La bohème

Giacomo Puccini

Libretto by Giuseppe Giacosa and Luigi Illica
after Henri Murger’s "Scènes de la vie de Bohème"

From 16. June 2027 until 10. July 2027

  • Duration :
    2 H. 30 Min. Inkl. Pause after 1st part after approx. 1 H.
  • Language:
    In Italian with German and English surtitles.
  • More information:
    Introduction 45 min before the performance.

Musical Director:
Andrés Oroczo-Estrada

Andrés Oroczo-Estrada

Andrés Orozco-Estrada was born in Colombia and completed his conducting studies at the University of Music and Performing Arts in Vienna. Since the 2023/24 season, he has been Chief Conductor of the Orchestra Sinfonica Nazionale della RAI in Turin, with which he toured Spain in the fall of 2025. Previously, he held chief positions with the Houston Symphony Orchestra, the hr-Sinfonieorchester, and the Vienna Symphony. Since the fall of 2025, Andrés Orozco-Estrada has also been General Music Director of the city of Cologne and Gürzenich Kapellmeister, where in his inaugural season he conducted works by Brahms, Mahler, and Strauss, as well as "Manon Lescaut" and "Le nozze di Figaro" at the Cologne Opera. Starting in the 2026/27 season, he will assume the position of Chief Conductor of the Swedish Radio Symphony Orchestra. He has appeared at renowned opera houses such as the Vienna State Opera, the Staatsoper Unter den Linden in Berlin, the Semperoper Dresden, and La Scala in Milan, and has worked with orchestras including the Berlin and Vienna Philharmonics, the London Philharmonic Orchestra, the New York Philharmonic, the Boston Symphony Orchestra, as well as in Asia with the NHK Symphony Orchestra and the Hong Kong Philharmonic Orchestra. He recently made his debut at the Tanglewood Festival and was a featured artist at the Rheingau Music Festival. Current engagements include guest conducting appearances with the Tonhalle-Orchester Zürich, the Concertgebouw Orchestra Amsterdam, the Orchestre de Paris, the San Francisco Symphony Orchestra, and the Los Angeles Philharmonic Orchestra. Since 2022, Andrés Orozco-Estrada has been a professor of orchestral conducting at the University of Music and Performing Arts Vienna.

La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027
Production:
Ole Anders Tandberg

Ole Anders Tandberg

Norwegian Ole Anders Tandberg is considered one of the most distinguished theatre and opera directors in Scandinavia. After completing his training at the Guildhall School of Music and Drama in London, the School of Architecture in Oslo, and the Dramatic Institute in Stockholm, he first gained recognition in the mid-1990s with theatre productions at, among others, the National Theatre Oslo and the Royal Dramatic Theatre Stockholm, where he worked with a repertoire ranging from Shakespeare and Ibsen to Jon Fosse. In addition, he adapted numerous works for the stage, including "Fuglane" by Tarjei Vesaas and "Demons" by Fyodor Dostoevsky. Since then, Ole Anders Tandberg, who also works as a set designer, has increasingly turned to opera. At the Oslo Opera, he directed Monteverdi’s "L’incoronazione di Poppea" and "Il ritorno d’Ulisse in patria," as well as "Lady Macbeth of Mzensk" and "Rigoletto," and at the Royal Opera in Stockholm, Prokofiev’s "The Fiery Angel," Ravel’s "L’enfant et les sortilèges," "Le nozze di Figaro," "Così fan tutte," "Don Giovanni," "The Magic Flute," "Candide," and "The Merry Widow." In 2015, he made his debut at the Deutsche Oper Berlin with his production of "Lady Macbeth of Mzensk," returning there in 2017 for "Carmen" and in 2018 for "Wozzeck." At the Prague State Opera, he directed "The Flying Dutchman" in 2022, and at the Zurich Opera House, he directed "La bohème."

La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027
Set Design:
Erlend Birkeland

Erlend Birkeland

Erlend Birkeland stammt aus Norwegen. Er studierte u.a. an der Kunstschule Kolding in Dänemark, an der Staatlichen Handwerks­ und Kunstindustrieschule Oslo und der norwegischen Staatlichen Kunstakademie. Noch während seiner Ausbildung entstand die Ausstattung von Dagen vender am Norwegischen Nationaltheater. Er vertrat Norwegen 1999 auf der Internationalen Quadriennale in Prag mit seinem Bühnenbild zu Fuglane. Mit Ole Anders Tandberg verbindet ihn eine langjährige künstlerische Partnerschaft. Mittlerweile hat Erlend Birkeland nahezu hundert Inszenierungen in Norwegen, Schweden und Dänemark ausgestattet, hauptsächlich für das Schauspiel, aber auch zunehmend für Oper und Musiktheater. 2010 war er an der Komischen Oper Berlin für das Bühnenbild von Händels Orlando verantwortlich. 2015 gestaltete er die Bühne für Lady Macbeth von Mzensk an der Deutschen Oper Berlin, La bohème am Opernhaus Zürich, Ibsens Peer Gynt und Klein Eyolf am Nationaltheater in Oslo sowie Ibsens Volksfeind, Die Regenschirme von Cherbourg (Jacques Demy) und Karl Ove Knausgårds Mein Kampf in Stockholm. Zuletzt entstanden die Bühnenbilder für Wozzeck an der Deutschen Oper Berlin, für Tosca an der Oper in Malmö und für Rigoletto an der Königlichen Oper Stockholm. Seit 2015 ist er Professor für Bühnenbild in Oslo.

La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027
Costumes:
Maria Geber

Maria Geber

Maria Geber stammt aus Schweden. Ihre Ausbildung erhielt sie an der Gerlesborgs Art School, dem San Francisco Art Institute und an der Beckmanns School of Design in Stockholm. Sie gehört seit langem zu den wichtigsten Kostümdesignerinnen Skandinaviens. Ihr Werk umfasst die Zusammenarbeit mit Choreografen und Regisseuren wie Mats Ek, Brigitta Egerbladh, Ole Anders Tandberg, Suzanne Osten, Etienne Glaser, Mattias Andersson, Rickard Günther, Linus Tunström und Sofia Jupiter (Salome, Die tote Stadt). Neben dem Kostümdesign entwirft sie auch Bühnenbilder. In langjähriger Zusammenarbeit mit Ole Anders Tandberg entstanden u.a. die Kostüme für Der feurige Engel, L’Enfant es les sortilèges, L’incoronazione di Poppea, Il ritorno d’Ulisse in patria, Le nozze di Figaro, Così fan tutte, Die Zauberflöte, Don Giovanni, Lady Macbeth von Mzensk, Rigoletto und Wozzeck. Sie arbeitete u.a. an der Deutschen Oper Berlin, der Königlichen Oper Stockholm und an der Norwegischen Oper in Oslo. Maria Geber lehrt als Assistenzprofessorin Kostümdesign an der Stockholm Academy of Dramatic Arts.

La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027
Lighting Design:
Franck Evin

Franck Evin

Franck Evin, born in Nantes, moved to Paris at the age of 19 to study piano. At night he accompanied singers at the café théâtre Le Connétable and also began to take an interest in lighting. He eventually decided on a combination of music and technology. Thanks to a scholarship from the French Ministry of Culture, he became assistant to the head of lighting at the Opéra de Lyon in 1983. There he worked, among others, with Ken Russell and Robert Wilson. In 1986 he began working as a freelance lighting designer at the Düsseldorfer Schauspielhaus and passed the master lighting designer examination in 1993. Particularly close during this period was his collaboration with Werner Schröter and with the conductor Eberhard Kloke. This was followed by productions in, among other places, Nantes, Strasbourg, Paris, Lyon, Vienna, Bonn, Brussels and Los Angeles. From 1995 to 2012 he was artistic director of the lighting department at the Komische Oper Berlin and was responsible there for all new productions. During this time, Andreas Homoki, Barrie Kosky, Calixto Bieito and Hans Neuenfels became especially important collaborators for him. In 2006 Franck Evin was awarded the "OPUS" in the category of lighting design. From the 2012/13 season to 2024/25 he worked as artistic director of the lighting department at Zurich Opera House. In addition to his work in Zurich, he continued to be involved as a guest in international productions, for example at the opera houses in Oslo, Stockholm, Tokyo, Amsterdam, Munich and Graz, as well as at the Opéra Bastille, La Scala in Milan, Teatro La Fenice, Vlaamse Opera and the Bayreuth Festival.

Carmen18 / 21 / 23 / 27 / 31 Jan 2026 Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun 2026 Fidelio3 / 6 / 10 / 14 / 16 May 2026 Così fan tutte3 / 7 / 9 / 12 Jul 2026 Alice im Wunderland8 / 15 / 19 / 21 / 26 / 28 Nov / 6 Dec 2026 / 2 / 7 / 8 / 10 / 17 Jan 2027 Das Rheingold29 Nov / 4 / 12 / 17 Dec 2026 / 9 Mar 2027 Manon Lescaut11 / 15 / 18 / 22 / 26 Dec 2026 Die Walküre24 / 31 Jan / 3 / 6 Feb / 10 Mar 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 Siegfried12 Mar 2027 Götterdämmerung14 Mar 2027 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027
Chorus Master:
Alice Lapasin Zorzit

Alice Lapasin Zorzit

Alice Lapasin Zorzit completed her piano studies at the Conservatorio di Musica Luigi Boccherini in Lucca and continued her training at the Anton Bruckner Private University in Linz, where she graduated with distinction in 2018 with a Bachelor’s degree in choral conducting. During this time, she gained her first experience in the opera world as a répétiteur at the Landestheater Linz. In 2017 she took part in the Riccardo Muti Italian Opera Academy, and in the 2018/19 season she served as a répétiteur with the Orchestra Academy of the Zurich Opera House. The 2019/20 season brought an engagement as deputy children’s choir director and guest pianist at the Staatsoper Unter den Linden in Berlin. She subsequently moved to the Staatstheater Darmstadt, where she worked from 2020 to 2022 as deputy chorus director and children’s choir director. Alongside her professional development, she continued her academic studies: in 2021 she completed her Master’s degree in conducting and opera coaching at the University of Music and Performing Arts Graz, followed in 2022 by a part-time Master’s degree in cultural management (EMAA) at the University of Zurich. As a cultural manager, she was a scholarship holder of the Deutsche Bank Foundation (AMH) and founded the artist agency ArteMIS in 2024. From 2023 to 2025, Alice Lapasin Zorzit was chorus director with conducting duties at the Landestheater Coburg, and in the summer of 2025 she worked as chorus assistant at the Bayreuth Festival. Since January 2026 she has been deputy chorus director at Zurich Opera House.

Werther14 / 19 Jun / 1 / 4 / 10 Jul 2026 Così fan tutte3 / 7 / 9 / 12 Jul 2026 Giulio Cesare in Egitto11 / 13 / 15 / 17 / 21 / 25 / 28 Mar 2026 Scylla et Glaucus27 / 29 / 31 Mar / 2 / 6 / 30 Apr / 2 May 2026 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Alice im Wunderland8 / 15 / 19 / 21 / 26 / 28 Nov / 6 Dec 2026 / 2 / 7 / 8 / 10 / 17 Jan 2027 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 Tosca11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Le nozze di Figaro2 / 6 / 8 / 15 / 19 May 2027 Don Pasquale23 / 27 / 30 May / 4 / 6 / 11 Jun 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027 Herr der Diebe27 Feb / 2 / 4 / 6 / 7 / 9 / 10 / 11 Mar 2027
Dramaturgy:
Fabio Dietsche

Fabio Dietsche

Fabio Dietsche studied dramaturgy at the Zurich University of the Arts as well as cross flute with Maria Goldschmidt in Zurich and with Karl-Heinz Schütz in Vienna. He gained his first experience as a dramaturge in 2012/13 with Xavier Zuber at Konzert Theater Bern, where he accompanied, among others, Matthias Rebstock’s production of "neither" (Beckett/Feldman) at the Berner Reithalle. Since 2013, he has been a dramaturge at the Zurich Opera House, where he completed his studies with the production dramaturgy of Puccini’s "La bohème." There, he has been involved, among others, in the world premieres of Stefan Wirth’s "Girl with a Pearl Earring" and Leonard Evers’ "Odyssee," the chamber opera "Jakob Lenz" by Wolfgang Rihm, and the Swiss premiere of Manfred Trojahn’s "Orest." He has worked with, among others, Robert Carsen, Tatjana Gürbaca, Rainer Holzapfel, Andreas Homoki, Ted Huffman, Mélanie Huber, Barrie Kosky, Hans Neuenfels, and Kai Anne Schuhmacher. He is currently studying cultural management on a part-time basis at the University of Zurich.

Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Monster's Paradise12 Apr 2026 Gianni Schicchi2 / 6 / 8 / 10 / 13 May 2026 Manon Lescaut11 / 15 / 18 / 22 / 26 Dec 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 Die lustige Witwe27 / 31 Dec 2026 / 3 / 7 / 10 / 13 Jan 2027 Roméo et Juliette12 / 19 / 21 Feb / 2 / 5 Mar 2027 Rinaldo14 / 19 / 23 / 25 / 27 / 29 Mar 2027 Samson et Dalila13 / 17 / 20 / 24 / 27 / 30 Jun / 2 / 9 Jul 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027

Cast

Rodolfo Long Long 16, 18, 23 Jun


Rodolfo Joshua Guerrero 04, 07, 10 Jul

Marcello Mihai Damian


Schaunard Yannick Debus


Colline Stanislav Vorobyov

Mimì Carolina López Moreno 16, 18, 23 Jun


Mimì Anna Netrebko 04, 07, 10 Jul

Musetta Elena Villalón


Alcindoro Valeriy Murga

Joshua Guerrero

Joshua Guerrero absolvierte seine Gesangsausbildung an der University of California in Los Angeles. Er ist Preisträger beim «Operalia»-Gesangswettbewerb 2014 sowie bei weiteren internationalen Wettbewerben. 2016 erhielt er den Richard Tucker Career Grant. Er ist regelmässig an der Los Angeles Opera zu Gast, wo er u.a. bereits die Partien Macduff (Macbeth), Greenhorn (Jake Heggies Moby Dick), Steve Hubbell (A Streetcar Named Desire) und Normanno (Lucia di Lammermoor) gesungen hat. Sein Debüt an der English National Opera gab er als Duca di Mantova (Rigoletto), weitere Auftritte in Europa führten ihn als Gabriele Adorno (Simon Boccanegra) an die Opéra National de Bordeaux und als Nemorino (L’elisir d’amore) ans Teatro de la Maestranza. An der Santa Fe Opera debütierte er als Romeo (Roméo et Juliette). Im Konzert war er in Beethovens 9. Sinfonie mit dem Simón Bolivar Orchestra unter der Leitung von Gustavo Dudamel zu hören sowie in Haydns Schöpfung mit dem Los Angeles Philharmonic, ebenfalls unter der Leitung von Dudamel. Zuletzt war er als Alfredo Germont (La traviata) an der San Diego Opera und als Duca di Mantova an der English National Opera zu erleben.

Manon Lescaut11 / 15 / 18 / 22 / 26 Dec 2026 La bohème4 / 7 / 10 Jul 2027

Yannick Debus

Yannick Debus studied voice at the Lübeck University of Music, the Basel University of Music, and the Schola Cantorum Basiliensis. His early roles include the Father in "Hänsel und Gretel" at the Weikersheim Castle, Guglielmo in “Così fan tutte” at the Chamber Opera at Rheinsberg Castle, the Emperor in Ullmann’s “Der Kaiser von Atlantis”, Figaro in Milhaud’s “La mère coupable” at the Theater Basel, and Emireno in Handel’s “Ottone” at the Innsbruck Festival of Early Music. From 2020 to 2022, he was a member of the International Opera Studio at Zurich Opera House. He maintains a close collaboration with René Jacobs, under whom he has performed, among other roles, as Jesus ("Johannes-Passion") at the Concertgebouw in Amsterdam, as Apollo (Handel’s “Apollo e Dafne”), as Kilian and Ottokar (“Der Freischütz”) at venues including the Elbphilharmonie Hamburg, in Handel’s “Israel in Egypt” at the Philharmonie de Paris, the Konzerthaus Freiburg and the Berliner Philharmonie, as well as in the title role of Monteverdi’s “Orfeo” with the Freiburg Baroque Orchestra at venues including the Berliner Philharmonie, the Philharmonie de Paris and the Liceu in Barcelona. Together with the Freiburg Baroque Orchestra, he also sang the role of Jesus ("Matthäus-Passion") under Francesco Corti on tour, including in Frankfurt, Madrid, Budapest, Zurich and Seoul. Since the 2024/25 season, he has been a member of the ensemble at Zurich Opera House. Here he most recently sang Harlequin ("Ariadne auf Naxos"), Lesbo ("Agrippina"), the title role in Wolfgang Rihm’s "Jakob Lenz", Schaunard in "La bohème", Lescaut in Massenet’s "Manon" and Dr. Falke in "Die Fledermaus".

Manon24 / 27 Sept / 3 / 7 Oct 2025 Fidelio3 / 6 / 10 / 14 / 16 May 2026 Così fan tutte3 / 7 / 9 / 12 Jul 2026 Die Fledermaus7 / 10 / 12 / 14 / 18 / 26 / 28 / 31 Dec 2025 / 2 / 4 / 6 / 10 Jan 2026 Johannes-Passion24 Mar 2026 Die Zauberflöte20 / 25 Sept / 6 / 18 / 21 / 24 / 30 Oct 2026 / 2 / 8 / 18 / 20 / 23 Apr 2027 Doctor Atomic7 / 11 / 14 / 20 / 24 / 28 Feb 2027 Le nozze di Figaro2 / 6 / 8 / 15 / 19 May 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027

Stanislav Vorobyov

Stanislav Vorobyov is from Russia and studied at the Moscow Conservatory. He was a member of the International Opera Studio and has been part of the ensemble at the Zurich Opera House since the 2018/19 season. Here, he has performed, among others, as Colline ("La bohème"), Alidoro ("La Cenerentola"), High Priest ("Nabucco"), Notary ("Der Rosenkavalier"), Reinmar von Zweter ("Tannhäuser"), Faust ("Der feurige Engel"), Zaretsky ("Eugene Onegin"), Cesare Angelotti ("Tosca"), Fifth Jew and 1st Nazarene ("Salome"), Lord Rochefort ("Anna Bolena"), Dottor Grenvil ("La traviata"), Crébillon ("La rondine"), Zuniga ("Carmen"), Roberto ("I vespri siciliani"), Roucher ("Andrea Chénier"), Police Commissioner ("Der Rosenkavalier"), Marchese Calatrava ("La forza del destino"), Tom ("Un ballo in maschera"), Brühlmann ("Werther"), as well as Faust ("Der feurige Engel") and Gold Merchant ("Cardillac"). In addition, he sang Don Basilio ("Il barbiere di Siviglia") at the Bregenz Festival, Nourabad ("Les Pêcheurs de perles") at the Opera Vlaanderen and in Luxembourg, and Ombra di Nino ("Semiramide") at the Concertgebouw Amsterdam. At the Bregenz Festival, he appeared as Uncle Bonzo in "Madama Butterfly" and as Il Capitano/L’ispettore in Giordano’s "Siberia". In 2024, he also performed as Colline ("La bohème") at the Tokyo Metropolitan Theatre and the ROHM Theatre Kyoto. At the Zurich Opera House, he will appear as Méphistophélès in the concert performance of "Damnation de Faust".

Cardillac15 / 18 / 21 / 25 Feb / 1 / 6 / 10 Mar 2026 La Damnation de Faust10 / 14 / 17 May 2026 Carmen18 / 21 / 23 / 27 / 31 Jan 2026 Madama Butterfly30 Dec 2025 / 3 / 9 / 11 / 13 / 16 Jan 2026 Un ballo in Maschera22 / 28 / 31 May / 7 / 13 Jun 2026 La forza del destino2 / 7 / 12 / 15 / 18 / 21 / 26 / 29 Nov / 17 / 21 Dec 2025 Der Rosenkavalier21 / 26 Sept / 1 / 5 / 14 / 17 / 21 / 26 Oct 2025 Rachmaninov – Die drei Opern1 / 4 / 8 / 15 / 18 / 21 / 28 Nov 2026 La traviata20 / 23 / 29 Dec 2026 / 1 / 3 / 6 / 9 / 12 / 15 / 19 / 23 Jan 2027 La fanciulla del west25 / 28 Feb / 3 / 7 Mar / 4 / 7 / 10 / 16 Apr 2027 Samson et Dalila13 / 17 / 20 / 24 / 27 / 30 Jun / 2 / 9 Jul 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027

Anna Netrebko

Anna Netrebko has developed over the course of her illustrious career into one of the most important prima donnas of the 21st century. With season openings at La Scala in Milan or the Metropolitan Opera in New York, or as a soloist at the opening ceremony of the Winter Olympics, she has made a name for herself both within and beyond the opera world. Her interpretations range from Mozart to bel canto (including Bellini's "La sonnambula" and Donizetti's "Anna Bolena") to French operas (Massenet's "Manon" and Gounod's "Roméo et Juliette"), Verdi (from "La traviata" to "Aida" and "Macbeth" to "Nabucco"), Puccini (from "La bohème" to "Turandot"), Ponchielli's "La Gioconda", verismo ("Andrea Chénier" and "Adriana Lecouvreur"), Tchaikovsky (from "Iolanta" to "Eugene Onegin") and Wagner's "Lohengrin". Her most recent role debuts include Lisa in Tchaikovsky's "Pique Dame" and Amelia in Verdi's "Un ballo in maschera". Anna Netrebko can be seen not only at the world's leading opera houses but has also performed numerous concerts and recitals on five continents. Since 2003, she has been an exclusive artist for Deutsche Grammophon, and her extensive discography includes complete operas, concert repertoire, and numerous solo albums. Her awards and honors include three Grammy nominations, the German Bambi, as well as the British Classical BRIT Awards for "Singer of the Year" and "Artist of the Year". Anna Netrebko is a global ambassador for Chopard jewelry. Netrebko was born in 1971 in Krasnodar, Russia, studied singing at the St. Petersburg Conservatory, and completed the Merola Opera Program in San Francisco. As a dedicated mother, she has passionately supported the concerns of disadvantaged children for many years and supports various organizations.

La forza del destino2 / 7 / 12 / 15 / 18 Nov 2025 La bohème4 / 7 / 10 Jul 2027

Valeriy Murga

Bass Valeriy Murga studied at the National Music Academy of Ukraine in Kyiv. He was a finalist at both the 41st International Singing Competition in Toulouse (1996) and the 7th Julian Gayarre Competition in Pamplona (1998). In 1997, he won second prize at the Maria Callas Grand Prix in Athens and participated in the Cardiff Singer of the World competition in 1999. From 1997 to 1999, he was a soloist at the Ukrainian National Opera in Kyiv, where he performed roles including Figaro (“Le nozze di Figaro”), Escamillo (“Carmen”), Schaunard (“La bohème”), and the title roles in “Eugene Onegin,” “Don Giovanni,” and “Prince Igor.” His repertoire also includes the roles of Marchese di Posa (“Don Carlo”) and Shaklovity (“Khovanshchina”). At the Zürich Opera House, Valeriy Murga was initially a member of the International Opera Studio and during this time performed, among others, Sciarrone and the Jailor (“Tosca”) as well as Monterone (“Rigoletto”). Since the 2000/01 season, he has been a permanent ensemble member at the Zürich Opera House, where he has performed roles such as Prince Yeletsky (“The Queen of Spades”), Moralès (“Carmen”), Second Soldier (“Salome”), Alessio (“La sonnambula”), Ali (“L’italiana in Algeri”), Wagner (“Faust”), Sacristan (“Tosca”), Butler (“La rondine”), and Bogdanovich (“The Merry Widow”), as well as in family operas including “The Canterville Ghost,” “Robin Hood,” “The Enchanted Pig,” “Jim Knopf,” and “Wir pfeiffen auf den Gurkenkönig” He has also appeared as a guest in Eugen d’Albert’s “Tiefland” at the Liceu in Barcelona and in “L’italiana in Algeri” at the Staatsoper Unter den Linden in Berlin.

Manon24 / 27 Sept / 3 / 7 / 10 Oct 2025 Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 / 11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Werther14 / 19 Jun / 1 / 4 / 10 Jul 2026 Hänsel und Gretel20 / 23 Nov / 2 / 16 / 18 Dec 2025 / 2 / 24 / 25 / 31 Jan 2026 La rondine24 / 27 Sept / 1 / 10 / 15 Oct 2026 Alice im Wunderland8 / 15 / 19 / 28 Nov 2026 / 2 / 8 / 17 Jan 2027 Elektra22 / 26 Nov / 2 / 5 / 10 / 13 / 16 Dec 2026 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027 Herr der Diebe27 Feb / 2 / 4 / 6 / 7 / 9 / 10 / 11 Mar 2027
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Kinderchor der Oper Zürich

Der Kinderchor der Oper Zürich wurde 1985 für Jean-Pierre Ponnelles Neuproduktion von  Bizets Carmen gegründet und gastierte mit dieser erfolgreichen Inszenierung schon bald darauf in Dresden und Athen. Mit der Zeit entwickelte sich ein festes Ensemble, welches in den verschiedensten Produktionen im Opernhaus, aber auch im Zürcher Hallenstadion bei Puccinis Turandot und Mussorgskis Boris Godunow (in russischer Sprache) auftrat.
Inzwischen wirken ca. 50 Kinder regelmässig in diesem Ensemble mit. Einzelne von ihnen übernehmen in einigen Opern sogar kleinere Solopartien. Die Zahl der Auftritte in immer aufwendigeren Inszenierungen am Opernhaus beträgt gegenwärtig 10 bis 15 verschiedene Werke pro Jahr.
Ausserhalb des Opernhauses ist der Kinderchor in den letzten Jahren immer wieder mit eigenen Kirchenkonzerten unter seinen Leitern Jürg Hämmerli und Ernst Raffelsberger aufgetreten, darüber hinaus aber auch in Anna Jenatsch von Martin Derungs unter Räto Tschupp, in Berlioz’ Te Deum unter Alex Hug in der Zürcher Tonhalle sowie im Rahmen eines Konzertes von Céline Dion im Letzigrundstadion.
Gastspielreisen führten den Kinderchor nach Deutschland (Krefeld), Italien (Verona) und Grossbritannien (London).

Tosca28 Sept / 2 / 8 / 11 / 15 / 19 Oct 2025 / 11 / 14 / 17 / 21 / 24 Apr / 13 / 17 May 2027 Werther14 / 19 Jun / 1 / 4 / 10 Jul 2026 Alice im Wunderland8 / 15 / 19 / 21 / 26 / 28 Nov / 6 Dec 2026 / 2 / 7 / 8 / 10 / 17 Jan 2027 La bohème16 / 18 / 23 Jun / 4 / 7 / 10 Jul 2027

Statistenverein am Opernhaus Zürich

Der Statistenverein am Opernhaus Zürich wurde im Jahr 1900 gegründet und dürfte damit einer der traditionsreichsten Vereine auf dem Kulturplatz Zürich sein. Rund hundert Frauen und Männer im Alter von 16 bis 70 Jahren bereichern das Bühnengeschehen in zahlreichen Inszenierungen.Statisten, früher auch als Figuranten bezeichnet, haben generell nicht sprechende Rollen. Ihre Einsätze am Opernhaus Zürich fallen je nach Inszenierung unterschiedlich umfangreich aus. Während früher Massenszenen im Vordergrund standen, sind die Statistinnen und Statisten seit der Ära Pereira und der Intendanz von Andreas Homoki zunehmend auch für aufwändigere Einzelauftritte sowie für anspruchsvolle technische Einsätze gefragt. Die Mitglieder des Statistenvereins üben ihre Einsätze in der Freizeit und ohne finanzielle Interessen aus. Sie bringen Begeisterung für Musik und Theater mit.

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Abstract

Rodolfo, a young and unsuccessful writer, is searching for inspiration when a young woman unexpectedly appears on his doorstep: Mimì merely wishes to relight her extinguished candle, yet their encounter gives rise to one of the most moving love stories in the operatic repertoire. Director Ole Anders Tandberg tells "La bohème" as a poetic fantasy of four provincial artists who dream of great success and suddenly find themselves within the artistic myth of Paris. Giacomo Puccini’s score unites some of his most famous arias and moves audiences with undiminished emotional power. Anna Netrebko appears as Mimì in several performances.

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Trailer "La bohème"


Photo Gallery "La bohème"


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Synopsis

Scene One
Rodolfo, a writer, and Marcello, a painter, are trying to work. It is cold and they are hungry, as their art scarcely enables them to make a living. In order to heat the room, Rodolfo sacrifices the manuscript of his drama. Colline, the philosopher, joins them. It is Christmas Eve, and the books he wanted to take to the pawnbroker’s have been refused. The musician Schaunard, on the other hand, has earned a little money with a quirky musical commission, and brings firewood, food and wine. The landlord Benoît surprises the four Bohemians and demands the rent. The friends give him something to drink and quiz him about his affairs. When it transpires that he has been unfaithful to his wife, they feign indignation and throw him out. They decide to spend Christmas Eve out on the town. Only Rodolfo wants to work a little longer. Once he is alone, somebody knocks at the door. His neighbour asks him to relight her candle. She seems exhausted and sickly. When she drops her key, as if by chance, Rodolfo’s candle also goes out. As they search for the key, their hands touch. The pair come closer and fall in love.

Scene Two
Christmas Eve in Paris. Amid a cheerfully bustling crowd, Schaunard is haggling over an out-of-tune horn. Colline buys a rare book and a coat. Rodolfo gives Mimì a bonnet, while Marcello flirts with pretty girls. Rodolfo introduces his new love, Mimì, to his friends in front of the Café Momus. As they are sitting down to dinner, Marcello’s girlfriend Musetta arrives in the company of Alcindoro, an older, wealthy admirer. She recognises Marcello and finds a pretext to send Alcindoro away. Musetta and Marcello fall into one another’s arms. The Bohemians join the throng, and when Alcindoro returns, all he finds is the bill they have left behind.

Scene Three
Two months later, early on a cold winter’s morning. Mimì seeks Marcello out and asks his advice: Rodolfo’s jealousy is making him unbearable to live with. Marcello advises her to leave him. Rodolfo, who has fallen asleep in the next room, wakes up. Mimì stays in the background. Rodolfo also admits to Marcello that he wants to leave his lover – however, not only because he is jealous, but also because of her incurable illness. Mimì gives herself away when she has a coughing fit. Overwhelmed by their feelings, Mimì and Rodolfo decide to stay together until the spring. In the meantime, a tempestuously jealous scene erupts between Marcello and Musetta.

Scene Four
A few months later. Rodolfo and Marcello are pretending to work. Secretly, they are thinking of the happy times they spent with Mimì and Musetta. Colline and Schaunard arrive, bringing dry bread and a herring with them. The four Bohemians fool about, becoming increasingly boisterous and acting out a duel. Just when they are at their most high-spirited, Musetta bursts in, followed by Mimì – who is mortally ill. The Bohemians make up a bed for her. Musetta sacrifices her earrings so that Marcello can buy medicine. Musetta wants to buy a muff to warm Mimì’s cold hands. Colline follows her example and goes off to sell his coat. Schaunard leaves the reunited lovers alone. Mimì and Rodolfo remember the times they shared. When the friends return and announce the imminent arrival of a doctor, Mimì falls asleep. Lost in thought, only his friends’ uneasy silence makes Rodolfo realise that Mimì has died.