Strauss

14. April 2024

Richard Strauss
Macbeth op. 23
Moonlight Scene & Final Scene from the Opera «Capriccio»
Ständchen op. 17/2 (Arr. Felix Mottl)
Wiegenlied op. 41/1
Morgen! op. 27/4
Four interludes from the opera «Intermezzo»

  • Duration :
    approx. 1 H. 50 Min. Inkl. Pause after approx. 1 H.
  • More information:
    Introduction 45 min before the performance.

Music Direction:
Gianandrea Noseda

Gianandrea Noseda

Gianandrea Noseda has been General Music Director of the Zurich Opera House since the 2021/22 season. In addition, he is Music Director of the National Symphony Orchestra and Principal Guest Conductor of the London Symphony Orchestra. In 2019, he became Music Director of the newly founded Tsinandali Festival and the Georgian Pan-Caucasian Youth Orchestra. From 2007 to 2018, Noseda served as General Music Director of the Teatro Regio di Torino, where he artistically reshaped the opera house during his tenure. Noseda has conducted the world’s leading orchestras (Berlin Philharmonic, Chicago Symphony, Concertgebouw Orchestra, Vienna Philharmonic) as well as at the most prestigious opera houses (La Scala, Metropolitan Opera, Royal Opera House) and festivals (BBC Proms, Edinburgh, Salzburg, and Verbier). He has also held leading positions with the BBC Philharmonic (Chief Conductor), the Israel Philharmonic Orchestra (Principal Guest Conductor), the Mariinsky Theatre (Principal Guest Conductor), and the Stresa Festival (Artistic Director). His discography comprises more than 80 CDs, with a special focus on the "Musica Italiana" project, which features neglected 20th-century Italian repertoire. Born in Milan, Noseda is a Commendatore al Merito della Repubblica Italiana and received the Order of Merit of the City of Milan in 2024. In 2015, he was named "Musical America’s Conductor of the Year," was awarded "Conductor of the Year" at the 2016 International Opera Awards, and received the Puccini Prize in 2023. In the same year, the Oper! Awards honored Noseda as "Best Conductor," particularly recognizing his interpretations of the first two "Ring" operas at the Zurich Opera House.

Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Macbeth8 / 11 / 14 / 19 / 22 / 30 Nov 2025 Ehnes & Noseda23 Nov 2025 Concert Kinderopernorchester­concert25 May 2026 Open-Air-Concert28 Jun 2026 Mühlemann & Noseda21 Mar 2026

Cast


Sopran Diana Damrau

Diana Damrau

Diana Damrau is a regular guest on the stages of the world’s leading opera and concert houses. Her extensive repertoire lies in the lyric and coloratura fach and includes, among others, the title roles in Donizetti’s "Lucia di Lammermoor," Massenet’s "Manon," as well as the Queen of the Night in Mozart’s "The Magic Flute." She regularly performs at the most prestigious venues such as the Bavarian State Opera, the Metropolitan Opera in New York, and La Scala in Milan. Roles were specially composed for her in the operas "A Harlot’s Progress" by Iain Bell (Theater an der Wien, 2013) and "1984" by Lorin Maazel (Royal Opera House, 2005). As an exclusive artist with Warner Classics/Erato, Diana Damrau has released numerous award-winning CD and DVD recordings. As a lieder interpreter, she regularly performs in renowned concert halls such as London’s Wigmore Hall, New York’s Carnegie Hall, and the Berlin Philharmonie. She shares a close artistic partnership with pianist Helmut Deutsch and tenor Jonas Kaufmann, with whom she presented a successful lieder recital tour for the third time in spring and summer 2025, including at the Festival d’Aix-en-Provence and the Salzburg Festival. On the opera stage, she recently sang roles including the Marschallin ("Der Rosenkavalier") at the Staatsoper Unter den Linden in Berlin. Diana Damrau is a Kammersängerin of the Bavarian State Opera, recipient of the Bavarian Maximilian Order for Science and Art, and the Federal Cross of Merit of the Federal Republic of Germany. Since autumn 2024, she has been teaching as a principal voice professor at the Zurich University of the Arts.

Der Rosenkavalier21 / 26 Sept / 1 / 5 / 14 / 17 / 26 Oct 2025 Arabella14 / 18 / 22 / 25 / 28 Apr 2026
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Abstract

«The music combined with the words certainly has a bombastic effect,» says soprano Diana Damrau in a conversation about Richard Strauss' opera Capriccio. The question of whether the music or the text is more decisive for the success of an opera is at the centre of Strauss' last opera. In the final monologue of Countess Madeleine, which Diana Damrau sings in this Philharmonic concert, the answer remains open... In addition to selected songs by Richard Strauss, the programme also includes Macbeth, his very first tone poem, and four interludes from the opera Intermezzo. General Music Director Gianandrea Noseda conducts the Philharmonia Zürich.

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