La forza del destino

Giuseppe Verdi

Opera in four acts
Libretto by Francesco Maria Piave

From 2. November 2025 until 21. December 2025

  • Language:
    In Italian with German and English surtitles.
  • More information:
    Introduction 45 min before the performance.

Music Direction:
Gianandrea Noseda

Gianandrea Noseda

Gianandrea Noseda has been General Music Director of the Opernhaus Zurich since the 2021/22 season. He is also Music Director of the National Symphony Orchestra (Washington, D. C.)  and Principal Guest Conductor of the London Symphony Orchestra. In 2019 he became the founding Music Director of the Tsinandali Festival and Pan-Caucasian Youth Orchestra in the village of Tsinandali, Georgia. Noseda’s leadership as Music Director of the Teatro Regio Torino from 2007–2018 transformed the opera house resulting in internationally acclaimed productions, tours, and recordings. Noseda has conducted the most important international orchestras (Berlin Philharmonic, Chicago Symphony, Cleveland Orchestra, Concergetbouw Orchestra, Vienna Philharmonic), opera houses (La Scala, Metropolitan Opera and Royal Opera House, Covent Garden) and festivals (BBC Proms, Edinburgh, Salzburg and Verbier). He has had significant roles at the BBC Philharmonic (Chief Conductor), Israel Philharmonic Orchestra (Principal Guest Conductor), Mariinsky Theatre (Principal Guest Conductor), Pittsburgh Symphony Orchestra (Victor de Sabata Chair), Rotterdam Philharmonic (Principal Guest Conductor) and Stresa Festival (Artistic Director). Gianandrea Noseda’s discography comprises more than 70 CDs; notable among them is the «Musica Italiana» Project, in which Noseda documents neglected Italian repertoire of the 20th century. Born in Milan, Noseda holds the honor of Commendatore al Merito della Repubblica Italiana. He was honored as Musical America’s Conductor of the Year in 2015 and named Conductor of the Year by the International Opera Awards in 2016.

Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Macbeth8 / 11 / 14 / 19 / 22 / 30 Nov 2025 Ehnes & Noseda23 Nov 2025 Concert Kinderopernorchester­concert25 May 2026 Open-Air-Concert28 Jun 2026 Mühlemann & Noseda21 Mar 2026
Director:
Valentina Carrasco

Valentina Carrasco

Valentina Carrasco was born in Buenos Aires. From 2000 to 2020, she worked with La Fura dels Baus on major shows in Barcelona, Madrid, Beirut, Shanghai, Istanbul, and elsewhere, as well as on numerous opera productions. Together with Àlex Ollé, she directed Ligeti’s “Le Grand Macabre,” Francesconi’s “Quartett,” “Tristan und Isolde,” “Il trovatore,” Enescu’s “Œdipe,” and “Manon Lescaut.” Outside of La Fura dels Baus, she directed a seven-hour version of Wagner’s “Ring” in 2013 at the Teatro Colón in Buenos Aires, which was also released on DVD. Among her own productions are “The Turn of the Screw” in Lyon, “Don Giovanni” in Perm, Respighi’s “Sleeping Beauty” in Strasbourg, Rihm’s “Proserpina” in Rome, “Die Zauberflöte” in Trieste, Rachmaninoff’s “Aleko” and “Francesco da Rimini,” as well as Auber’s “La muette de Portici” in Kiel, “Les Vêpres siciliennes” and “Carmen” in Rome, “Gianni Schicchi” at the Puccini Festival, “Aida” and “Tosca” at the Macerata Festival, “Simon Boccanegra” at the Verdi Festival, and “La Favorite” in Bergamo and Bordeaux. In 2023, she directed John Adams’ “Nixon in China” at the Opéra de Paris, followed in 2024 by “La fanciulla del West” in Turin and “La battaglia di Legnano” at the Verdi Festival. In 2025, she will stage “Lucrezia Borgia” in Rome and “Fidelio” at the Opéra de Bordeaux.

La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025
Stage design:
Carles Berga

Carles Berga

Carles Berga was born in Barcelona and graduated in 2005 with a degree in architecture from Ramon Llull University in Barcelona. During his studies, he collaborated with the theatre collective La Fura dels Baus and the set designer Alfons Flores. He made his debut in 2013 at the Teatro Colón in Buenos Aires with Wagner’s “Ring” in a production directed by Valentina Carrasco. Since then, he has designed sets for opera and film productions, museums, installations, and concerts. Among others, he has created the set designs for Valentina Carrasco’s “Aida” (Sferisterio di Macerata), “La Favorite” (Teatro Donizetti, Bergamo), “Die Zauberflöte” (Teatro Verdi, Trieste), “The Turn of the Screw” (Opéra national de Lyon), “Proserpina” (Teatro dell’opera, Rome), and “La Bella Dormente nel Bosco” (Opéra national de Strasbourg), as well as for Franc Aleu’s “Turandot” (Gran Teatre del Liceu, Barcelona). Most recently, he worked with Valentina Carrasco on “Nixon in China” at the Opéra de Paris.

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Associate set designer:
Mariangela Mazzeo
Costumes:
Silvia Aymonino

Silvia Aymonino

Silvia Aymonino was born in Rome. She began her career at Sartoria Tirelli, a workshop in Rome specializing in costumes for film and theatre. From 1985 to 1994, she had the opportunity to work with renowned costume designers such as Piero Tosi, Maurizio Milenotti, Paul Brown, and Pier Luigi Pizzi. She later specialized in opera and collaborated with, among others, Hugo de Ana and Giovanna Buzzi. In addition, she worked repeatedly on major Olympic ceremonies, including those in Turin (2006), London (2012), Sochi (2014), Rio (2016), and the Summer Universiade in Naples (2019). In 2020, she was awarded the Franco Abbiati Prize for Best Costume Design for Ferdinando Paër’s “Agnese” at the Teatro Regio di Torino. She works regularly with directors such as Leo Muscato, Lorenzo Mariani, Jacopo Spirei, Valentina Carrasco, Damiano Michieletto, Luca Ronconi, and Francesco Micheli. Her most recent productions include “Nixon in China” (Paris), “La fanciulla del West” and “Rigoletto” (Turin), “La battaglia di Legnano” (Verdi Festival, Parma), “Tosca” and “Madama Butterfly” (Florence), “Lucia di Lammermoor” (Genoa), “La forza del destino” (opening production of La Scala Milan 2024), “Lucrezia Borgia” (Rome), and “Attila” (Venice).

La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025
Video:
Massimiliano Volpini
Chorus Master:
Klaas-Jan de Groot

Klaas-Jan de Groot

Klaas-Jan de Groot is a Dutch conductor and choral director. After studying in The Hague and Cardiff, from 2016 to 2022, he acted as an assistant to chorus director Ching-Lien Wu at the Dutch National Opera in Amsterdam, where he prepared several productions and projects with the opera chorus. Since 2018, he has worked regularly with the Netherlands Radio Choir (Groot Omroepkoor). From 2018 to 2024, he was annually engaged as assistant to chorus director Eberhard Friedrich at the Bayreuth Festival. He has conducted various concerts and performances with Opera Zuid, the Orchestra of the 18th Century, and the Essen Philharmonic. From 2022 to 2025, he was chorus director at the Aalto Theatre in Essen. Since 2023, he has worked regularly with the NDR Vokalensemble in Hamburg. In 2024, he made his debut with both the MDR Radio Choir and the Rundfunkchor Berlin. As part of a program supporting emerging talent, Klaas-Jan de Groot was awarded the prestigious Dutch conducting prize of the Anton Kersjes Fund in 2021. Beginning with the 2025/26 season, he is choral director at the Zurich Opera House.

Der Rosenkavalier21 / 26 Sept / 1 / 5 / 14 / 17 / 21 / 26 Oct 2025 Tannhäuser21 / 24 / 27 Jun / 2 / 5 / 8 / 11 Jul 2026 Cardillac15 / 18 / 21 / 25 Feb / 1 / 6 / 10 Mar 2026 La Damnation de Faust10 / 14 / 17 May 2026 Hänsel und Gretel16 / 20 / 23 / 28 / 30 Nov / 2 / 4 / 11 / 16 / 18 / 21 Dec 2025 / 2 / 24 / 25 / 31 Jan 2026 Carmen18 / 21 / 23 / 27 / 31 Jan 2026 Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Rigoletto20 / 23 / 27 Dec 2025 / 1 / 4 Jan 2026 Fidelio3 / 6 / 10 / 14 / 16 May 2026 Macbeth8 / 11 / 14 / 19 / 22 / 30 Nov 2025
Dramaturgy:
Fabio Dietsche

Fabio Dietsche

Fabio Dietsche studierte Dramaturgie an der Zürcher Hochschule der Künste sowie Querflöte bei Maria Goldschmidt in Zürich und bei Karl-Heinz Schütz in Wien. Erste Erfahrungen als Dramaturg sammelte er 2012/13 bei Xavier Zuber am Konzert Theater Bern, wo er u.a. Matthias Rebstocks Inszenierung von neither (Beckett/Feldman) in der Berner Reithalle begleitete. Seit 2013 ist er Dramaturg am Opernhaus Zürich, wo er sein Studium mit der Produktionsdramaturgie von Puccinis La bohème abschloss. Hier wirkte er u.a. bei den Uraufführungen von Stefan Wirths Girl with a Pearl Earring und Leonard Evers Odyssee, an der Kammeroper Jakob Lenz von Wolfgang Rihm und an der Schweizerischen Erstaufführung von Manfred Trojahns Orest mit. Er arbeitete u.a. mit Robert Carsen, Tatjana Gürbaca, Rainer Holzapfel, Andreas Homoki, Ted Huffman, Mélanie Huber, Barrie Kosky, Hans Neuenfels und Kai Anne Schuhmacher zusammen. Zurzeit studiert er berufsbegleitend Kulturmanagement an der Universität Zürich.

Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Monster's Paradise8 / 14 / 18 Mar / 10 / 12 Apr 2026 Gianni Schicchi2 / 6 / 8 / 10 / 13 May 2026
Lighting designer:
Fabrice Kébour

Fabrice Kébour

Fabrice Kébour, in Frankreich geboren, arbeitet in den Sparten Tanz, Schauspiel, Musical und Oper und hat das Lichtdesign zu mehr als 250 Inszenierungen gestaltet. Er begann seine Laufbahn in New York, wo er u. a. am Broadway arbeitete. In den letzten 20 Jahren waren seine Arbeiten an so renommierten Häusern und Festivals wie der Comédie-Française, der Wiener Staatsoper, den Bregenzer Festspielen, der Mailänder Scala, dem Mariinski-Theater in Sankt Petersburg und der Opéra La Monnaie in Brüssel zu sehen. Seit 2007 kreierte er das Lichtdesign zu mehreren Inszenierungen von David Pountney, darunter La forza del destino in Wien, Die Zauberflöte in Bregenz, die Uraufführung von Philip Glass’ Spuren der Verirrten zur Eröffnung des Musiktheater Linz und Die Meistersinger von Nürnberg an der Oper Leipzig. Mit Claus Guth arbeitete er u.a. für die Uraufführung von Michael Jarrells Bérénice an der Pariser Opéra zusammen. 2022 kreierte er das Lichtdesign zu der Uraufführung von Philip Glass’ Ballett Alice an der Opéra national du Rhin. Zudem entwarf er das Lichtdesign für die Eröffnungs- und Abschlussfeierlichkeiten der Asienspiele in Doha 2006. Er ist Mitbegründer der Union des Créateurs Lumière, der er bis 2012 als Präsident vorstand. 2011 wurde er von der Quadriennale Prag eingeladen, an der Ausstellung Light Speaks teilzunehmen, bei der Arbeiten weltweit führender Lichtdesigner gezeigt wurden. Fabrice Kébour erhielt zahlreiche Preise und Auszeichnungen und wurde dreimal für den renommierten französischen Theaterpreis Molière nominiert.

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Cast


Il Marchese di Calatrava Stanislav Vorobyov


Donna Leonora Anna Netrebko


Donna Leonora Elena Guseva 21, 26, 29 Nov / 17, 21 Dec


Don Carlo di Vargas George Petean


Don Alvaro Yusif Eyvazov


Don Alvaro Riccardo Massi 21, 26, 29 Nov / 17, 21 Dec


Preziosilla Annalisa Stroppa


Padre Guardiano Michele Pertusi


Fra Melitone Roberto Frontali


Curra Natália Tuznik


Un alcade Lobel Barun


Mastro Trabuco Tomislav Jukic


Un chirurgo Max Bell

Stanislav Vorobyov

Stanislav Vorobyov is a native of Russia and studied at the Moscow Conservatory. He was a member of the International Opera Studio and has been part of the ensemble at Zurich Opera House since the 2018/19 season. In Zurich, he has appeared in roles such as Colline (“La bohème”), Alidoro (“La Cenerentola”), High Priest (“Nabucco”), Notary (“Der Rosenkavalier”), Reinmar von Zweter (“Tannhäuser”), Faust (“The Fiery Angel”), Zaretsky (“Eugene Onegin”), Cesare Angelotti (“Tosca”), Fifth Jew and First Nazarene (“Salome”), Lord Rochefort (“Anna Bolena”), Doctor Grenvil (“La traviata”), Crébillon (“La rondine”), and Zuniga (“Carmen”), as well as Roberto (“I vespri siciliani”), Roucher (“Andrea Chénier”), and the Police Commissioner (“Der Rosenkavalier”). He also sang Don Basilio (“Il barbiere di Siviglia”) at the Bregenz Festival, Nourabad (“Les Pêcheurs de perles”) at Opera Vlaanderen and in Luxembourg, and Ombra di Nino (“Semiramide”) at the Concertgebouw in Amsterdam. At the Bregenz Festival, he also appeared as Uncle Bonzo in “Madama Butterfly” and as Il capitano/L’ispettore in Umberto Giordano’s “Siberia.” In 2024, he was additionally heard as Colline (“La bohème”) at the Tokyo Metropolitan Theatre and ROHM Theatre Kyoto.

Cardillac15 / 18 / 21 / 25 Feb / 1 / 6 / 10 Mar 2026 La Damnation de Faust10 / 14 / 17 May 2026 Carmen18 / 21 / 23 / 27 / 31 Jan 2026 Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Der Rosenkavalier21 / 26 Sept / 1 / 5 / 14 / 17 / 21 / 26 Oct 2025

Anna Netrebko

Anna Netrebko, born in Krasnodar (Russia), studied voice at the St. Petersburg Conservatory and completed the Merola Opera Program in San Francisco. Her repertoire ranges from Mozart to bel canto (including Bellini’s “La sonnambula” and Donizetti’s “Anna Bolena”), French opera (Massenet’s “Manon” and Gounod’s “Roméo et Juliette”), Verdi (from “La traviata” and “Aida” to “Macbeth”), Puccini (from “La bohème” to “Turandot”), verismo (“Andrea Chénier” and “Adriana Lecouvreur”), Tchaikovsky (from “Iolanta” to “Eugene Onegin”), and Wagner’s “Lohengrin.” She regularly takes center stage in productions at the world’s leading opera houses and also performs in numerous concerts and recitals across five continents. Highlights of her career include appearances in opening productions at Teatro alla Scala in Milan and the Metropolitan Opera in New York, as well as her performance as a soloist at the Opening Ceremony of the 2014 Winter Olympics. Since 2003, she has been an exclusive artist with Deutsche Grammophon. Among her many awards and distinctions are three Grammy Award nominations, the German Bambi, and the titles of “Singer of the Year” (2007) and “Artist of the Year” (2008) at the Classical Brit Awards. As a mother, she is also actively involved in various organizations she has supported for many years, advocating for disadvantaged children. Most recently, Anna Netrebko has appeared as Leonora (“La forza del destino”) at La Scala in Milan, as Tosca in Rome and London, as Lisa (“The Queen of Spades”) at the Vienna State Opera, as Leonora (“Il trovatore”) at the Berlin State Opera, and as Abigaille (“Nabucco”) and Aida at the Arena di Verona.

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Elena Guseva

Elena Guseva, born in Kurgan (Russia), studied at the Shostakovich Conservatory in her hometown and at the Moscow Conservatory. She is a regular guest at the Stanislavski Theatre in Moscow, where she has performed major roles of her fach. These include Leonora (“La forza del destino”), Mimì (“La bohème”), Tosca, Cio-Cio-San (“Madama Butterfly”), Tatiana (“Eugene Onegin”), and Lisa (“The Queen of Spades”). Further guest engagements have taken her to La Scala in Milan, the Vienna State Opera, the Bavarian State Opera in Munich, the Hamburg State Opera, the Deutsche Oper Berlin, the Semperoper Dresden, Theater Basel, Teatro Real in Madrid, Théâtre du Capitole in Toulouse, Opéra national de Lyon, and the Bregenz Festival. Most recently, she has sung Marietta (“Die tote Stadt”) and Elisabetta di Valois (“Don Carlo”) at the Semperoper Dresden, Cio-Cio-San at the Hamburg and Bavarian State Operas, Lisa at the Opéra de Lyon and Hamburg State Opera, Aida and the Foreign Princess (“Rusalka”) at the Bavarian State Opera, as well as Giordano’s Fedora at the Grand Théâtre de Genève.

Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 La forza del destino21 / 26 / 29 Nov / 17 / 21 Dec 2025

George Petean

George Petean was born in Cluj-Napoca (Romania) and studied piano, trombone, and voice. He made his stage debut in 1997 at the Cluj-Napoca Opera as Don Giovanni. In 1999, he won the Grand Prize at the international singing competition Hariclea Darclée. In 2000, he made his debut as Marcello (“La bohème”) at the Teatro dell’Opera di Roma, and from 2002 to 2010 he was a member of the Hamburg State Opera ensemble. Since then, he has worked as a freelance artist. Engagements have taken him to the Royal Opera House Covent Garden, the Vienna State Opera, Opéra de Paris, the Bavarian State Opera in Munich, the New York Met, Gran Teatre del Liceu in Barcelona, Berlin opera houses, Semperoper Dresden, Opera Amsterdam, and the Bregenz Festival. His repertoire includes roles such as Figaro (“Il barbiere di Siviglia”), Silvio (“Pagliacci”), Conte di Luna (“Il trovatore”), Rodrigo, Marquis of Posa (“Don Carlo”), Lord Enrico Ashton (“Lucia di Lammermoor”), Giorgio Germont (“La traviata”), Amonasro (“Aida”), Simon Boccanegra, and Rigoletto. At the Zurich Opera House, he has recently appeared as Macbeth, Simon Boccanegra, and Renato (“Un ballo in maschera”). More recently, he has performed Simon Boccanegra at the Berlin State Opera, Conte di Luna at the Hamburg State Opera and Berlin State Opera, Carlo Gérard (“Andrea Chénier”) at the Vienna State Opera, and Marquis of Posa at the Bavarian State Opera.

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Yusif Eyvazov

Yusif Eyvazov is a native of Azerbaijan and studied in his hometown of Baku and in Italy. He regularly appears at the world’s most prestigious opera houses and festivals, including the Royal Opera House in London, the state operas of Munich, Berlin, and Vienna, La Scala in Milan, the Opéra National de Paris, Teatro Real in Madrid, the Bolshoi Theatre, the Metropolitan Opera in New York, Teatro Colón in Buenos Aires, the Arena di Verona, and the Salzburg Festival. His repertoire includes roles such as Alfredo (“La traviata”), Manrico (“Il trovatore”), Riccardo (“Un ballo in maschera”), Duca di Mantova (“Rigoletto”), Don Alvaro (“La forza del destino”), Radamès (“Aida”), Don Carlo, Des Grieux (“Manon Lescaut”), Rodolfo (“La bohème”), Cavaradossi (“Tosca”), Dick Johnson (“La fanciulla del West”), Calaf (“Turandot”), Hermann (“The Queen of Spades”), Maurice (“Adriana Lecouvreur”), and the title role in “Andrea Chénier.” His discography includes a live recording of Puccini’s “Manon Lescaut” from the Salzburg Festival and the album “Romanza” with Anna Netrebko. In 2017, he was awarded the title of People’s Artist of Azerbaijan. Most recently, he has appeared as Otello at Teatro Massimo in Palermo, as Cavaradossi at Teatro dell’Opera in Rome, as Alfredo at the Royal Opera House Muscat, as Manrico at the Berlin State Opera, as Hermann at the Vienna State Opera, as Don José and Radamès at the Arena di Verona, and in numerous concerts with Anna Netrebko in cities such as Sofia, Budapest, Paris, Vienna, and Istanbul.

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Riccardo Massi

Riccardo Massi studied voice in Rome and at the Accademia della Scala in Milan. He made his debut in 2009 as Radamès (“Aida”) in Salerno. This was followed by engagements at the Landestheater Salzburg, the Royal Opera House Covent Garden in London, the Zurich Opera House, Teatro dell’Opera di Roma, Teatro Regio di Torino, Théâtre des Champs-Élysées in Paris, the Metropolitan Opera in New York, and opera houses in Dresden, Brussels, Sydney, Moscow, and Los Angeles. He has also appeared at the Bregenz Festival and the Arena di Verona Opera. His repertoire includes roles such as Verdi’s Manrico (“Il trovatore”), Rodolfo (“Luisa Miller”), and Don Carlo, Puccini’s Calaf (“Turandot”), Pinkerton (“Madama Butterfly”), and Des Grieux (“Manon Lescaut”), as well as Pollione (Bellini’s “Norma”), Maurizio in Cilea’s “Adriana Lecouvreur,” and the title role in Giordano’s “Andrea Chénier.” On the concert stage, he has performed alongside soprano Sonya Yoncheva at the Hamburg State Opera and with the Royal Liverpool Philharmonic. Before his operatic career, he worked as a specialist in medieval weaponry and as a stuntman, appearing in films and TV series such as Martin Scorsese’s “Gangs of New York” alongside Leonardo DiCaprio, “Empire,” and “Rome.” Most recently, Riccardo Massi has been heard as Don Alvaro (“La forza del destino”) at the Opéra de Lyon, as Radamès and Manrico at the Royal Opera House in London, as Pinkerton and Canio (“Pagliacci”) at the Bavarian State Opera in Munich, as Calaf at the Athens Opera, and as Cavaradossi (“Tosca”) at Teatro La Fenice in Venice.

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Annalisa Stroppa

Annalisa Stroppa studied voice at the Luca Marenzio Conservatory in Brescia. She is the winner of numerous competitions, including the Riccardo Zandonai International Singing Competition. In 2011, she made her debut at the Salzburg Whitsun Festival, singing the role of Cherubino in Saverio Mercadante’s “I due Figaro.” Guest engagements have taken her to venues such as the Teatro Donizetti in Bergamo, Teatro alla Scala in Milan, Teatro Real in Madrid, the Israeli Opera in Tel Aviv, the Opéra national de Paris, the Semperoper Dresden, the Bavarian State Opera in Munich, the Vienna State Opera, and the Bregenz and Salzburg Festivals. Her repertoire includes roles such as Rosina in “Il barbiere di Siviglia,” Dorabella in “Così fan tutte,” Angelina in “La Cenerentola,” Romeo in “I Capuleti e i Montecchi,” Nicklausse in “Les Contes d’Hoffmann,” Enrichetta di Francia in “I puritani,” Adalgisa in “Norma,” Fenena in “Nabucco,” Suzuki in “Madama Butterfly,” and the title role in “Carmen.” Most recently, she has performed as Idamante in “Idomeneo” at the Cologne Opera, Rosina in Cagliari, Carmen in Genoa, Sara in “Roberto Devereux” in Naples, and Charlotte in “Werther” at the Teatro Colón in Buenos Aires.

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Michele Pertusi

Michele Pertusi is a native of Parma. He is an internationally sought-after bass and has appeared at leading opera houses including La Scala in Milan, the Metropolitan Opera, Covent Garden, the Paris Opéra, the state operas of Vienna, Munich, and Berlin, as well as in Rome, Zurich, Brussels, Amsterdam, Madrid, Barcelona, and Salzburg. His roles have included the title characters in “Maometto II,” “Guillaume Tell,” “Don Pasquale,” “Attila,” “Oberto,” and “Falstaff,” as well as Don Alfonso (“Così fan tutte”), Basilio (“Il barbiere di Siviglia”), Mustafà (“L’italiana in Algeri”), Lord Sidney (“Il viaggio a Reims”), Pharaoh (“Mosè in Egitto”), Le Gouverneur (“Le Comte Ory”), Count Rodolfo (“La sonnambula”), Dulcamara (“L’elisir d’amore”), Don Alfonso (“Lucrezia Borgia”), Walter (“Luisa Miller”), Pagano (“I Lombardi alla prima crociata”), Fiesco (“Simon Boccanegra”), and Méphistophélès (“Faust”). A renowned Rossini interpreter, he made his debut at the Rossini Opera Festival in Pesaro in 1997 as Moïse in “Moïse et Pharaon,” and has since been regularly invited back, receiving the “Rossini d’oro” award. Michele Pertusi has made numerous recordings: “Il turco in Italia” under Riccardo Chailly received a Gramophone Award, and “Falstaff” under Sir Colin Davis won a Grammy. In 1995, Pertusi was awarded the prestigious Premio Abbiati, and in 2003 he received the Gold Medal for Cultural Merit from the Republic of Italy. Most recently, he has appeared as Padre Guardiano (“La forza del destino”) at the Opéra de Lyon, as Attila at Teatro La Fenice in Venice, as Oroveso (“Norma”) at La Scala in Milan, and as Timur (“Turandot”) at the Puccini Festival in Viareggio.

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Roberto Frontali

Roberto Frontali is a native of Rome. He won the Teatro Lirico Sperimentale “A. Belli” competition in Spoleto in 1986 and made his debut there in 1987 as Lord Enrico Ashton in “Lucia di Lammermoor.” After initially focusing on the bel canto roles of Rossini, Bellini, and Donizetti, he later turned to the Verdi repertoire and, more recently, to the Puccini and verismo roles within his vocal range. In the early 1990s, he made his debut at the Metropolitan Opera in New York with “L’elisir d’amore” and at La Scala in Milan with “Beatrice di Tenda.” Highlights of his career include collaborations with Claudio Abbado for “Il barbiere di Siviglia,” with Riccardo Muti, with whom he worked at La Scala for a decade on productions including “La traviata,” “Falstaff,” and “Don Pasquale,” with Zubin Mehta for “La forza del destino,” “Lucia di Lammermoor,” and “Falstaff,” with Myung Whun-Chung for “Don Carlo” and “Rigoletto,” as well as with Semyon Bychkov for “La bohème,” “Eugene Onegin,” and “Don Carlo.” In 2021, he played the title role in the film “Gianni Schicchi,” directed by Damiano Michieletto. His recent and upcoming engagements include “The Name of the Rose” at La Scala in Milan, “Don Pasquale” at the Hamburg State Opera, “Don Giovanni” at the Caracalla Festival in Rome, “Tosca” at Teatro La Fenice in Venice and at Teatro Regio in Turin, as well as “La traviata” at the New National Theatre Tokyo and in Venice.

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Lobel Barun

Lobel Barun, bass, is originally from Croatia. He studied with Alexei Tanovitski at the Music Academy in his hometown of Zagreb. In 2023, he won the special "Željko Lučić" Prize at the "Lazar Jovanović" International Singing Competition in Belgrade. That same year, he made his debut at the Croatian National Theatre in Zagreb as Bacchus in Boris Papandopulo’s Amphitryon. He also appeared with the Zagreb Philharmonic at the Lisinski Concert Hall and portrayed Salieri in Rimsky-Korsakov’s Mozart and Salieri at the opera studio of the Zagreb Academy. Other roles include Le Surintendant des plaisirs (Massenet’s Cendrillon) at the Zagreb Music Academy, the tame raven Moses (Igor Kuljerić’s Animal Farm) at the Lisinski Concert Hall, Carceriere (Tosca) at the Croatian National Theatre, and Tobias Mill (Rossini’s La cambiale di matrimonio) in Vis, Croatia. Starting with the 2024/25 season, he will join the International Opera Studio at Zurich Opera House.

Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Werther14 / 19 Jun / 1 / 4 / 10 Jul 2026 Gala Concert of the International Opera Studio6 Jul 2026

Tomislav Jukic

Tomislav Jukić, tenor, is originally from Croatia. He is a prizewinner of major international vocal competitions, including the Mikuláš Schneider-Trnavský International Vocal Competition and the International Antonín Dvořák Singing Competition (2023). He studied with Martina Zadro at the Music Academy in Zagreb and took part in masterclasses with Renata Pokupić, Nikola Kitanovski, Alexei Tanovitski, and Mikhail Sinkevich. His engagements have included the tenor part in Monteverdi’s Vespro della Beata Vergine with the Croatian Radio Choir and the ensemble Concerto dei Venti in Split, Rijeka, and Zagreb, as well as his debut as Mercury (Boris Papandopulo’s Amphitryon) in a production by the Zagreb Music Academy. More recently, he performed Goro (Madama Butterfly) at the opera house in Ljubljana, gave a solo recital at the Allegretto Festival in Žilina (Slovakia), and appeared as a soloist in concert with the Dubrovnik Symphony Orchestra. Tomislav Jukić will join the International Opera Studio at Zurich Opera House starting with the 2024/25 season.

Manon24 / 27 Sept / 3 / 7 / 10 Oct 2025 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Gala Concert of the International Opera Studio6 Jul 2026

Max Bell

Maximilian Bell, bass, studied with Michail Lanskoi and Manfred Equiluz at the Music and Arts Private University of the City of Vienna. He furthered his training through masterclasses with Angelika Kirchschlager, Adrian Eröd, and Gerhard Kahry. The Austrian-born singer has already performed roles such as Spinelloccio (Gianni Schicchi) and Norton (La cambiale di matrimonio) at the Bregenz Festival, Osmin (Die Entführung aus dem Serail) as part of the Vienna Philharmonic’s Summer Academy in Vienna and Graz, Snug (A Midsummer Night’s Dream) at Theater Akzent in Vienna, the bass part in Bernstein’s Mass at the Vienna Musikverein, Rocco (Fidelio) in a children’s production in Baden, Austria, Sarastro (Die Zauberflöte) at the MuTh in Vienna, and Bartolo (Le nozze di Figaro) in a touring theatre production. Starting with the 2024/25 season, he will be a member of the International Opera Studio at Zurich Opera House.

Der Rosenkavalier21 / 26 Sept / 1 / 5 / 14 / 17 / 21 / 26 Oct 2025 Le nozze di Figaro24 / 29 Jan / 1 / 5 / 7 / 10 / 14 Feb 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Gala Concert of the International Opera Studio6 Jul 2026
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Abstract

War, flight, hatred and revenge characterize the grand portrait that Giuseppe Verdi created in «La forza del destino». Amid this unpredictable interplay of forces, Leonora and Alvaro search for each other, fight for their love, experience persecution, find refuge in faith, and are crushed by inexorable fate. Director Valentina Carrascothe Catalan, who was a member of the Catalan theater collective La Fura dels Baus, uses Verdi’s monumental scenes as an opportunity to question the values of war and peace in the 21st century, creating a dystopian fantasy. Anna Netrebko returns to Zurich as Leonora. General Music Director Gianandrea Noseda is on the podium.

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