Diana Damrau is a regular guest on the stages of the world’s leading opera and concert houses. Her extensive repertoire lies in the lyric and coloratura fach and includes, among others, the title roles in Donizetti’s Lucia di Lammermoor, Massenet’s Manon, as well as the Queen of the Night in Mozart’s The Magic Flute. She regularly performs at major venues such as the Bavarian State Opera, the Metropolitan Opera in New York, and La Scala in Milan. Specially composed for her were Iain Bell’s opera A Harlot’s Progress (Theater an der Wien, 2013) and Lorin Maazel’s 1984 (Royal Opera House, 2005). As an exclusive artist for Warner Classics/Erato, she has released numerous award-winning CD and DVD recordings. Diana Damrau is one of the most important lieder interpreters of our time. She regularly appears in renowned concert halls such as London’s Wigmore Hall, New York’s Carnegie Hall, and the Berlin Philharmonie. She maintains close artistic partnerships with pianist Helmut Deutsch and harpist Xavier de Maistre. In 2022, she will present a program of love songs by Brahms and Schumann in the most important concert halls of Europe together with Jonas Kaufmann and Helmut Deutsch. On the opera stage this season, she will still sing Anna Bolena at the Vienna State Opera and make her role debut as the Countess in Strauss’s Capriccio at the Bavarian State Opera. Diana Damrau is a Kammersängerin of the Bavarian State Opera, recipient of the Bavarian Maximilian Order for Science and Art, as well as the Federal Cross of Merit of the Federal Republic of Germany.

Günther Groissböck is one of the most sought-after singers of his fach. He studied at the University of Music and Performing Arts in Vienna, after which he joined the ensemble of the Vienna State Opera in the 2002/03 season and was a member of the Zurich Opera House ensemble from 2003 to 2007. He made his debut at the Salzburg Festival in 2002, where in 2014 he gave his much-acclaimed role debut as Ochs in Der Rosenkavalier in a production by Harry Kupfer. He has a particularly close association with the Bavarian State Opera in Munich, the Vienna State Opera, and the Metropolitan Opera in New York, where he has appeared since his 2010 debut as Colline (La Bohème), including as Ochs, Filippo II, and Landgrave Hermann.

Further guest engagements have taken him to the Opéra de Paris, La Scala in Milan, the Royal Opera House Covent Garden, Dutch National Opera in Amsterdam, as well as the Deutsche Oper Berlin, the Staatsoper Unter den Linden in Berlin, and the Gran Teatre del Liceu in Barcelona.

As a passionate lieder singer, he maintains close collaborations with conductors such as Philippe Jordan, Yannick Nézet-Séguin, Zubin Mehta, Andris Nelsons, Sir Antonio Pappano, Kirill Petrenko, Sir Simon Rattle, and Christian Thielemann. Most recently, he performed in Shostakovich’s 13th Symphony with the Gewandhaus Orchestra under Andris Nelsons in Leipzig. He also portrayed the role of Boris in Lady Macbeth of Mtsensk at Carnegie Hall and Boston Symphony Hall with the Boston Symphony Orchestra and Andris Nelsons.

Numerous CDs and DVDs document his artistic work, including the album Nicht Wiedersehen, created in collaboration with Malcolm Martineau.

Angela Brower grew up in Arizona and studied at Arizona State University and Indiana University. She was a member of the Opera Studio at the Bavarian State Opera in Munich and part of the ensemble there from 2010 to 2016. In 2009, she was awarded the Munich Festival Prize for her portrayal of Dorabella in Così fan tutte. Her core repertoire includes mezzo-soprano roles by Mozart and Strauss, such as Octavian (The Metropolitan Opera, Bavarian State Opera, Vienna State Opera, among others), the Composer in Ariadne auf Naxos (Glyndebourne and Aix-en-Provence Festivals, Bavarian State Opera, and Semperoper Dresden), Dorabella (Royal Opera House Covent Garden, Gran Teatre del Liceu, Salzburg Festival, Bavarian State Opera, among others), Annio in La clemenza di Tito (Opéra de Paris, Bavarian State Opera, and Covent Garden), Nicklausse in Les Contes d’Hoffmann (Bavarian State Opera, Hamburg State Opera, and San Francisco Opera), and Cherubino in Le nozze di Figaro (Mozart Week Salzburg, Bavarian State Opera, among others).

She also made her debut as Sifare in Mitridate, Re di Ponto at the Berlin State Opera, Susanna in Le nozze di Figaro in Barcelona, Prince Orlofsky in Die Fledermaus at the Deutsche Oper Berlin, Idamante in Idomeneo in Chicago, Charlotte in Werther, and Adalgisa in Norma, both at the Bavarian State Opera.

Her 2024/25 engagements include Sesto and Nicklausse at the Hamburg State Opera, Hänsel and the title role in The Cunning Little Vixen at the Bavarian State Opera, Dorabella at the Théâtre des Champs-Élysées under Marc Minkowski, and her debut at Wigmore Hall alongside pianist James Baillieu.

Bo Skovhus, baritone, studied at the Aarhus Music Institute, the Royal Opera Academy in Copenhagen, and in New York. Major past engagements include Reimann’s Lear at the Paris Opera, Beckmesser in Die Meistersinger von Nürnberg at the Bastille and at the Wagner Festival in Budapest, Titus in Bérénice by Michael Jarrell at the Paris Opera, and Mandryka in Arabella in Dresden. He also sang the title role in Wozzeck at the Deutsche Oper am Rhein and Dr. Schön in Lulu at the Vienna State Opera, followed by Šiškov in From the House of the Dead at the Bavarian State Opera, Jean-Charles in Henze’s Das Floß der Medusa in Amsterdam, and the title roles in Ernst Krenek’s Karl V. at the Bavarian State Opera, Lear at the Maggio Musicale Fiorentino, and Eugene Onegin at the Hamburg State Opera. Recent appearances include Ryuji in Henze’s Das verratene Meer at the Vienna State Opera, Eisenstein (Die Fledermaus) in Hamburg, Jaroslav Prus (The Makropulos Case) in Berlin and Amsterdam, Platon Kuzmitch Kovalyov (The Nose) in Dresden, Dr. Schön (Lulu) at the Wiener Festwochen, Faninal (Der Rosenkavalier) in Geneva, and Lear at the Teatro Real in Madrid. In addition to his operatic work, Bo Skovhus is deeply committed to lieder and concert singing. He recently gave a recital at the House of Arts in Budapest. He has been awarded the honorary titles of “Austrian Kammersänger” and “Bavarian Kammersänger”.

Emily Pogorelc studied at the Curtis Institute of Music in Philadelphia. During her studies, she took part in the Mozart Académie of the Festival d’Aix-en-Provence as well as the Britten-Pears Young Artist Program at the Aldeburgh Festival. At the Glimmerglass Festival, she appeared in roles such as Romilda (Xerxes) and Berenice in Gioachino Rossini’s L’occasione fa il ladro. She is a graduate of the Patrick G. and Shirley W. Ryan Opera Center at the Lyric Opera of Chicago, where she performed roles including Ilia (Idomeneo) and Zerlina (Don Giovanni). In 2021, she won 3rd Prize at the Operalia competition in Moscow. From the 2020/21 to the 2023/24 seasons, she was a member of the ensemble at the Bavarian State Opera, where she sang roles such as Ilia, Pamina, Adina (L’elisir d’amore), Sofia (Il signor Bruschino), Musetta (La bohème), Gretel (Hänsel und Gretel), and the title role in Lucia di Lammermoor. She recently made her debut at the Metropolitan Opera in Puccini’s La rondine, at the Royal Danish Opera and the Festival d’Aix-en-Provence as Servilia in La clemenza di Tito, and at the Bavarian State Opera as Lucia. Also in Munich, she sang Pamina and Adina. She returned to the Semperoper Dresden as Amina in the revival of Rolando Villazón’s production of La sonnambula and made her role debut as Cleopatra in Handel’s Giulio Cesare at Opera Theatre of Saint Louis. In the 2024/25 season, she made her debut as Violetta Valéry in La traviata at Detroit Opera and later sang the role at the Semperoper Dresden. At the Metropolitan Opera in New York, she appeared as Pamina and Musetta – a role she also performed at the Dallas Opera and at Santa Fe Opera. She also made her debut as Massenet’s Manon in Vancouver.

German soprano Christiane Kohl was born in Frankfurt am Main and received her training at the Mozarteum University Salzburg with Elisabeth Wilke. In 2001, she made her debut at the Salzburg Festival as the First Priestess in Iphigénie en Tauride. While still a student, she joined the ensemble of the Zurich Opera House in 2002, where she remained until 2009. That same year, she made her debut at the Bayreuth Festival as Woglinde in Das Rheingold and the Forest Bird in Siegfried under Christian Thielemann, and she has been a regular guest there ever since. In 2011, the soprano became a member of the ensemble at Theater Dortmund, where she transitioned into the youthful dramatic repertoire with roles such as Senta in Der fliegende Holländer, Elisabeth in Tannhäuser, Elisabetta in Don Carlos, Beatrix Cenci in the opera of the same name, and the Marschallin in Der Rosenkavalier. For her interpretations of Senta and Elisabeth, she was nominated as Singer of the Year by the magazine Opernwelt. Since 2014, she has worked as a freelance artist. In 2015, she made her debut at the Palace of Arts in Budapest as Maria in Strauss’s Friedenstag under Zoltán Kocsis, in 2016 at Suntory Hall in Tokyo as Woglinde, and in 2017 at the Bavarian State Opera in Munich as the Duenna (Leitmetzerin) in Der Rosenkavalier. In concert, she has appeared at venues such as the Laeiszhalle Hamburg, the Concertgebouw Amsterdam, and the Berlin Philharmonie. Most recently, she performed as the Third Norn (Götterdämmerung) at the Stuttgart State Opera and as Helmwige (Die Walküre) at the Deutsche Oper Berlin and the Staatsoper Unter den Linden.

Nathan Haller is from Canada and studied voice at the Juilliard School in New York. In 2013, he participated in the International Meistersinger Academy. From 2015 to 2017, he was a member of the OperAvenir studio at Theater Basel, where he appeared as Tamino (Die Zauberflöte), Romeo in Blacher’s Romeo und Julia, in the world premiere of Melancholia by Sebastian Nübling and Ives Thuwis, as Enoch Snow (Carousel), and as Oronte in Alcina. In 2016, he sang Belmonte (Die Entführung aus dem Serail) at the Akko Opera Festival in Israel. On the concert stage, he has performed at the New York Festival of Song in Carnegie Hall, with the Russian Chamber Philharmonic St. Petersburg, in La Resurrezione under William Christie, and with Masaaki Suzuki in Boston, New York, Leipzig, and London. In the 2017/18 season, he appeared at Neue Oper Wien as François in Leonard Bernstein’s A Quiet Place; in 2018/19, he sang Count Albert (Die tote Stadt) with the Nederlandse Reisopera and appeared in Die Gezeichneten and as Albazar in Il turco in Italia at Zurich Opera, where in the 2020/21 season he also performed the title role in Mitterer’s Das tapfere Schneiderlein. Since the 2021/22 season, Nathan Haller has been a member of the ensemble at Zurich Opera House and has appeared there as Telemachos in the world premiere of Die Odyssee, Sir Hervey (Anna Bolena), Count Elemer (Arabella), Bardolfo (Falstaff), Pedrillo (Die Entführung aus dem Serail), First Jew (Salome), Triquet (Eugene Onegin), and Gobin / Adolfo (La rondine). He also sang Lysander (A Midsummer Night’s Dream) at Malmö Opera in 2021 and Pong (Turandot) at Deutsche Oper am Rhein in 2023.

Irène Friedli grew up in Räuchlisberg, Switzerland, and completed her soloist diploma at the Music Academy in Basel. The alto continued her studies in the interpretation class of Dietrich Fischer-Dieskau in Berlin, took part in masterclasses with Brigitte Fassbaender, and received further training with Helen Keller. She won numerous prizes at international song competitions. Since the 1994/95 season, she has been a member of the ensemble at Zurich Opera House. Here she has performed, among others, as the Second and Third Lady (Die Zauberflöte), Mercédès (Carmen), the title role in Ravel’s L’Enfant et les sortilèges, Elsbeth in Schlafes Bruder, Lily in Harley, Annina and Flora (La traviata), Flosshilde (Das Rheingold, Götterdämmerung), Marcellina (Le nozze di Figaro), Emilia (Otello), Lucia (Cavalleria rusticana), Olga in Peter Eötvös’ Three Sisters, Marthe in Gounod’s Faust, Margret (Wozzeck), Lovis in Ronja Räubertochter by Jörn Arnecke, Flower Maiden and Voice from Above (Parsifal), Gertrud/Witch (Hänsel und Gretel), Clotilde (Norma), Mother/Other Mother (Coraline), Fortune Teller (Arabella), and Nurse (Boris Godunov). In the world premiere of the family opera Die Odyssee, she portrayed Eurykleia/Mother, and in Girl with a Pearl Earring, Tanneke. In 2012, she appeared at the Opéra Bastille in Paris. Most recently in Zurich, she has appeared as the Queen of Hearts in Alice in Wonderland, Filipyevna in Eugene Onegin, Tisbe in La Cenerentola, Miss Bentson in Lakmé, Mrs. Waas/Mrs. Grindtooth in Jim Knopf, the Head Chef in Amerika, and Ninetta in I vespri siciliani.

Stanislav Vorobyov is from Russia and studied at the Moscow Conservatory. He was a member of the International Opera Studio and has been part of the ensemble at Zurich Opera House since the 2018/19 season. Here, he has appeared as Colline (La bohème), Alidoro (La Cenerentola), the High Priest (Nabucco), the Notary (Der Rosenkavalier), Reinmar von Zweter (Tannhäuser), Faust (The Fiery Angel), Zaretsky (Eugene Onegin), Cesare Angelotti (Tosca), the Fifth Jew and First Nazarene (Salome), Lord Rochefort (Anna Bolena), Dottor Grenvil (La traviata), Prospero Salsapariglia (Viva la mamma), Crébillon (La rondine), and Zuniga (Carmen), as well as most recently as Roberto (I vespri siciliani) and Roucher (Andrea Chénier). He has also sung Don Basilio (Il barbiere di Siviglia) at the Bregenz Festival, Nourabad (Les Pêcheurs de perles) at Opera Vlaanderen and in Luxembourg, and Ombra di Nino (Semiramide) at the Concertgebouw in Amsterdam. At the Bregenz Festival in 2022, he appeared as Uncle Bonzo in Madama Butterfly and as Il capitano/L’ispettore in Umberto Giordano’s Siberia, returning to Bregenz in 2023 once again as Uncle Bonzo. In 2024, he also performed as Colline (La bohème) at the Tokyo Metropolitan Theatre and the ROHM Theatre Kyoto.

Johan Krogius began his musical training in the boys’ choir of the Cathedral Choir Cantores Minores in Helsinki. He later studied at the Conservatory and at the Metropolia University of Applied Sciences in Helsinki, as well as at the Stockholm University of the Arts. In 2021, he won the Timo Mustakallio Singing Competition and was also awarded first prize at the Helsinki Lied Competition. On the opera stage, he has appeared in roles such as Jaquino (Fidelio), Pong (Turandot) in Helsinki, First Man in Joonas Kokkonen’s The Last Temptations at the Jyväskylä Opera, Don Ottavio (Don Giovanni) at the Finnish National Opera in Helsinki, and as Tamino (Die Zauberflöte) at Tampere Opera, as well as recently at the Savonlinna Opera Festival, where in 2024 he also sang Don Ottavio and Ismaele (Nabucco). During the 2022/23 and 2023/24 seasons, he was a member of the International Opera Studio of the Staatsoper Unter den Linden, where he appeared in roles including Leukippos in Strauss’s Daphne, Streshnev in Mussorgsky’s Khovanshchina, Tamino, First Armored Man and First Priest (Die Zauberflöte), as well as the Innkeeper and the Major-Domo (Der Rosenkavalier), Trojan (Idomeneo), Parpignol (La bohème) and Borsa (Rigoletto). In the summer of 2024, he also performed as Kuzka (Khovanshchina) with the Finnish Radio Symphony Orchestra under Esa-Pekka Salonen in Helsinki and Stockholm. In the 2024/25 season, he made his debut as Tybalt (Roméo et Juliette), the Young Man’s Apparition (Die Frau ohne Schatten) and First Knight of the Grail (Parsifal) at the Staatsoper Berlin.

The English tenor Daniel Norman began his musical career as a boy soprano at Lichfield Cathedral and as a chorister at New College, Oxford. He initially studied engineering before continuing his vocal training, among others, at Tanglewood and studying Lied singing at the Britten-Pears School. Subsequently, he was a member of the Opera Studio at the Royal Academy of Music London. His special dedication to Lied singing has taken him to concert halls such as Wigmore Hall, Kings Place in London, and the Oxford Lieder Festival. In opera, Daniel Norman has appeared at opera houses including the Royal Opera House Covent Garden, English National Opera, Nederlandse Reisopera, Opera Boston, Opéra National de Paris, Bavarian State Opera Munich, New Israeli Opera, Scottish Opera Glasgow, Arena di Verona, and the Mariinsky Theatre St. Petersburg. He has sung roles ranging from early Baroque to contemporary works, with a particular focus on the music of Benjamin Britten. A solo CD featuring Britten’s Winter Words and Who Are These Children was released. Most recently, he made his debut as Nixon in Nixon in China at the Staatsoper Hannover. At Zurich Opera House, he is currently performing in Barkouf and Sondheim’s Sweeney Todd.

Maximilian Bell, bass, studied with Michail Lanskoi and Manfred Equiluz at the Music and Arts Private University of the City of Vienna. He furthered his training through masterclasses with Angelika Kirchschlager, Adrian Eröd, and Gerhard Kahry. The Austrian-born singer has already performed roles such as Spinelloccio (Gianni Schicchi) and Norton (La cambiale di matrimonio) at the Bregenz Festival, Osmin (Die Entführung aus dem Serail) as part of the Vienna Philharmonic’s Summer Academy in Vienna and Graz, Snug (A Midsummer Night’s Dream) at Theater Akzent in Vienna, the bass part in Bernstein’s Mass at the Vienna Musikverein, Rocco (Fidelio) in a children’s production in Baden, Austria, Sarastro (Die Zauberflöte) at the MuTh in Vienna, and Bartolo (Le nozze di Figaro) in a touring theatre production. Starting with the 2024/25 season, he will be a member of the International Opera Studio at Zurich Opera House.

Johan Krogius began his musical training in the boys’ choir of the Cathedral Choir Cantores Minores in Helsinki. He later studied at the Conservatory and at the Metropolia University of Applied Sciences in Helsinki, as well as at the Stockholm University of the Arts. In 2021, he won the Timo Mustakallio Singing Competition and was also awarded first prize at the Helsinki Lied Competition. On the opera stage, he has appeared in roles such as Jaquino (Fidelio), Pong (Turandot) in Helsinki, First Man in Joonas Kokkonen’s The Last Temptations at the Jyväskylä Opera, Don Ottavio (Don Giovanni) at the Finnish National Opera in Helsinki, and as Tamino (Die Zauberflöte) at Tampere Opera, as well as recently at the Savonlinna Opera Festival, where in 2024 he also sang Don Ottavio and Ismaele (Nabucco). During the 2022/23 and 2023/24 seasons, he was a member of the International Opera Studio of the Staatsoper Unter den Linden, where he appeared in roles including Leukippos in Strauss’s Daphne, Streshnev in Mussorgsky’s Khovanshchina, Tamino, First Armored Man and First Priest (Die Zauberflöte), as well as the Innkeeper and the Major-Domo (Der Rosenkavalier), Trojan (Idomeneo), Parpignol (La bohème) and Borsa (Rigoletto). In the summer of 2024, he also performed as Kuzka (Khovanshchina) with the Finnish Radio Symphony Orchestra under Esa-Pekka Salonen in Helsinki and Stockholm. In the 2024/25 season, he made his debut as Tybalt (Roméo et Juliette), the Young Man’s Apparition (Die Frau ohne Schatten) and First Knight of the Grail (Parsifal) at the Staatsoper Berlin.

Omer Kobiljak is from Bosnia and studied at the Winterthur Conservatory from 2008 to 2013 under David Thorner. He attended masterclasses with Jane Thorner-Mengedoht, David Thorner, and Jens Fuhr, and in 2012 won first prize with distinction at the Thurgau Music Competition. The following year, he sang a apprentice (Die Meistersinger von Nürnberg) at the Salzburg Festival under Daniele Gatti. From 2014, he studied voice at the Kalaidos University of Applied Sciences in Aarau with David Thorner. In 2016, he made his debut as Baron von Kronthal (Lortzing’s Der Wildschütz) at the Operettenbühne Hombrechtikon. In 2017, he performed at La Scala Milan in Die Meistersinger von Nürnberg. From the 2017/18 season, he was a member of the International Opera Studio and appeared in productions such as Salome, Ronja Räubertochter, La fanciulla del West, Parsifal, Der fliegende Holländer, and La traviata. In the 2018/19 season, he sang Lord Arturo Buklaw in Lucia di Lammermoor as well as the Notary in a concert performance of La sonnambula. Since the 2019/20 season, he has been a member of the Zurich Opera House ensemble, where he has appeared as Abdallo in Nabucco, Nathanaël in Les Contes d’Hoffmann, Macduff in Macbeth, Froh in Das Rheingold, as well as roles in Il trovatore and I Capuleti e i Montecchi. At the Bregenz Festival, he sang Il principe Yamadori in Madama Butterfly, Prince Alexis in Umberto Giordano’s Siberia, and Don Riccardo in Ernani. Recently, he made his role debut as Alfredo in La traviata at the Zurich Opera House and also sang Tybalt in Roméo et Juliette as well as the Mad Hatter in Alice in Wonderland.

Rebeca Olvera is from Mexico and studied at the Conservatorio Nacional de Música in Mexico City. From 2005 to 2007, she was a member of the International Opera Studio at the Zurich Opera House. Afterwards, she became a permanent ensemble member and performed roles such as Adina (L’elisir d’amore), Norina (Don Pasquale), Berenice (L’occasione fa il ladro), Giulia (La scala di seta), Rosina (Paisiello’s Il barbiere di Siviglia), Blonde (Die Entführung aus dem Serail), Madame Herz (Der Schauspieldirektor), Dorinda (Orlando), Isolier (Le comte Ory), Adalgisa (Norma), and Zaida (Il turco in Italia). She worked with conductors including Ralf Weikert, Vladimir Fedoseyev, William Christie, Marc Minkowski, Nello Santi, Adam Fischer, Fabio Luisi, Diego Fasolis, Franz Welser-Möst, Emmanuelle Haïm, and Alessandro De Marchi. She gave concerts with José Carreras in South America and Europe (Carreras Gala 2007 on ARD) and with Plácido Domingo in Mexico. In 2016, she sang Adalgisa in Norma alongside Cecilia Bartoli at the Théâtre des Champs-Élysées, at the Edinburgh Festival, and at the Baden-Baden Festival House. In Zurich, she appeared as Despina, Musetta, Frasquita (Carmen), Mi (Das Land des Lächelns), Zaida (Il turco in Italia), Komtesse Stasi (Die Csárdásfürstin), Waldvöglein (Siegfried), and Contessa di Folleville (Il viaggio a Reims) — the latter role also performed at the Royal Danish Opera. She performed Isolier at the Opéra de Monte-Carlo and Clorinda (La Cenerentola) at the Vienna State Opera. Additionally, she appeared as Berta (Il barbiere di Siviglia) and in the gala concert Carmencita & Friends at the Salzburg Festival.

Actor Sandro Howald was born in Switzerland in 1990. He gained his first stage experience at the age of six at the Zug Children's and Youth Theater, where he spent much of his youth. After a semester of classes at the Lee Strasberg Theatre & Film Institute in Los Angeles, California, he began studying acting at the Zurich University of the Arts in 2017. During his studies, he appeared in several short films, took on the role of Dicken in “Auf Hoher See” (On the High Seas) directed by Alexander Stutz at the Theater Neumarkt in 2018, and appeared as Felix Löwenstein in the Theater Lindenhof's production of “Aufstieg und Fall einer Firma” (Rise and Fall of a Company) in the summer of 2019. In the 20/21 season, Sandro Howald was a member of the acting studio at the Theater Orchester Biel Solothurn. Since completing his studies, he has been working as a freelance actor in front of the camera and on stage, which has taken him to the Theater Regensburg and the Theater Winkelwiese in Zurich, among others.

Sylwia Salamońska, soprano, studied with Wojciech Maciejowski in Poznań. During her studies, she performed roles such as Susanna (Le nozze di Figaro), Donna Anna (Don Giovanni), Lauretta (Gianni Schicchi), and Zosia (Stanisław Moniuszko’s The Spectres). In the 2023/24 season, she was part of the Opera Academy Young Talent Development Programme at the Polish National Opera in Warsaw, where she made her debut as First Companion of Dirce in Luigi Cherubini’s Medea. She also sang Frasquita (Carmen) at the Baltic Opera in Gdańsk. In 2024, she appeared alongside Luca Pisaroni at the “Stars and Rising Stars” Festival in Munich. She is a prizewinner of numerous international competitions, including the Halina Słonicka International Singing Competition in Poland (1st prize), the 21st Juventus Canti International Singing Competition in Vráble, Slovakia (3rd prize and special award), the Riccardo Zandonai International Singing Competition in Riva del Garda (finalist), and the Mikuláš Schneider-Trnavský International Singing Competition in Trnava, Slovakia (finalist). From the 2024/25 season, Sylwia Salamońska will be a member of the International Opera Studio at the Zurich Opera House.