Tosca

Giacomo Puccini

Melodrama in three acts
Libretto by Giuseppe Giacosa and Luigi Illica
after Victorien Sardou

From 11. April 2027 until 17. May 2027

  • Duration :
    approx. 2 H. 35 Min. Inkl. Pause after 1st part after approx. 55 Min.
  • Language:
    In Italian with German and English surtitles.
  • More information:
    Introduction 45 min before the performance.

Musical Director:
Carlo Rizzi

Carlo Rizzi

Carlo Rizzi comes from Milan and began his international conducting career as the winner of the first Toscanini Competition. From 1992 to 2001 and again from 2005, he was Music Director of the Welsh National Opera and has held the title of Conductor Laureate there since 2015. Since 1996, Carlo Rizzi has been a regular guest at the Edinburgh Festival and since 2019 Music Director of Opera Rara, with which he is dedicated to neglected operatic repertoire. Long-standing collaborations also connect him, among others, with La Scala in Milan, the Royal Opera London, the Metropolitan Opera in New York, the Opéra national de Paris, the Teatro Real Madrid, the Rossini Opera Festival in Pesaro, the Lyric Opera of Chicago, the New National Theatre in Tokyo and La Monnaie in Brussels. On the concert podium, he has appeared, among others, with the London Philharmonic, the Los Angeles Philharmonic, the Hong Kong Philharmonic and the Orchestra of La Scala in Milan. More recent conducting engagements in the field of opera include "La fiamma" at the Deutsche Oper Berlin, "Rigoletto" and "Turandot" at the Vienna State Opera, "La bohème" at the Bavarian State Opera Munich, "Il trittico" in Paris, "Il trovatore" in London as well as "Turandot" and "Madama Butterfly" at the Met. His discography includes the operas "Faust", "Káťa Kabanová", "Rigoletto" and "Un ballo in maschera" at the Welsh National Opera and "La traviata" at the Salzburg Festival as well as recordings with Joyce El-Khoury and Michael Spyres nominated for the Gramophone Award. In 2024, he released Donizetti’s "L’esule di Roma" with Opera Rara and was nominated as "Conductor of the Year" at the International Opera Awards. He is the holder of the Italian honorary title "Grande Ufficiale".

Tosca11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027
Production:
Robert Carsen

Robert Carsen

Robert Carsen, born in Canada, is one of the world’s most sought-after directors, stage, and lighting designers for theater and opera. After training as an actor at York University in Toronto and at the Bristol Old Vic Theatre School, he achieved his first successes as a director at the operas in Geneva, Paris, and Antwerp. Since then, he has directed at the major stages of the world, including "Die tote Stadt" at the Komische Oper Berlin, "Der Rosenkavalier" and "Falstaff" at the Royal Opera House London and at the Metropolitan Opera New York, "Eugene Onegin" in Rome, "La traviata" at La Fenice in Venice, "A Midsummer Night’s Dream" and "Rigoletto" at the Festival d’Aix-en-Provence, "Wozzeck," "Agrippina," and "Platée" at the Theater an der Wien, "Rinaldo" and "L’incoronazione di Poppea" in Glyndebourne, "Tannhäuser," "Elektra," "Rusalka," "Lohengrin," and "Manon Lescaut" at the Paris Opera, "Salome" and "Idomeneo" in Madrid, "Falstaff," "Don Giovanni," and "Alcina" at La Scala in Milan, as well as "Tosca," "Semele," and "Arabella" at the Opernhaus Zürich. He has also directed theater and musical productions, including "Singin’ in the Rain," "My Fair Lady," and "Candide" at the Théâtre du Châtelet, as well as the world premiere of Andrew Lloyd Webber’s "The Beautiful Game" in London’s West End. Robert Carsen has served as curator and scenographer at the Grand Palais, the Musée d’Orsay, and the Opéra Garnier, at the Royal Academy of Arts, the Art Institute of Chicago, and at the Cannes Film Festival. He is an "Officier des Arts et des Lettres" and "Officer of the Order of Canada," received the 2021 Opera Award as "Best Director," and in 2023 the first Grand Prix de l’Académie des beaux-arts in Paris.

Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 / 11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Arabella14 / 18 / 22 / 25 / 28 Apr 2026
Sets:
Anthony Ward

Anthony Ward

Anthony Ward was born in Cambridge, United Kingdom, and studied set design at the Wimbledon School of Art. His engagements have taken him to numerous theatres in the British capital, including the Royal National Theatre, the Royal Shakespeare Company, the Donmar Warehouse, the Almeida Theatre, and the Royal Opera House Covent Garden in London. He has also worked at internationally renowned opera houses such as Opera North in Manchester, the Metropolitan Opera in New York, and the Opéra National de Paris. Anthony Ward has collaborated with directors including Sam Mendes, Adrian Noble, Jonathan Kent, and Robert Carsen.

Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 / 11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027
Set design collaboration:
Alexander Lowde

Alexander Lowde

The set and costume designer Alex Lowde works across opera, dance, and theatre. His early work was created in small experimental London venues such as the Yard and the Gate. In recent years, his scope has expanded, and he has designed for institutions including the Young Vic, Leeds Playhouse, Manchester Exchange, Opera North, Scottish Opera, the Linbury Studio of the Royal Opera House Covent Garden, the National Theatre in London, and the English National Opera. His recent productions include “A View from the Bridge” at the Met Theatre Tokyo (2023), “Blue” at the English National Opera (2023), and “The School for Scandal” and “The New Real” with the Royal Shakespeare Company (2024). Alex Lowde has received two Critics’ Awards for Theatre in Scotland and has been nominated in the category of “Best Set Design” for the TMA Awards, the Irish Times Theatre Awards, the Manchester Theatre Awards, and the Broadway World Awards. “Blue” at the ENO was nominated for the 2024 Olivier Award for “Best New Opera Production.”

Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 / 11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027
Lighting Design:
Davy Cunningham

Davy Cunningham

The Scottish-born Davy Cunningham has created over 250 lighting designs in more than 26 countries for opera productions at some of the world’s most prestigious venues, including the Metropolitan Opera in New York, the Royal Opera House Covent Garden in London, the Opéra National de Paris, the Théâtre Royal de la Monnaie in Brussels, Dutch National Opera in Amsterdam, the Zurich Opera House, Oper Frankfurt, Semperoper Dresden, Oper Leipzig, and the State Operas in Munich, Hamburg, and Berlin. His work ranges from large-scale lighting installations—such as those he designed for over 25 years for the Bregenz Festival—to more intimate designs, including Mozart performances at Vienna’s Schönbrunn Palace. He has also worked regularly with theatre companies in Scotland, Ireland, England, and Russia. Significant collaborations have linked him with directors such as Robert Carsen, David Pountney, Keith Warner, Guy Joosten, Rolando Villazón, Olivier Tambosi, and Philipp Himmelmann. Davy Cunningham is a recipient of the Bohuslav Martinů Society Award of the Czech Republic.

Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 / 11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027
Chorus Master:
Alice Lapasin Zorzit

Alice Lapasin Zorzit

Alice Lapasin Zorzit completed her piano studies at the Conservatorio di Musica Luigi Boccherini in Lucca and continued her training at the Anton Bruckner Private University in Linz, where she graduated with distinction in 2018 with a Bachelor’s degree in choral conducting. During this time, she gained her first experience in the opera world as a répétiteur at the Landestheater Linz. In 2017 she took part in the Riccardo Muti Italian Opera Academy, and in the 2018/19 season she served as a répétiteur with the Orchestra Academy of the Zurich Opera House. The 2019/20 season brought an engagement as deputy children’s choir director and guest pianist at the Staatsoper Unter den Linden in Berlin. She subsequently moved to the Staatstheater Darmstadt, where she worked from 2020 to 2022 as deputy chorus director and children’s choir director. Alongside her professional development, she continued her academic studies: in 2021 she completed her Master’s degree in conducting and opera coaching at the University of Music and Performing Arts Graz, followed in 2022 by a part-time Master’s degree in cultural management (EMAA) at the University of Zurich. As a cultural manager, she was a scholarship holder of the Deutsche Bank Foundation (AMH) and founded the artist agency ArteMIS in 2024. From 2023 to 2025, Alice Lapasin Zorzit was chorus director with conducting duties at the Landestheater Coburg, and in the summer of 2025 she worked as chorus assistant at the Bayreuth Festival. Since January 2026 she has been deputy chorus director at Zurich Opera House.

Werther14 / 19 Jun / 1 / 4 / 10 Jul 2026 Così fan tutte3 / 7 / 9 / 12 Jul 2026 Giulio Cesare in Egitto11 / 13 / 15 / 17 / 21 / 25 / 28 Mar 2026 Scylla et Glaucus27 / 29 / 31 Mar / 2 / 6 / 30 Apr / 2 May 2026 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Alice im Wunderland8 / 15 / 19 / 21 / 26 / 28 Nov / 6 Dec 2026 / 2 / 7 / 8 / 10 / 17 Jan 2027 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 Tosca11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Le nozze di Figaro2 / 6 / 8 / 15 / 19 May 2027 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027 Herr der Diebe27 Feb / 2 / 4 / 6 / 7 / 9 / 10 / 11 Mar 2027

Cast


Floria Tosca Maria Agresta 11, 14, 17, 21, 24 Apr


Floria Tosca Sonya Yoncheva 13, 17 May


Mario Cavaradossi Charles Castronovo 11, 14, 17, 21, 24 Apr


Mario Cavaradossi Yusif Eyvazov 13, 17 May


Baron Scarpia Ludovic Tézier 11, 14, 17, 21, 24 Apr


Baron Scarpia Gabriele Viviani 13, 17 May

Cesare Angelotti Vladyslav Buialskyi


Mesner Valeriy Murga

Sciarrone Benjamin Suran

Un carceriere Mikayel Sargsyan

Maria Agresta

The Italian soprano Maria Agresta graduated with distinction from the Conservatorio "Giuseppe Martucci" in Salerno and continued her training with Raina Kabaivanska at the Istituto Vecchi-Tonelli in Modena. She achieved her international breakthrough in 2011 as Elena in "I vespri siciliani" at the Teatro Regio di Torino under Gianandrea Noseda. Since then, she has been a regular guest at leading opera houses such as Teatro alla Scala, the San Francisco Opera, Teatro Real Madrid, the Gran Teatre del Liceu, Teatro San Carlo in Naples, the Metropolitan Opera, Teatro La Fenice, the Royal Opera House, as well as the state operas in Berlin and Vienna. She made her Metropolitan Opera debut in 2016 as Mimì in "La bohème"; there she has since also been seen as Micaëla in "Carmen" and Liù in "Turandot". At the Salzburg Festival, she sang Nedda in "Pagliacci" in 2015 and made her role debut as Marguerite in Gounod’s "Faust" in 2016. Her awards include the Premio della Critica Musicale Italiana "Franco Abbiati", the Luigi Illica Prize, and the honorary title "Ordine al Merito della Repubblica Italiana". Other central roles in her repertoire include Desdemona in "Otello", Cio-Cio-San in "Madama Butterfly", Violetta in "La traviata", as well as the title roles in "Adriana Lecouvreur" and "Tosca". Most recently, she sang Desdemona at the Teatro Real Madrid as well as Nedda and Leonora in "Il trovatore" at the Vienna State Opera.

Tosca11 / 14 / 17 / 21 / 24 Apr 2027

Sonya Yoncheva

The soprano Sonya Yoncheva comes from Bulgaria. She studied piano and singing in her hometown Plovdiv as well as in Geneva and is a graduate of the academy Le Jardin des Voix. In 2010 she won the first prize of Plácido Domingo’s Operalia Competition, in 2015 the ECHO Klassik as “Young Artist of the Year” and in 2021 the Opus Klassik as “Singer of the Year”. Her wide-ranging repertoire includes works from the Baroque period as well as roles such as Gilda (“Rigoletto”), Mimì (“La bohème”), Violetta (“La traviata”), Desdemona (“Otello”), Marguerite (“Faust”), Imogene (“Il pirata”) and the title roles in “Norma”, “Tosca” and “Luisa Miller”. She appears regularly on the world’s most important stages, including the Metropolitan Opera in New York, the Royal Opera House Covent Garden, the State Operas in Berlin, Munich and Vienna, as well as the Opéra National de Paris and the Teatro Real in Madrid. At the Salzburg Festival she appeared as Poppea (“L’incoronazione di Poppea”) and in 2020 gave a concert evening at La Scala in Milan. Recent engagements include Lisa (“The Queen of Spades”) at the Metropolitan Opera, her Japan debut as Floria Tosca in Yokohama and Tokyo, as well as recitals and concert evenings in São Paulo, at the State Operas of Berlin and Vienna, at the Salzburg Mozart Week, in the Vienna Konzerthaus, the Elbphilharmonie Hamburg, the Gstaad Menuhin Festival and in the Philharmonie de Paris. Since 2020 she has also been active as a producer. Under her label SY11 Productions, her solo album “The Courtesan” (2023) and her book “Fifteen Reflections” have been released, as well as a concert series in Sofia. Sonya Yoncheva is an ambassador for UNICEF Bulgaria.

Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 / 13 / 17 May 2027 Manon Lescaut11 / 15 / 18 / 22 / 26 Dec 2026

Charles Castronovo

The American tenor Charles Castronovo studied classical singing at California State University. His career began as a member of the ensemble at the Los Angeles Opera before he was accepted into the Lindemann Young Artist Development Program of the Metropolitan Opera, where he made his debut in 1999 as Beppe in "Pagliacci". Since then, he has appeared at the world’s leading opera houses, including the Royal Opera House Covent Garden, the Vienna State Opera, the Opéra national de Paris, the Berlin State Opera and the Bavarian State Opera, the Metropolitan Opera, and the Teatro Real Madrid. His repertoire ranges from major Mozart roles to Edgardo in "Lucia di Lammermoor", Alfredo in "La traviata", Nemorino in "L’elisir d’amore", and Rodolfo in "La bohème", as well as Faust, Roméo, and Don José in "Carmen". He sang the title role in the world premiere of Daniel Catán’s "Il Postino" at the Los Angeles Opera alongside Plácido Domingo. His recent role debuts include Riccardo in "Un ballo in maschera" and Mario Cavaradossi in "Tosca". In the 2024/25 season, he appeared as Riccardo at the Bavarian State Opera and the Zurich Opera House, as Don Carlos at the Opéra national de Paris, and as Don José at the Royal Opera House. His discography includes, among others, "Noble Renegades: Verdi Scenes & Arias" and "Puccini / I canti" from 2024.

Tosca11 / 14 / 17 / 21 / 24 Apr 2027

Yusif Eyvazov

Yusif Eyvazov is a native of Azerbaijan and studied in his hometown of Baku and in Italy. He regularly appears at the world’s most prestigious opera houses and festivals, including the Royal Opera House in London, the state operas of Munich, Berlin, and Vienna, La Scala in Milan, the Opéra National de Paris, Teatro Real in Madrid, the Bolshoi Theatre, the Metropolitan Opera in New York, Teatro Colón in Buenos Aires, the Arena di Verona, and the Salzburg Festival. His repertoire includes roles such as Alfredo (“La traviata”), Manrico (“Il trovatore”), Riccardo (“Un ballo in maschera”), Duca di Mantova (“Rigoletto”), Don Alvaro (“La forza del destino”), Radamès (“Aida”), Don Carlo, Des Grieux (“Manon Lescaut”), Rodolfo (“La bohème”), Cavaradossi (“Tosca”), Dick Johnson (“La fanciulla del West”), Calaf (“Turandot”), Hermann (“The Queen of Spades”), Maurice (“Adriana Lecouvreur”), and the title role in “Andrea Chénier.” His discography includes a live recording of Puccini’s “Manon Lescaut” from the Salzburg Festival and the album “Romanza” with Anna Netrebko. In 2017, he was awarded the title of People’s Artist of Azerbaijan. Most recently, he has appeared as Otello at Teatro Massimo in Palermo, as Cavaradossi at Teatro dell’Opera in Rome, as Alfredo at the Royal Opera House Muscat, as Manrico at the Berlin State Opera, as Hermann at the Vienna State Opera, as Don José and Radamès at the Arena di Verona, and in numerous concerts with Anna Netrebko in cities such as Sofia, Budapest, Paris, Vienna, and Istanbul.

La forza del destino2 / 7 / 12 / 15 / 18 Nov 2025 Tosca13 / 17 May 2027

Ludovic Tézier

The French baritone Ludovic Tézier studied with Claudine Duprat, at the Centre National de Formation des Artistes Lyriques, and at the École d’Art Lyrique of the Opéra de Paris. In 1998, he won second prize at the Operalia Competition. After early successes in Lucerne, Toulouse, and Lyon, he developed into one of the most renowned baritones of the present day and regularly appears at the Metropolitan Opera, the Vienna State Opera, the Opéra national de Paris, the Deutsche Oper Berlin, Teatro alla Scala, the Liceu Barcelona, Teatro Real Madrid, the Royal Opera House London, the Bavarian State Opera, as well as at the Salzburg Festival and the Festival d’Aix-en-Provence. He is particularly acclaimed for his Verdi roles, including Macbeth, Rigoletto, Simon Boccanegra, Renato in "Un ballo in maschera", Giorgio Germont in "La traviata", Posa in "Don Carlos", and Amonasro in "Aida". His solo album of Verdi arias was awarded the Gramophone Award in 2021; in 2022 he released the duet album "Insieme" together with Jonas Kaufmann. His recent highlights include new productions of "Rigoletto" in Madrid, "Tosca" in Munich, and "Hamlet" and "Simon Boccanegra" at the Opéra national de Paris. He is a Chevalier de l’Ordre des Arts et des Lettres.

Tosca11 / 14 / 17 / 21 / 24 Apr 2027

Gabriele Viviani

The Italian baritone Gabriele Viviani was born in Lucca and studied at the Conservatorio "Luigi Boccherini" with Marco Boccassini as well as with Graziano Polidori, with whom he continues to collaborate to this day. He won the Mozart Competition of the Teatro Lirico di Cagliari, the Mascagni Prize at the Cascina Lirica Competition, and a special prize at the Toti dal Monte Competition in Treviso. Since then, he has appeared at renowned opera houses such as Teatro alla Scala, the Vienna State Opera, the Opéra national de Paris, Teatro Real Madrid, the Canadian Opera Company, the Royal Opera House, the Deutsche Oper Berlin, the Lyric Opera of Chicago, the San Francisco Opera, and in the Arena di Verona. He made his debut at the Royal Opera House in 2009 as Marcello in "La bohème". His repertoire includes, among others, Renato in "Un ballo in maschera", Simon Boccanegra, Giovanni lo Sciancato in "Francesca da Rimini", Tonio in "Pagliacci", Nabucco, Carlo Gérard in "Andrea Chénier", Rodrigo in "Don Carlo", as well as Scarpia in "Tosca". His recent highlights include Jack Rance in "La fanciulla del West" at the Teatro Regio di Torino, the title role in "Nabucco" at the Opéra de Lausanne and at the Savonlinna Opera Festival, Dulcamara in "L’elisir d’amore" at the Teatro San Carlo in Naples, as well as Scarpia at the Royal Opera House, in Bilbao, and in Bologna.

Tosca13 / 17 May 2027

Vladyslav Buialskyi

Cast

Tosca11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027

Valeriy Murga

Bass Valeriy Murga studied at the National Music Academy of Ukraine in Kyiv. He was a finalist at both the 41st International Singing Competition in Toulouse (1996) and the 7th Julian Gayarre Competition in Pamplona (1998). In 1997, he won second prize at the Maria Callas Grand Prix in Athens and participated in the Cardiff Singer of the World competition in 1999. From 1997 to 1999, he was a soloist at the Ukrainian National Opera in Kyiv, where he performed roles including Figaro (“Le nozze di Figaro”), Escamillo (“Carmen”), Schaunard (“La bohème”), and the title roles in “Eugene Onegin,” “Don Giovanni,” and “Prince Igor.” His repertoire also includes the roles of Marchese di Posa (“Don Carlo”) and Shaklovity (“Khovanshchina”). At the Zürich Opera House, Valeriy Murga was initially a member of the International Opera Studio and during this time performed, among others, Sciarrone and the Jailor (“Tosca”) as well as Monterone (“Rigoletto”). Since the 2000/01 season, he has been a permanent ensemble member at the Zürich Opera House, where he has performed roles such as Prince Yeletsky (“The Queen of Spades”), Moralès (“Carmen”), Second Soldier (“Salome”), Alessio (“La sonnambula”), Ali (“L’italiana in Algeri”), Wagner (“Faust”), Sacristan (“Tosca”), Butler (“La rondine”), and Bogdanovich (“The Merry Widow”), as well as in family operas including “The Canterville Ghost,” “Robin Hood,” “The Enchanted Pig,” “Jim Knopf,” and “Wir pfeiffen auf den Gurkenkönig” He has also appeared as a guest in Eugen d’Albert’s “Tiefland” at the Liceu in Barcelona and in “L’italiana in Algeri” at the Staatsoper Unter den Linden in Berlin.

Manon24 / 27 Sept / 3 / 7 / 10 Oct 2025 Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 / 11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Werther14 / 19 Jun / 1 / 4 / 10 Jul 2026 Hänsel und Gretel20 / 23 Nov / 2 / 16 / 18 Dec 2025 / 2 / 24 / 25 / 31 Jan 2026 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Alice im Wunderland8 / 15 / 19 / 28 Nov 2026 / 2 / 8 / 17 Jan 2027 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027 Herr der Diebe27 Feb / 2 / 4 / 6 / 7 / 9 / 10 / 11 Mar 2027

Benjamin Suran

Cast

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027 Tosca11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027

Mikayel Sargsyan

Cast

La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027 Tosca11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027
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Orchester der Oper Zürich

Cast

Der Rosenkavalier21 / 26 Sept / 1 / 5 / 14 / 17 / 21 / 26 Oct 2025 Tugan Sokhiev12 Jul 2026 Manon24 / 27 Sept / 3 / 7 / 10 Oct 2025 La scala di seta25 / 28 Sept / 19 / 24 Oct 2025 Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 / 11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Capuçon & Heras-Casado4 Oct 2025 Tannhäuser21 / 24 / 27 Jun / 2 / 5 / 8 / 11 Jul / 26 Sept / 4 / 9 / 13 Oct 2026 Cardillac15 / 18 / 21 / 25 Feb / 1 / 6 / 10 Mar 2026 La Damnation de Faust10 / 14 / 17 May 2026 Hänsel und Gretel16 / 20 / 23 / 28 / 30 Nov / 2 / 4 / 11 / 16 / 18 / 21 Dec 2025 / 2 / 24 / 25 / 31 Jan 2026 Carmen18 / 21 / 23 / 27 / 31 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Rigoletto20 / 23 / 27 Dec 2025 / 1 / 4 Jan 2026 Le nozze di Figaro24 / 29 Jan / 1 / 5 / 7 / 10 / 14 Feb 2026 / 2 / 6 / 8 / 15 / 19 May 2027 Fidelio3 / 6 / 10 / 14 / 16 May 2026 Werther14 / 19 Jun / 1 / 4 / 10 Jul 2026 Oiseaux Rebelles12 / 18 / 23 / 25 / 31 Oct / 1 / 9 / 13 Nov / 2 / 5 / 6 / 9 Dec 2025 / 11 / 13 / 16 / 18 / 27 Sept 2026 Macbeth8 / 11 / 14 / 19 / 22 / 30 Nov 2025 Ehnes & Noseda23 Nov 2025 Die Fledermaus7 / 10 / 12 / 14 / 18 / 26 / 28 / 31 Dec 2025 / 2 / 4 / 6 / 10 Jan / 29 Sept / 8 / 17 / 23 / 25 Oct 2026 Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Countertime5 / 7 / 14 Sept 2025 Altstaedt & Chan11 Jan 2026 Jussen & Rustioni8 Feb 2026 Celebratory concert for Ralf Weikert’s 85th birthday22 Feb 2026 Monster's Paradise8 / 14 / 18 Mar / 10 / 12 Apr 2026 Messa da Requiem20 / 22 / 28 Feb / 1 / 5 / 7 Mar / 6 Apr 2026 Arabella14 / 18 / 22 / 25 / 28 Apr 2026 Romeo und Julia23 / 29 / 30 May / 4 / 6 / 7 / 10 / 12 / 14 / 23 / 26 Jun / 20 / 27 / 29 Nov / 6 / 13 / 19 / 26 / 27 Dec 2026 Open-Air-Concert28 Jun 2026 / 4 Jul 2027 Mühlemann & Noseda21 / 28 Mar / 1 Apr 2026 Europa-Tournee 2026 «Messa da Requiem»22 / 23 / 25 / 26 / 29 / 31 Mar 2026 Die Zauberflöte20 / 25 Sept / 6 / 18 / 21 / 24 / 30 Oct 2026 / 2 / 8 / 18 / 20 / 23 Apr 2027 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Ein Sommernachtstraum26 Sept / 11 / 16 / 18 / 25 / 28 / 29 / 31 Oct / 12 / 13 / 14 Nov 2026 / 19 / 22 / 29 Jun / 3 Jul 2027 1th Philharmonic Concert3 Oct 2026 Alice im Wunderland8 / 15 / 19 / 21 / 26 / 28 Nov / 6 Dec 2026 / 2 / 7 / 8 / 10 / 17 Jan 2027 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026 Das Rheingold29 Nov / 4 / 12 / 17 Dec 2026 Gabetta & Noseda7 Nov 2026 Manon Lescaut11 / 15 / 18 / 22 / 26 Dec 2026 Fuchs & Jordan1 / 2 Jan 2027 Trifonov & Järvi16 Jan 2027 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027 Doctor Atomic7 / 11 / 14 / 20 / 24 / 28 Feb 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 Sorita & Lyniv14 Feb 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027 L'elisir d'amore25 / 27 / 29 Apr / 2 / 6 / 9 / 12 / 14 / 17 / 21 May 2027 Balanas & Peltokoski18 Apr 2027 Requiem pour Ophélie4 / 7 / 9 May 2027 See the music, hear the dance22 / 28 May / 6 / 10 / 12 / 15 / 25 / 26 / 27 Jun 2027 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027 Samson et Dalila13 / 17 / 20 / 24 / 27 / 30 Jun / 2 / 9 Jul 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027 Viotti29 May 2027 Rachmaninov – Die drei Opern1 / 4 / 8 / 15 / 18 / 21 / 28 Nov 2026 Benefiz «amiamusica»2 Oct 2026

Kinderchor der Oper Zürich

Der Kinderchor der Oper Zürich wurde 1985 für Jean-Pierre Ponnelles Neuproduktion von  Bizets Carmen gegründet und gastierte mit dieser erfolgreichen Inszenierung schon bald darauf in Dresden und Athen. Mit der Zeit entwickelte sich ein festes Ensemble, welches in den verschiedensten Produktionen im Opernhaus, aber auch im Zürcher Hallenstadion bei Puccinis Turandot und Mussorgskis Boris Godunow (in russischer Sprache) auftrat.
Inzwischen wirken ca. 50 Kinder regelmässig in diesem Ensemble mit. Einzelne von ihnen übernehmen in einigen Opern sogar kleinere Solopartien. Die Zahl der Auftritte in immer aufwendigeren Inszenierungen am Opernhaus beträgt gegenwärtig 10 bis 15 verschiedene Werke pro Jahr.
Ausserhalb des Opernhauses ist der Kinderchor in den letzten Jahren immer wieder mit eigenen Kirchenkonzerten unter seinen Leitern Jürg Hämmerli und Ernst Raffelsberger aufgetreten, darüber hinaus aber auch in Anna Jenatsch von Martin Derungs unter Räto Tschupp, in Berlioz’ Te Deum unter Alex Hug in der Zürcher Tonhalle sowie im Rahmen eines Konzertes von Céline Dion im Letzigrundstadion.
Gastspielreisen führten den Kinderchor nach Deutschland (Krefeld), Italien (Verona) und Grossbritannien (London).

Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 / 11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Werther14 / 19 Jun / 1 / 4 / 10 Jul 2026 Alice im Wunderland8 / 15 / 19 / 21 / 26 / 28 Nov / 6 Dec 2026 / 2 / 7 / 8 / 10 / 17 Jan 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027

Statistenverein am Opernhaus Zürich

Der Statistenverein am Opernhaus Zürich wurde im Jahr 1900 gegründet und dürfte damit einer der traditionsreichsten Vereine auf dem Kulturplatz Zürich sein. Rund hundert Frauen und Männer im Alter von 16 bis 70 Jahren bereichern das Bühnengeschehen in zahlreichen Inszenierungen.Statisten, früher auch als Figuranten bezeichnet, haben generell nicht sprechende Rollen. Ihre Einsätze am Opernhaus Zürich fallen je nach Inszenierung unterschiedlich umfangreich aus. Während früher Massenszenen im Vordergrund standen, sind die Statistinnen und Statisten seit der Ära Pereira und der Intendanz von Andreas Homoki zunehmend auch für aufwändigere Einzelauftritte sowie für anspruchsvolle technische Einsätze gefragt. Die Mitglieder des Statistenvereins üben ihre Einsätze in der Freizeit und ohne finanzielle Interessen aus. Sie bringen Begeisterung für Musik und Theater mit.

Manon24 / 27 Sept / 3 / 7 / 10 Oct 2025 La scala di seta25 / 28 Sept / 19 / 24 Oct 2025 Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 / 11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Rigoletto20 / 23 / 27 Dec 2025 / 1 / 4 Jan 2026 Le nozze di Figaro24 / 29 Jan / 1 / 5 / 7 / 10 / 14 Feb 2026 / 2 / 6 / 8 / 15 / 19 May 2027 Werther14 / 19 Jun / 1 / 4 / 10 Jul 2026 Così fan tutte3 / 7 / 9 / 12 Jul 2026 Macbeth8 / 11 / 14 / 19 / 22 / 30 Nov 2025 Arabella14 / 18 / 22 / 25 / 28 Apr 2026 Der Rosenkavalier21 / 26 Sept / 1 / 5 / 14 / 17 / 21 / 26 Oct 2025 La clemenza di Tito26 / 29 Apr / 3 / 8 / 15 / 17 / 20 / 25 May 2026 Cardillac15 / 18 / 21 / 25 Feb / 1 / 6 / 10 Mar 2026 Hänsel und Gretel16 / 20 / 23 / 28 / 30 Nov / 2 / 4 / 11 / 16 / 18 / 21 Dec 2025 / 2 / 24 / 25 / 31 Jan 2026 Carmen18 / 21 / 23 / 27 / 31 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun 2026 Die Fledermaus7 / 10 / 12 / 14 / 18 / 26 / 28 / 31 Dec 2025 / 2 / 4 / 6 / 10 Jan / 29 Sept / 8 / 17 / 23 / 25 Oct 2026 Giulio Cesare in Egitto11 / 13 / 15 / 17 / 21 / 25 / 28 Mar 2026 Scylla et Glaucus27 / 29 / 31 Mar / 2 / 6 / 30 Apr / 2 May 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Sillons de Mémoires5 / 6 / 7 Feb 2026 Gianni Schicchi2 / 6 / 8 / 10 / 13 May 2026 Monster's Paradise8 / 14 / 18 Mar / 10 / 12 Apr 2026 Alice im Wunderland8 / 15 / 19 / 21 / 26 / 28 Nov / 6 Dec 2026 / 2 / 7 / 8 / 10 / 17 Jan 2027 Manon Lescaut11 / 15 / 18 / 22 / 26 Dec 2026 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 Die Walküre24 / 31 Jan / 3 / 6 Feb 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027 Don Carlo1 / 6 / 8 / 11 Jul 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026 Rinaldo14 / 19 / 23 / 25 / 27 / 29 Mar 2027 Samson et Dalila13 / 17 / 20 / 24 / 27 / 30 Jun / 2 / 9 Jul 2027 Tannhäuser26 Sept / 4 / 9 / 13 Oct 2026

Abstract

"Tosca" is an operatic thriller about desire, betrayal and the abuse of power. With the title heroine, Puccini created a figure who has devoted her entire life to the stage. Robert Carsen stages a subtle play on appearance and reality, theatre and truth. Under the musical direction of Carlo Rizzi, Maria Agresta and Sonya Yoncheva alternate in the title role, Charles Castronovo and Yusif Eyvazov sing Cavaradossi, and Ludovic Tézier and Gabriele Viviani portray the power-obsessed Scarpia.

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Photo Gallery "Tosca"


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Synopsis

Act One
Interior of the Church of Sant' Andrea della Valle

Cesare Angelotti, a political prisoner who has just escaped from the Castel Sant’ Angelo, furtively enters the church to hide in the private chapel of his sister, the Marchesa Attavanti. The sacristan enters and is surprised to see that the painter, Mario Cavaradossi is not at work. Cavaradossi arri­ves and attempts to resume his work - a painting of a blonde blue-eyed Mary Magdalen, inspired by the Marchesa Attavanti, whom he has seen praying in the church lately. Cavaradossi compares the dark beauty of his beloved Floria Tosca, the most celebrated Prima Donna of her day, with the fair Magdalen.
The sacristan leaves. Angelotti, believing the church to be empty
, steps from his hiding place and is discovered. He is relieved to recognize Cavaradossi, who agrees to help him. Suddenly Tosca’s voice is heard, and Angelotti hides once again. The jealous diva enters, convinced that Cavara­dossi was with another woman. Preoccupied with Angelotti, Cavaradossi quiets her suspicions, and they plan a rendez-vous later that evening. As she is about to leave, Tosca sees the painting, and jealously recognizes the Marchesa Attavanti. Cavaradossi persuades her that his model is sim­ply an unknown worshipper, and they part.
Angelotti emerges just as a cannon shot signals the discovery of his escape. Cavaradossi offers to hide him in his nearby villa, and the two men flee together. The sacristan returns, accompanied by members of the choir. All are excited by the latest news: Napoleon has been crushed at Marengo. There is to be a victory celebration that evening at the Farnese Palace, where the choir will sing a new cantata, with Floria Tosca as soloist.
Suddenly, Baron Scarpia, chief of the Roman police, enters. He and his agent Spoletta have traced Angelotti to the church. After questioning the sacristan, Scarpia surmises that Cavaradossi, a sus­pected Republican sympathizer, has aided the fugitive’s escape. Tosca returns to tell Cavaradossi that she cannot join him later. Scarpia, who desires her, seizes the opportunity to arouse Tosca’s jealousy, and to discover Angelotti’s hiding place. He shows her a fan he has found bearing the Attavanti crest. She is consumed with jealousy and leaves to confront her lover, with Scarpia’s spies following her. Scarpia gloats over the impending realization of his double goal - Cavaradossi on the gallows and Tosca in his arms. Swept up in his vision, he declares that Tosca has made him forget God.

Act Two
Scarpia's apartment in the Farnese Palace

Scarpia is dining in his apartment, savouring the prospect of satisfying his desire for Tosca. He knows that she is singing before the Queen of Napels in another part of the Palace, and sends a note asking to see her. Spoletta enters and reluctantly reports that he followed Tosca to Cavaradossi’s villa, but could not find Angelotti. He quickly adds that he did find Cavaradossi, and has brought him for que­stioning. The painter denies any knowledge of the escaped prisoner, and Scarpia orders him tortured. Tosca arrives and Cavaradossi manages to warn her to say nothing before he is taken into an adjoi­ning room. Tosca skillfully evades Scarpia’s questions until her lover’s cries of pain are heard. Tosca pleads for Cavaradossi. Unable to bear such agony, she reveals Angelotti s hiding place. Cavaradossi is brought out and denounces Tosca for her betrayal. Sciarrone, another of Scarpia’s agents, enters to report a reversal at Marengo - Napoleon has won. Cavaradossi shouts his elation in defiance of Scarpia, and is taken away. Left alone with Scarpia, Tosca attempts to offer him money in exchange for her lover’s life. Scarpia names his price: Tosca herself. Her hatred only intensified his desire. Scarpia persists, and Tosca finally agrees to submit to him in exchange for her lover’s life. Scarpia explains that he cannot simply free Cavaradossi; a mock execution must be staged. Tosca demands that Scarpia write a safe-conduct letter for Cavaradossi and herself. When Scarpia finishes, he advan­ces to claim his prize. Instead Tosca stabs him to death ... She departs at the sound of a distant drum-roll.

Act Three
Ramparts of the Castel Sant'Angelo

Cavaradossi awaits his execution. Musing sadly on Tosca’s beauty and their love he writes her his farewell. She enters and tells him of their safe-conduct letter and of Scarpia’s death, explaining the need for the mock execution. The firing squad approaches. The soldiers fire and Cavaradossi falls. Tosca waits impatiently as the soldiers leave, and then runs to him. To her horror, she sees that he is dead and realizes that she has been tricked. Scarpia’s agents attempt to arrest her, but before they can reach her, she leaps to her death, crying: Scarpia, we will meet before God!