In his 1969 composition for six percussionists "Persephassa", Iannis Xenakis explored the relationship between space, time and ritual. The title refers to Persephone, the goddess between the upper and underworlds: a figure of transition. The percussionists of the Orchestra of the Zurich Opera House performed the work in a set-up that made the spatialisation of sound tangible.
Around midnight, singers Flavia Stricker and Siena Licht Miller presented a vocal programme that captured the lyrical, nocturnal atmosphere in a special way, with works by Heitor Villa-Lobos, Gustav Mahler and others.
One of the highlights was the appearance of composer and DJ Gabriel Prokofiev, whose music can also be heard in Cathy Marston’s ballet evening "Ein Sommernachtstraum". Together with musicians from the orchestra and dancer Jorge García Pérez, Prokofiev performed his works "Breaking Screens" and "Howl!": pulsating beats and ambient sounds met classical instruments and an energetic solo dance improvisation. Music in the here and now.
Another special event could be experienced in the Spiegelsaal from 22:00. Erik Satie’s "Vexations" ("Torments") is one of the great curiosities of music history: for a short motif, Satie – probably in 1893 – prescribes a total of 840 repetitions. What began as an ordeal became, over the course of the hours, a unique artistic experience of extraordinary emotional depth. A group of pianists performed the work for the first time at the Zurich Opera House.
