23 / 26 Jun 2026 Nachtträume20 / 25 / 28 / 30 Jun / 4 Jul 2026

Cast

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COME BACK

Choreography by Samantha Lynch


Choreography:
Samantha Lynch

Samantha Lynch

Samantha Lynch stammt aus Australien. Ihre Tanzausbildung absolvierte sie am Australian Conservatoire of Ballet und beim San Francisco Ballet. Nach einem ersten Engagement beim Houston Ballet wechselte sie zum Norwegischen Nationalballett, wo sie heute als Principal Dancer tätig ist. Sie tanzte Hauptrollen in Jirí Kyliáns Balletten One of a kind, Gods and Dogs, Tiger Lily und Soldier’s Mass. Ausserdem trat sie in Choreografien von Sol Leon / Paul Lightfoot, Mats Ek, William Forsythe, Alexander Ekman, Christopher Bruce und Alan Lucien Øyen auf. Samantha Lynch ist Gründerin und Leiterin des Choreografie-Workshops beim Norwegischen Nationalballett. Seit 2012 entstanden zahlreiche Choreografien, u.a. A Boléro für das Norwegische Nationalballett (2021), Grin and bear it für das Coda Dance Festival (2021),  C aura für NNB Kammerdans (2020) und – in Zusammenarbeit mit Douwe Dekkers – for: jake für die International Draft Works beim Royal Ballet in London.

Music:
Joey McNamara,
Antonio Vivaldi,
Bobby McFerrin,
Luke Howard
Lighting designer:
Martin Gebhardt

Martin Gebhardt

Martin Gebhardt was lighting designer and master electrician for John Neumeier’s Hamburg Ballet. From 2002 onward he collaborated with Heinz Spoerli and Ballett Zürich. Ballet productions of both companies took him to renowned theatres across Europe, Asia, and the Americas. At Zurich Opera House he created the lighting design for productions by Jürgen Flimm, David Alden, Jan Philipp Gloger, Grischa Asagaroff, Matthias Hartmann, David Pountney, Moshe Leiser/Patrice Caurier, Damiano Michieletto, and Achim Freyer. At the Salzburg Festival he designed the lighting for "La bohème" and for a new version of Spoerli’s "Der Tod und das Mädchen". Since the 2012/13 season Martin Gebhardt has been Head of Lighting at Zurich Opera House. He maintains a close collaboration with choreographer Christian Spuck (including "Winterreise", "Nussknacker und Mausekönig", "Messa da Requiem", "Anna Karenina", "Woyzeck", "Der Sandmann", "Leonce und Lena", "Das Mädchen mit den Schwefelhölzern"). He has also worked as lighting designer for choreographers Edward Clug (including "Strings", "Le Sacre du printemps" and "Faust" in Zurich), Alexei Ratmansky, Wayne McGregor, Marco Goecke, and Douglas Lee. He collaborated with Christoph Marthaler and Anna Viebrock on Handel’s "Sale" and Rossini’s "Il viaggio a Reims" in Zurich as well as on "Lulu" at the Hamburg State Opera, and with Jossi Wieler and Sergio Morabito at the Grand Théâtre de Genève for "Les Huguenots". In 2023 he designed the lighting for Spuck’s ballet "Bovary" at Staatsballett Berlin and in 2024 for Rossini’s "Tancredi" at the Bregenz Festival. He was also the lighting designer for Cathy Marston’s "Atonement" at Zurich Opera House.

Tannhäuser21 / 24 / 27 Jun / 2 / 5 / 8 / 11 Jul 2026 Le nozze di Figaro24 / 29 Jan / 1 / 5 / 7 / 10 / 14 Feb 2026 Oiseaux Rebelles12 / 18 / 23 / 25 / 31 Oct / 1 / 9 / 13 Nov / 2 / 5 / 6 / 9 Dec 2025 Die Fledermaus7 / 10 / 12 / 14 / 18 / 26 / 28 / 31 Dec 2025 / 2 / 4 / 6 / 10 Jan 2026 Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Timeframed17 / 18 / 22 / 25 / 30 Jan / 1 / 4 / 6 / 8 / 11 / 12 Feb 2026 Scylla et Glaucus27 / 29 / 31 Mar / 2 / 6 / 30 Apr / 2 May 2026 The Butterfly Effect4 / 13 / 23 Apr 2026 Messa da Requiem20 / 22 / 28 Feb / 1 / 5 / 7 Mar / 6 Apr 2026 Romeo und Julia23 / 29 / 30 May / 4 / 6 / 7 / 10 / 12 / 14 / 23 / 26 Jun 2026 Nachtträume20 / 25 / 28 / 30 Jun / 4 Jul 2026
Dramaturgy:
Michael Küster

Michael Küster

Michael Küster is from Germany. After studying German studies, art, and speech science at the University of Halle, he worked as a presenter, author, and speaker at various broadcasting stations in Germany. There, he hosted numerous classical music programs and live broadcasts of major concert events, including those from the Metropolitan Opera New York, the Semperoper Dresden, and the Leipzig Gewandhaus.
Since 2002, he has been a dramaturg at the Zurich Opera House, working with directors such as Matthias Hartmann, David Alden, Robert Carsen, Moshe Leiser/Patrice Caurier, Damiano Michieletto, David Pountney, Johannes Schaaf, and Graham Vick.
As dramaturg of Ballett Zürich, Michael Küster has collaborated since 2012 with Cathy Marston, Marco Goecke, Marcos Morau, Kim Brandstrup, Edward Clug, Alexei Ratmansky, William Forsythe, Jiří Kylián, and Hans van Manen. Together with Christian Spuck, he worked on productions including «Winterreise» («Prix Benois de la Danse»), «Romeo and Juliet», «Messa da Requiem», and «The Sleeping Beauty».
At La Scala in Milan, Michael Küster was dramaturg for Matthias Hartmann’s opera productions of «Der Freischütz», «Idomeneo», and «The Queen of Spades».

Oiseaux Rebelles12 / 18 / 23 / 25 / 31 Oct / 1 / 9 / 13 Nov / 2 / 5 / 6 / 9 Dec 2025 Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Countertime5 / 7 / 14 Sept 2025 Timeframed17 / 18 / 22 / 25 / 30 Jan / 1 / 4 / 6 / 8 / 11 / 12 Feb 2026 The Butterfly Effect4 / 13 / 23 Apr 2026 Messa da Requiem20 / 22 / 28 Feb / 1 / 5 / 7 Mar / 6 Apr 2026 Romeo und Julia23 / 29 / 30 May / 4 / 6 / 7 / 10 / 12 / 14 / 23 / 26 Jun 2026 Nachtträume20 / 25 / 28 / 30 Jun / 4 Jul 2026

Cast

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FORMORIA

Choreography by Vittoria Girelli


Choreography:
Vittoria Girelli

Vittoria Girelli

Vittoria Girelli wuchs in Mailand auf. Ihre Tanzausbildung absolvierte sie an der Ballettschule der Mailänder Scala und an der English National Ballet School of London. Seit 2016 ist Mitglied des Stuttgarter Balletts, ab der Saison 22/23 ist sie Halb-Solistin. Sie tanzt in Choreografien von Jiří Kylián, Edward Clug, Akram Khan, Marco Goecke, Itzik Galili, Johan Inger, Christian Spuck, Martin Schläpfer, Douglas Lee und Mauro Bigonzetti. Bereits während ihrer Zeit in London begann sie zu choreografieren. 2020 entstand ihr erstes Stück für das Stuttgarter Ballett mit dem Titel Chrysalis, 2021 folgte Kineograph für die Noverre-Gesellschaft. 2022 hatte Self-deceit beim Stuttgarter Ballett Premiere.

Music:
Davidson Jaconello,
Edward Elgar
Béla Bartók
Lighting designer:
Martin Gebhardt

Martin Gebhardt

Martin Gebhardt was lighting designer and master electrician for John Neumeier’s Hamburg Ballet. From 2002 onward he collaborated with Heinz Spoerli and Ballett Zürich. Ballet productions of both companies took him to renowned theatres across Europe, Asia, and the Americas. At Zurich Opera House he created the lighting design for productions by Jürgen Flimm, David Alden, Jan Philipp Gloger, Grischa Asagaroff, Matthias Hartmann, David Pountney, Moshe Leiser/Patrice Caurier, Damiano Michieletto, and Achim Freyer. At the Salzburg Festival he designed the lighting for "La bohème" and for a new version of Spoerli’s "Der Tod und das Mädchen". Since the 2012/13 season Martin Gebhardt has been Head of Lighting at Zurich Opera House. He maintains a close collaboration with choreographer Christian Spuck (including "Winterreise", "Nussknacker und Mausekönig", "Messa da Requiem", "Anna Karenina", "Woyzeck", "Der Sandmann", "Leonce und Lena", "Das Mädchen mit den Schwefelhölzern"). He has also worked as lighting designer for choreographers Edward Clug (including "Strings", "Le Sacre du printemps" and "Faust" in Zurich), Alexei Ratmansky, Wayne McGregor, Marco Goecke, and Douglas Lee. He collaborated with Christoph Marthaler and Anna Viebrock on Handel’s "Sale" and Rossini’s "Il viaggio a Reims" in Zurich as well as on "Lulu" at the Hamburg State Opera, and with Jossi Wieler and Sergio Morabito at the Grand Théâtre de Genève for "Les Huguenots". In 2023 he designed the lighting for Spuck’s ballet "Bovary" at Staatsballett Berlin and in 2024 for Rossini’s "Tancredi" at the Bregenz Festival. He was also the lighting designer for Cathy Marston’s "Atonement" at Zurich Opera House.

Tannhäuser21 / 24 / 27 Jun / 2 / 5 / 8 / 11 Jul 2026 Le nozze di Figaro24 / 29 Jan / 1 / 5 / 7 / 10 / 14 Feb 2026 Oiseaux Rebelles12 / 18 / 23 / 25 / 31 Oct / 1 / 9 / 13 Nov / 2 / 5 / 6 / 9 Dec 2025 Die Fledermaus7 / 10 / 12 / 14 / 18 / 26 / 28 / 31 Dec 2025 / 2 / 4 / 6 / 10 Jan 2026 Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Timeframed17 / 18 / 22 / 25 / 30 Jan / 1 / 4 / 6 / 8 / 11 / 12 Feb 2026 Scylla et Glaucus27 / 29 / 31 Mar / 2 / 6 / 30 Apr / 2 May 2026 The Butterfly Effect4 / 13 / 23 Apr 2026 Messa da Requiem20 / 22 / 28 Feb / 1 / 5 / 7 Mar / 6 Apr 2026 Romeo und Julia23 / 29 / 30 May / 4 / 6 / 7 / 10 / 12 / 14 / 23 / 26 Jun 2026 Nachtträume20 / 25 / 28 / 30 Jun / 4 Jul 2026
Dramaturgy:
Michael Küster

Michael Küster

Michael Küster is from Germany. After studying German studies, art, and speech science at the University of Halle, he worked as a presenter, author, and speaker at various broadcasting stations in Germany. There, he hosted numerous classical music programs and live broadcasts of major concert events, including those from the Metropolitan Opera New York, the Semperoper Dresden, and the Leipzig Gewandhaus.
Since 2002, he has been a dramaturg at the Zurich Opera House, working with directors such as Matthias Hartmann, David Alden, Robert Carsen, Moshe Leiser/Patrice Caurier, Damiano Michieletto, David Pountney, Johannes Schaaf, and Graham Vick.
As dramaturg of Ballett Zürich, Michael Küster has collaborated since 2012 with Cathy Marston, Marco Goecke, Marcos Morau, Kim Brandstrup, Edward Clug, Alexei Ratmansky, William Forsythe, Jiří Kylián, and Hans van Manen. Together with Christian Spuck, he worked on productions including «Winterreise» («Prix Benois de la Danse»), «Romeo and Juliet», «Messa da Requiem», and «The Sleeping Beauty».
At La Scala in Milan, Michael Küster was dramaturg for Matthias Hartmann’s opera productions of «Der Freischütz», «Idomeneo», and «The Queen of Spades».

Oiseaux Rebelles12 / 18 / 23 / 25 / 31 Oct / 1 / 9 / 13 Nov / 2 / 5 / 6 / 9 Dec 2025 Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Countertime5 / 7 / 14 Sept 2025 Timeframed17 / 18 / 22 / 25 / 30 Jan / 1 / 4 / 6 / 8 / 11 / 12 Feb 2026 The Butterfly Effect4 / 13 / 23 Apr 2026 Messa da Requiem20 / 22 / 28 Feb / 1 / 5 / 7 Mar / 6 Apr 2026 Romeo und Julia23 / 29 / 30 May / 4 / 6 / 7 / 10 / 12 / 14 / 23 / 26 Jun 2026 Nachtträume20 / 25 / 28 / 30 Jun / 4 Jul 2026

Cast

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Abstract

The Junior Ballett’s biennial productions, which began in 2012, have become an enthusiastically received tradition for Zurich audiences. It is always a special challenge for the young dancers of Ballett Zürich to perform in the current repertoire and be directly involved in the creation of new pieces simultaneously. For this production, Samantha Lynch and Shaked Heller will collaborate with the Junior Ballett. Both are still active as dancers, but have been successfully pursuing choreography for several years. Shaked Heller is from Israel and was a member of the Junior Ballett himself during the 2015/16 season. Since then, he’s danced with the Stuttgart Ballet, and has already created several choreographies for that company. The musical core of his first collaboration with the Junior Ballett is a composition by German sound pioneer Oskar Sala, who developed the trautonium, a precursor of the later synthesizer, with the engineer Friedrich Trautwein in the late 1920s. This electronic music instrument, with its unmistakable synthetic sound, was wildly popular, especially in film and radio productions. Alongside composers such as Paul Hindemith, Oskar Sala created and interpreted many pieces for the instrument. Now, Shaked Heller uses its surreal, exotic world of sound for inspiration. Samantha Lynch is Principal Dancer with the Norwegian National Ballet. Originally from Australia, Lynch started her career with the Houston Ballet, before moving to Oslo, where she has developed into a successful and charismatic dancer. She has led a renowned choreography workshop at Oslo’s opera house for many years, from which many of her works emerged. This marks her first collaboration with the Junior Ballett.

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