Walkways

From 6. October 2023 until 2. January 2024

  • Duration :
    approx. 2 H. 25 Min. Inkl. Pausen after 1st part after approx. 30 Min.  and after 2nd part after approx. 1 H. 30 Min.
  • More information:
    Introduction 45 min before the performance.
    Introductory matinee on Okt 1 2023.

Snowblind

Ballet by Cathy Marston based on the novel Ethan Frome by Edith Wharton


Choreography:
Cathy Marston

Cathy Marston

The internationally renowned choreographer Cathy Marston holds both British and Swiss citizenship. Since August 2023, she is the director of the Ballett Zürich. She received her dance training in Cambridge and at the Royal Ballet School in London. Between 1994 and 1999, she danced with Ballett Zürich, the Luzerner Theater Ballet, and Konzert Theater Bern. From 2002 to 2006, she was an Associate Artist at the Royal Opera House in London, and from 2007 to 2013, she served as ballet director at Konzert Theater Bern. Cathy Marston has been working as a highly successful freelance choreographer for many years and has been invited to work with numerous renowned international companies and institutions. She has created works, among others, for The Royal Ballet, Hamburg Ballet, The Royal Danish Ballet, English National Ballet, Northern Ballet, Finnish National Ballet, Ballet Black, the National Ballet of Cuba, as well as Opera Australia and the Hong Kong Academy of Performing Arts. In recent years, she has increasingly worked in the United States, with commissions for San Francisco Ballet, American Ballet Theatre, Houston Ballet, and Joffrey Ballet Chicago. In her choreographic works, she brings major literary classics to life through dance, and approaches significant historical figures in unexpected and original ways. She achieved great success with her ballet adaptations "Mrs. Robinson" (Charles Webb), "Snowblind" (Ethan Frome), "Jane Eyre" (Charlotte Brontë), and "Of Mice and Men" (John Steinbeck). Unconventional perspectives also shape her biographically inspired works "The Cellist", "Victoria", and "Witch-Hunt". Cathy Marston has received multiple awards for her choreographic work, including a South Bank Sky Arts Award and the British National Dance Award. In 2020, the International Institute for Dance and Theatre honored her with an award for excellence in international dance. The highlight of her first season as director of Ballett Zürich was the 2024 world premiere of "Atonement", based on the novel of the same name by Ian McEwan (a co-production with Joffrey Ballet). In addition, her pieces "The Cellist" and "Snowblind" were performed in Zurich. In the previous season, her Clara Schumann ballet "Clara" premiered. In 2026, she will choreograph "Romeo and Juliet" for Ballett Zürich.

Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Countertime5 / 7 / 14 Sept 2025 The Butterfly Effect4 / 13 / 23 Apr 2026 Romeo und Julia23 / 29 / 30 May / 4 / 6 / 7 / 10 / 12 / 14 / 23 / 26 Jun 2026
Musical Director:
Daniel Capps

Daniel Capps

Daniel Capps is in demand worldwide primarily as a ballet conductor. He studied at the Royal College of Music and the Royal Academy of Music in London and continued his training under renowned mentors such as Colin Metters, Sir Colin Davis, Sir Charles Mackerras, Mark Wigglesworth, Péter Eötvös, and Thomas Adès. From 2003 onward he assisted Sir John Eliot Gardiner with the Orchestre Révolutionnaire et Romantique, including for Berlioz’s "Les Troyens" at the Théâtre du Châtelet in Paris. In 2008 he made his debut with the Royal Ballet at the Royal Opera House Covent Garden and has since been a regular guest conductor there. Daniel Capps has been associated with the New York City Ballet since 2011, and in 2012 he was appointed Resident Conductor. Also in 2011 he made his debut with the National Ballet of Canada, where he conducted Christopher Wheeldon’s ballet "Alice’s Adventures in Wonderland". He has worked with orchestras such as the Scottish Chamber Orchestra, the Royal Danish Orchestra, the Brighton Philharmonic, the Tokyo Philharmonic, the New Japan Philharmonic, the National Symphony Orchestra of Colombia, the Washington Opera Orchestra, the National Symphony Orchestra of Taiwan, the Orchestre national d'Île-de-France, as well as with the Monteverdi Choir. His artistic work has earned him distinctions including the Ernest Read Conducting Prize and the Fred Southhall Memorial Prize for Conducting. In recent seasons he made his debut with Ballet Zürich ("Walkways"), the Australian Ballet, and the Spanish Compañía Nacional de Danza, all of which have repeatedly invited him back. Tours have taken him to China, Japan, Hong Kong, Taiwan, Cuba, France, Spain, Mexico, Denmark, Australia, Colombia, and throughout the United States.

Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026
Choreography:
Cathy Marston,

Cathy Marston

The internationally renowned choreographer Cathy Marston holds both British and Swiss citizenship. Since August 2023, she is the director of the Ballett Zürich. She received her dance training in Cambridge and at the Royal Ballet School in London. Between 1994 and 1999, she danced with Ballett Zürich, the Luzerner Theater Ballet, and Konzert Theater Bern. From 2002 to 2006, she was an Associate Artist at the Royal Opera House in London, and from 2007 to 2013, she served as ballet director at Konzert Theater Bern. Cathy Marston has been working as a highly successful freelance choreographer for many years and has been invited to work with numerous renowned international companies and institutions. She has created works, among others, for The Royal Ballet, Hamburg Ballet, The Royal Danish Ballet, English National Ballet, Northern Ballet, Finnish National Ballet, Ballet Black, the National Ballet of Cuba, as well as Opera Australia and the Hong Kong Academy of Performing Arts. In recent years, she has increasingly worked in the United States, with commissions for San Francisco Ballet, American Ballet Theatre, Houston Ballet, and Joffrey Ballet Chicago. In her choreographic works, she brings major literary classics to life through dance, and approaches significant historical figures in unexpected and original ways. She achieved great success with her ballet adaptations "Mrs. Robinson" (Charles Webb), "Snowblind" (Ethan Frome), "Jane Eyre" (Charlotte Brontë), and "Of Mice and Men" (John Steinbeck). Unconventional perspectives also shape her biographically inspired works "The Cellist", "Victoria", and "Witch-Hunt". Cathy Marston has received multiple awards for her choreographic work, including a South Bank Sky Arts Award and the British National Dance Award. In 2020, the International Institute for Dance and Theatre honored her with an award for excellence in international dance. The highlight of her first season as director of Ballett Zürich was the 2024 world premiere of "Atonement", based on the novel of the same name by Ian McEwan (a co-production with Joffrey Ballet). In addition, her pieces "The Cellist" and "Snowblind" were performed in Zurich. In the previous season, her Clara Schumann ballet "Clara" premiered. In 2026, she will choreograph "Romeo and Juliet" for Ballett Zürich.

Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Countertime5 / 7 / 14 Sept 2025 The Butterfly Effect4 / 13 / 23 Apr 2026 Romeo und Julia23 / 29 / 30 May / 4 / 6 / 7 / 10 / 12 / 14 / 23 / 26 Jun 2026
Patrick Kinmonth

Patrick Kinmonth

Patrick Kinmonth arbeitet als Opernregisseur, als Bühnen- und Kostümbildner für Opern- und Ballettproduktionen sowie als Kurator, Publizist, Designer, Innenausstatter, Fotograf, Maler und Creative Director für die britische Vogue. Er schuf die Ausstattung für Produktionen an Opernhäusern in Amsterdam, Barcelona, Madrid, Brüssel, London, Venedig, Mailand, Wien und Köln sowie für die Festspiele in Aix-en-Provence. Er kuratierte zudem Ausstellungen für Museen wie die National Portrait Gallery in London, das Metropolitan Museum of Art New York und das Museum Thyssen-Bornemisza Madrid. Mit Robert Carsen verbindet ihn eine enge Zusammenarbeit, so zeichnet er u.a. für die Ausstattung von La traviata, Der Ring des Nibelungen, Jenůfa und Katja Kabanova verantwortlich. Als Regisseur inszenierte er zuletzt Die Gezeichneten und Tannhäuser an der Oper Köln und La clemenza di Tito am Badischen Staatstheater Karlsruhe. Er arbeitet zudem eng mit den Choreografen Fernando Melo und Pontus Lidberg zusammen. Für sie schuf er die Ausstattungen für Ballettabende in Göteborg, am Gärtnerplatztheater in München, am Luzerner Theater, an der Semperoper Dresden, für das Griechische Nationalballett und das San Francisco Ballett. Zudem sind 2019 Arbeiten für das Ballet de Opéra national de Paris und das American Ballet Theatre at the Metropolitan Opera geplant.

Countertime5 / 7 / 14 Sept 2025
Music:
Amy Beach,
Philip Feeney,

Philip Feeney

Philip Feeney studied composition with Robin Holloway and Hugh Wood at the University of Cambridge and with Franco Donatoni in Rome. He has written a large number of works for ballet and dance and has collaborated as a pianist with numerous ensembles, including the Birmingham Royal Ballet, Rambert, Acosta Danza, Adventures in Motion Pictures, and the Martha Graham Dance Company. As a composer he has worked with choreographers such as Christopher Gable, David Nixon, Michael Pink, Didy Veldman, Michael Keegan-Dolan, Derek Williams, Adam Cooper, Sara Matthews, and the hip-hop artist Jonzi D. His music has been performed by companies such as English National Ballet, Boston Ballet, Cullberg Ballet, Scottish Dance Theatre, Bern Ballett, Cedar Lake Contemporary Ballet, and Fabulous Beast Dance Theatre. For the latter he wrote the scores for the critically acclaimed ballet "Giselle" (2003) and the award-winning "The Bull" (2005). Philip Feeney’s association with Northern Ballet in Leeds, England, spans more than 25 years. For this company he has written eight full-length scores, including Gable’s "Cinderella", Gable and Pink’s "Dracula" and "The Hunchback of Notre Dame", Veldman’s "A Streetcar Named Desire", Nixon’s "Hamlet" and "Cinderella", and Marston’s "Jane Eyre" and "Victoria". In 2020 he worked for the first time with American Ballet Theatre and arranged the music for the premiere of Alexei Ratmansky’s "Of Love and Rage", which was taken up by the Vienna State Ballet in autumn 2025.

Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026
Arthur Foote,
Arvo Pärt
Stage design and costume:
Patrick Kinmonth

Patrick Kinmonth

Patrick Kinmonth arbeitet als Opernregisseur, als Bühnen- und Kostümbildner für Opern- und Ballettproduktionen sowie als Kurator, Publizist, Designer, Innenausstatter, Fotograf, Maler und Creative Director für die britische Vogue. Er schuf die Ausstattung für Produktionen an Opernhäusern in Amsterdam, Barcelona, Madrid, Brüssel, London, Venedig, Mailand, Wien und Köln sowie für die Festspiele in Aix-en-Provence. Er kuratierte zudem Ausstellungen für Museen wie die National Portrait Gallery in London, das Metropolitan Museum of Art New York und das Museum Thyssen-Bornemisza Madrid. Mit Robert Carsen verbindet ihn eine enge Zusammenarbeit, so zeichnet er u.a. für die Ausstattung von La traviata, Der Ring des Nibelungen, Jenůfa und Katja Kabanova verantwortlich. Als Regisseur inszenierte er zuletzt Die Gezeichneten und Tannhäuser an der Oper Köln und La clemenza di Tito am Badischen Staatstheater Karlsruhe. Er arbeitet zudem eng mit den Choreografen Fernando Melo und Pontus Lidberg zusammen. Für sie schuf er die Ausstattungen für Ballettabende in Göteborg, am Gärtnerplatztheater in München, am Luzerner Theater, an der Semperoper Dresden, für das Griechische Nationalballett und das San Francisco Ballett. Zudem sind 2019 Arbeiten für das Ballet de Opéra national de Paris und das American Ballet Theatre at the Metropolitan Opera geplant.

Countertime5 / 7 / 14 Sept 2025
Lighting Design:
James F. Ingalls
Dramaturgy:
Michael Küster

Michael Küster

Michael Küster is from Germany. After studying German studies, art, and speech science at the University of Halle, he worked as a presenter, author, and speaker at various broadcasting stations in Germany. There, he hosted numerous classical music programs and live broadcasts of major concert events, including those from the Metropolitan Opera New York, the Semperoper Dresden, and the Leipzig Gewandhaus.
Since 2002, he has been a dramaturg at the Zurich Opera House, working with directors such as Matthias Hartmann, David Alden, Robert Carsen, Moshe Leiser/Patrice Caurier, Damiano Michieletto, David Pountney, Johannes Schaaf, and Graham Vick.
As dramaturg of Ballett Zürich, Michael Küster has collaborated since 2012 with Cathy Marston, Marco Goecke, Marcos Morau, Kim Brandstrup, Edward Clug, Alexei Ratmansky, William Forsythe, Jiří Kylián, and Hans van Manen. Together with Christian Spuck, he worked on productions including «Winterreise» («Prix Benois de la Danse»), «Romeo and Juliet», «Messa da Requiem», and «The Sleeping Beauty».
At La Scala in Milan, Michael Küster was dramaturg for Matthias Hartmann’s opera productions of «Der Freischütz», «Idomeneo», and «The Queen of Spades».

Oiseaux Rebelles12 / 18 / 23 / 25 / 31 Oct / 1 / 9 / 13 Nov / 2 / 5 / 6 / 9 Dec 2025 Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Countertime5 / 7 / 14 Sept 2025 The Butterfly Effect4 / 13 / 23 Apr 2026 Messa da Requiem20 / 22 / 28 Feb / 1 / 5 / 7 Mar / 6 Apr 2026 Romeo und Julia23 / 29 / 30 May / 4 / 6 / 7 / 10 / 12 / 14 / 23 / 26 Jun 2026 Nachtträume20 / 25 / 28 / 30 Jun / 4 Jul 2026 Timeframed17 / 18 / 22 / 25 / 30 Jan / 1 / 4 / 6 / 8 / 11 / 12 Feb 2026

Cast


Snowblind / Ethan Charles-Louis Yoshiyama


Snowblind / Mattie Dores André


Snowblind / Zeena Shelby Williams


Snowblind / Ethan Brandon Lawrence


Snowblind / Mattie Max Richter


Snowblind / Zeena Elena Vostrotina


Snowblind / Ethan Esteban Berlanga


Snowblind / Mattie Ruka Nakagawa


Snowblind / Zeena Francesca Dell'Aria


Snowblind / Ethan Charles-Louis Yoshiyama


Snowblind / Mattie Dores André


Snowblind / Zeena Shelby Williams


Snowblind / Ethan Max Cauthorn


Snowblind / Mattie Daniela Gómez Pérez


Snowblind / Zeena Sujung Lim


Snowblind / Ethan Charles-Louis Yoshiyama


Snowblind / Mattie Dores André


Snowblind / Zeena Shelby Williams


Snowblind / Ethan Brandon Lawrence


Snowblind / Mattie Max Richter


Snowblind / Zeena Elena Vostrotina


Snowblind / Ethan Esteban Berlanga


Snowblind / Mattie Ruka Nakagawa


Snowblind / Zeena Francesca Dell'Aria


Snowblind / Ethan Charles-Louis Yoshiyama


Snowblind / Mattie Dores André


Snowblind / Zeena Shelby Williams


Snowblind / Ethan Max Cauthorn


Snowblind / Mattie Daniela Gómez Pérez


Snowblind / Zeena Sujung Lim


Snowblind / Ethan Max Cauthorn


Snowblind / Mattie Daniela Gómez Pérez


Snowblind / Zeena Sujung Lim


Snowblind / Ethan Brandon Lawrence


Snowblind / Mattie Ruka Nakagawa


Snowblind / Zeena Elena Vostrotina


Snowblind / Ethan Brandon Lawrence


Snowblind / Mattie Max Richter


Snowblind / Zeena Elena Vostrotina

Charles-Louis Yoshiyama

Charles-Louis Yoshiyama holds Japanese and French citizenship. He received his dance training at Trinity College London and the English Ballet School. In 2007, he joined Houston Ballet and was promoted to Principal Dancer in 2016. Important roles included Crown Prince Rudolf in Kenneth MacMillan’s «Mayerling» and De Grieux in «Manon», as well as Oberon in John Neumeier’s «A Midsummer Night’s Dream». He also danced in Roland Petit’s «L’Arlésienne» and numerous works by George Balanchine. In choreographies by Ben Stevenson, he portrayed Basilio («Don Quixote»), Prince Florimund («Sleeping Beauty»), Franz («Coppélia»), Mercutio («Romeo and Juliet»), and the Prince («The Nutcracker»). In Stanton Welch’s works, he was Siegfried («Swan Lake»), Solor («La Bayadère»), and Albrecht («Giselle»). In John Cranko’s «The Taming of the Shrew», he danced Lucentio and Hortensio. In 2023, Charles-Louis Yoshiyama was Principal Dancer at Oregon Ballet Theatre. Since the 2023/24 season, he has been Principal Dancer at Ballett Zürich.

Countertime5 / 7 / 14 Sept 2025 Clara14 / 20 Dec 2025 / 17 / 19 Apr 2026 Timeframed17 / 18 / 22 / 25 / 30 Jan / 1 / 4 / 6 / 8 / 11 / 12 Feb 2026

Brandon Lawrence

Brandon Lawrence is from Great Britain. He received his ballet training at the Royal Ballet School. From 2011 to 2023, he danced with Birmingham Royal Ballet, serving as Principal Dancer since 2019. Important roles included the Prince («The Nutcracker»), Franz («Coppélia»), Prince Florimund («The Sleeping Beauty»), Prince Siegfried («Swan Lake») in choreographies by Peter Wright; Romeo in Kenneth MacMillan’s «Romeo and Juliet»; Colas in Frederick Ashton’s «La Fille mal gardée»; the Prince («Cinderella»), Beast («The Beauty and the Beast»), Albrecht («Giselle») and Otello («Shakespeare Suite») in choreographies by David Bintley.
He also performed in works by Carlos Acosta, Edward Clug, Jiří Kylián, Juliano Nunes, Twyla Tharp, and Uwe Scholz. Since the 2023/24 season, Brandon Lawrence has been Principal Dancer at Ballett Zürich and has danced leading roles in choreographies by Cathy Marston («Atonement», «The Cellist», «Snowblind», «Clara»), Marco Goecke, Wayne McGregor, Bronislava Nijinska, Mthuthuzeli November, Jerome Robbins, Christian Spuck, Kenneth MacMillan, Bryan Arias, William Forsythe, Crystal Pite, and Kim Brandstrup.
In 2025, he received the «Dance Prize of the Friends of Ballett Zürich».

Countertime5 Sept 2025 Oiseaux Rebelles12 / 23 / 25 Oct / 9 / 13 Nov / 2 / 6 Dec 2025 Clara19 Dec 2025 / 12 / 19 Apr 2026 Timeframed17 / 18 / 22 / 25 / 30 Jan / 1 / 4 / 6 / 8 / 11 / 12 Feb 2026

Esteban Berlanga

Esteban Berlanga is from Spain. After his training at the Royal Conservatory of Albacete and the Professional Dance Conservatory of Madrid, he danced with the English National Ballet from 2006 to 2013. There, he was promoted to principal dancer in 2012. Among other roles, he danced Prince Siegfried in Derek Dean’s «Swan Lake», the prince in Kenneth MacMillan’s «The Sleeping Beauty», Albrecht in Mary Skeaping’s «Giselle», the Nutcracker in Wayne Eagling’s choreography, and Frédéric in Roland Petit’s «L’Arlésienne». For David Dawson’s «Faun(e)», he was nominated for the «Benois de la Danse». From 2013 to 2018, he was principal dancer at the Compañia Nacional de Danza de España. Since the 2018/19 season, he has been a member of Ballett Zürich, and since 2022, a principal dancer. He appeared in the title role of Marco Goecke’s «Nijinski» and danced leading roles in choreographies by Christian Spuck (including «The Sleeping Beauty»; «Anna Karenina») and Cathy Marston («The Cellist»; «Snowblind»).
In 2024, he received the «Dance Prize of the Friends of Ballett Zürich».

Oiseaux Rebelles12 / 23 / 25 Oct / 9 / 13 Nov / 2 / 6 Dec 2025 Clara13 / 14 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Timeframed17 / 22 / 25 / 30 Jan / 1 / 4 / 6 / 8 / 11 Feb 2026

Max Cauthorn

Max Cauthorn stammt aus den USA. Seine Ballettausbildung erhielt er an der San Francisco Ballet School und im Trainee Program des San Francisco Ballet. Von 2013 bis 2023 war er Mitglied des San Francisco Ballet, seit 2020 Principal Dancer. Wichtige Rollen waren Victor Frankenstein in Liam Scarletts Frankenstein, James in August Bournonvilles La Sylphide, Prinz Siegfried in Helgi Tomassons Schwanensee, Benvolio in Helgi Tomassons Romeo und Julia und Oberon in George Balanchines Sommernachtstraum. Wichtige Soli tanzte er in Pas /Parts 2016 und Blake Works I von William Forsythe. Ausserdem war er in Choreografien von Val Caniparoli, John Cranko, Alonzo King, Edwaard Liang, Annabelle Lopez Ochoa, Trey McIntyre, Mark Morris, Justin Peck, Yuri Possokhov, Alexei Ratmansky, Dwight Rhoden, Jerome Robbins und Myles Thatcher zu erleben. Seit der Spielzeit 2023/24 ist Max Cauthorn Erster Solist des Balletts Zürich.

Dores André

Dores André stammt aus Spanien. Ihre Tanzausbildung erhielt sie am Estudio de Danza María de Ávila. Ausserdem hat sie einen Master in Design der Universität Barcelona. Sie war Mitglied des San Francisco Ballet, seit 2016 Principal Dancer. Sie tanzte Hauptrollen in Giselle, La Sylphide, Der Nussknacker, Julia in Romeo und Julia, Kitri in Tomasson/Possakhovs Don Quixote, Swanilda in Balanchines Coppélia, Olga in John Crankos Onegin, Elizabeth Lavenza in Liam Scarletts Frankenstein, Cinderella in Christopher Wheeldons Cinderella und John Neumeiers The Little Mermaid. Ausserdem kreierte sie Soloparts in Pas/Parts 2016 von William Forsythe, Thread von Kevin Jenkins, Guernica von Annabelle Lopez Ochoa, Hurry Up, We’re Dreaming und In the Countenance of Kings von Justin Peck, Björk Ballet von Artur Pita, Fearful Symmetries von Liam Scarlett, Manifesto von Myles Thatcher und Bound to von Christopher Wheeldon. Ausserdem tanzte sie in Choreografien von Jiří Bubeníček, Val Caniparoli, Serge Lifar, Yuri Possokhov, Alexei Ratmansky, und Jerome Robbins. Seit der Saison 2023/24 ist Dores André Erste Solistin des Balletts Zürich.

Max Richter

Max Richter is from the USA and trained at the International City School of Ballet and Houston Ballet II. Important choreographies during her engagement at Houston Ballet included Cathy Marston’s «Summer and Smoke», Ben Stevenson’s «Sleeping Beauty», and Balanchine’s «Diamonds». Since the 2023/24 season, Max Richter has been a member of Ballett Zürich. Here, she danced leading roles in Cathy Marston’s ballets «Atonement» and «Clara». She also appeared in the title role of Patrice Bart’s «Giselle», as the Bride in Bronislava Nijinska’s «Les Noces», and in choreographies by Wayne McGregor, Jerome Robbins, Marcos Morau, Meryl Tankard, Christian Spuck, Marco Goecke, William Forsythe, Kim Brandstrup, and Kenneth MacMillan.

Countertime5 / 7 / 14 Sept 2025 Oiseaux Rebelles12 / 18 / 31 Oct / 1 / 9 / 13 Nov / 2 / 5 / 6 / 9 Dec 2025 Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Timeframed17 / 18 / 22 / 25 / 30 Jan / 1 / 4 / 6 / 8 / 11 / 12 Feb 2026

Ruka Nakagawa

Ruka Nakagawa is from Japan. She received her ballet training at the Shimoda Harumi Ballet in Japan, at the Benedict Manniegel Ballet Academy in Munich, and at the Royal Ballet School in Antwerp. From 2017 to 2023, she danced with Opera Ballet Vlaanderen in Belgium. Among others, she performed as Giselle in Akram Khan’s «Giselle», as the Chosen One in Pina Bausch’s «Le Sacre du printemps», and in choreographies by Ohad Naharin and Johan Inger. Since the 2023/24 season, she has been a member of the Ballett Zürich. Here, she danced leading roles in choreographies by Cathy Marston («Clara», Mattie in «Snow Blind», and Lola in «Atonement») and appeared in works by Christian Spuck, William Forsythe, Marco Goecke, and Marcos Morau.

Countertime7 / 14 Sept 2025

Daniela Gómez Pérez

Daniela Gómez Pérez is from Cuba. She studied at the Fernando Alonso National Ballet School and the Instituto Superior de Arte de Cuba. From 2015 to 2023, she was Principal Dancer at the Cuban National Ballet. Under Alicia Alonso’s direction, she danced leading roles in «Coppélia», «Giselle», «Swan Lake», and «The Nutcracker». She also appeared in choreographies by Peter Quanz, Brian McDonald, George Balanchine, Annabelle Lopez Ochoa, Cathy Marston, Ricardo Amarante, Alexei Ratmansky, Uwe Scholz, Ben Stevenson, Mikhail Fokine, and Gemma Bond. For her interpretation of Daniel Proietto’s «Cigne», she was entered into the Golden Book of the Gran Teatro de La Habana. Since the 2023/24 season, she has been a member of Ballett Zürich.

Countertime7 / 14 Sept 2025 Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Timeframed17 / 18 / 22 / 25 Jan / 4 / 8 / 12 Feb 2026

Shelby Williams

Shelby Williams holds American and Italian citizenship. She studied at Houston Ballet Academy, Washington School of Ballet, and Dancer’s Workshop Baton Rouge (Louisiana, USA). After engagements with Semperoper Ballet, Corella Ballet, and Ballet d’Europe, she was a soloist at Ballett Mainz, Hessisches Staatsballett Wiesbaden, and from 2016 to 2023 at Royal Ballet of Flanders. In 2017 and 2018, she was nominated for «Best Performance by a Female Dancer» and «Best News» in the «Critic’s Choice Awards» by Dance Europe Magazine. She danced Pina/Malou in Pina Bausch’s «Café Müller», Rusalka in the choreography by Alan Lucien Øyen, Myrtha in Akram Khan’s «Giselle», as well as leading roles in choreographies by Martha Graham, Johan Inger, Sidi Larbi Cherkaoui, Andonis Foniadakis, William Forsythe, Ohad Naharin, Anne Teresa De Keersmaeker, Édouard Lock, and Jermaine Spivey. Since the 2023/24 season, Shelby Williams has been a member of Ballett Zürich, where she has danced leading roles in creations by Meryl Tankard, Bryan Arias, and Cathy Marston, and important roles in the repertoire of Marcos Morau, Marco Goecke, William Forsythe, and Mats Ek.

Countertime5 / 7 / 14 Sept 2025 Oiseaux Rebelles12 / 23 / 25 Oct / 9 / 13 Nov / 2 / 5 / 6 / 9 Dec 2025 Clara13 / 14 / 20 / 26 / 28 Dec 2025 / 11 / 17 / 19 / 24 Apr 2026 Timeframed17 / 22 / 25 Jan / 1 / 4 / 6 / 8 Feb 2026

Elena Vostrotina

Elena Vostrotina comes from St. Petersburg. She received her ballet education at the Vaganova Academy of Russian Ballet. In 2003 she became a member of the Mariinsky Ballet. There she danced among others Odette/Odile in Schwanensee (Petipa/Ivanov), Myrtha in Giselle (Coralli/Perrot), Queen of the Dryads in Don Quixote (Gorsky) and in Approximate Sonata (Forsythe). In 2006 she was engaged by Aaron S. Watkin at the Semperoper Ballett Dresden. Here she was appointed principal dancer and danced a wide repertoire of classical, neoclassical and modern ballets. She has collaborated with renowned choreographers and performed at the Stanislavsky and Nemirovich-Danchenko Moscow Academic Music Theater in Moscow, at the State Theater Novosibirsk, at the gala «Roberto Bolle and Friends», and at the Ballets Bubeníček. Elena Vostrotina has been a first soloist at Ballett Zürich since the 2017/18 season, where season she has appeared as Odette/Odile in Ratmansky’s Schwanensee reconstruction, as the nursemaid in Christian Spuck’s Romeo und Julia, Myrtha in Patrice Bart’s Giselle as well as in Christian Spuck’s Nussknacker und Mausekönig, Winterreise and Nocturne.

Francesca Dell'Aria

Francesca Dell’Aria is from Italy. She received her training at the Elmhurst School and with Birmingham Royal Ballet. After engagements with the Slovak National Ballet and the Bavarian State Ballet, she has been a member of Ballett Zürich since the 2014/15 season.
She has performed in choreographies by William Forsythe, Jiří Kylián, George Balanchine, Hans van Manen, Jacopo Godani, Douglas Lee, Edward Clug («Peer Gynt»), Marco Goecke («Nijinski»), Crystal Pite, and Marcos Morau.
She has also danced title roles in Cathy Marston’s «The Cellist» and Christian Spuck’s «Anna Karenina», as well as Myrtha in Patrice Bart’s «Giselle». In 2019, she was awarded the «Tanzpreis der Freunde des Balletts Zürich».

Sujung Lim

Sujung Lim is from South Korea. She trained at Yewon Arts High School and the Mannheim University of Music and Performing Arts. She won gold medals at the Tanzolymp Berlin in 2008 and 2011. From 2011 to 2018, she danced as a soloist with Ballett Karlsruhe, performing in Kenneth MacMillan’s «Romeo and Juliet», John Cranko’s «The Taming of the Shrew», Peter Wright’s «Giselle», and Christopher Wheeldon’s «Swan Lake». Since the 2018/19 season, she has been a member of Ballett Zürich, appearing in many choreographies by Cathy Marston, Christian Spuck, Wayne McGregor, Patrice Bart, William Forsythe, Johan Inger, Jiří Kylián, Marcos Morau, and Crystal Pite. In 2025, she was awarded the «Dance Prize of the Friends of Ballett Zürich».

Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Timeframed18 / 30 Jan / 1 / 11 / 12 Feb 2026
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Philharmonia Zürich

1985 entstand in Folge der Trennung des traditionsreichen Tonhalle- und Theaterorchesters das Orchester der Oper Zürich. 2012, mit Beginn der Intendanz von Andreas Homoki und dem Amtsantritt des neuen Generalmusikdirektors Fabio Luisi, wird das Orchester der Oper Zürich zur Philharmonia Zürich. Pro Saison ist das Orchester in rund 250 Opern- und Ballettvorstellungen des Opernhauses Zürich zu hören. Als Podium für das Konzertrepertoire werden zusätzlich die Philharmonischen Konzerte veranstaltet. Soiréen und Kammermusikmatinéen ergänzen das künstlerische Spektrum des Orchesters. Bevor Fabio Luisi mit der Saison 2012/13 als Generalmusikdirektor die künstlerische Leitung des Orchesters übernommen hat, haben u. a. Franz Welser-Möst (1995-2008, ab 2005 als Generalmusikdirektor) und zuletzt Daniele Gatti als Chefdirigent (2009-2012) das Orchester geleitet. 2000/01 fanden die Beständigkeit der Leistungen des Orchesters der Oper Zürich und die Breite seines Könnens mit der Wahl zum «Orchester des Jahres» in der Umfrage der Zeitschrift «Opernwelt» weit verbreitete internationale Anerkennung.

Mehr Informationen zur Philharmonia Zürich finden Sie hier

Ballett Zürich

Die grösste professionelle Ballettcompagnie der Schweiz wird seit der Saison 2012/13 von Christian Spuck geleitet.  Beheimatet am Opernhaus Zürich, bestreitet das 36 Tänzerinnen und Tänzer umfassende Ensemble mit seinen Produktionen nicht nur einen wesentlichen Teil des Opernhaus-Spielplans, sondern wird regelmässig auch auf internationalen Gastspielen gefeiert. Hervorgegangen aus dem einstigen Ballett des Stadttheaters Zürich, wurde die Compagnie von ihren Direktoren Nicholas Beriozoff, Patricia Neary, Uwe Scholz und Bernd Bienert geprägt. Der Schweizer Choreograf Heinz Spoerli, Ballettdirektor von 1996 bis 2012, etablierte die Compagnie innerhalb weniger Jahre unter den führenden europäischen Ballettformationen.

Mehr Informationen zum Ballett Zürich finden Sie hier

Oiseaux Rebelles12 / 18 / 23 / 25 / 31 Oct / 1 / 9 / 13 Nov / 2 / 5 / 6 / 9 Dec 2025 Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Countertime5 / 7 / 14 Sept 2025 Messa da Requiem20 / 22 / 28 Feb / 1 / 5 / 7 Mar / 6 Apr 2026 Romeo und Julia23 / 29 / 30 May / 4 / 6 / 7 / 10 / 12 / 14 / 23 / 26 Jun 2026 Nachtträume20 / 25 / 28 / 30 Jun / 4 Jul 2026 Next Generation1 / 2 / 3 / 4 Jul 2026 Timeframed17 / 18 / 22 / 25 / 30 Jan / 1 / 4 / 6 / 8 / 11 / 12 Feb 2026

Glass Pieces

Choreography by Jerome Robbins


Choreography:
Jerome Robbins

Jerome Robbins

Jerome Robbins, 1918 in New York geboren, ist nicht nur für seine Ballette, sondern auch für seine Kreationen für Theater, Film und Fernsehen bekannt. Sein Debüt als Tänzer hatte er 1937. Er trat in Musicals und ab 1940 am American Ballet Theatre auf, wo er bald als Solist in Balletten von Fokine, Tudor und Massine zu sehen war. 1944 kreierte er sein erstes eigenes Stück, Fancy Free, das vom American Ballet Theatre uraufgeführt wurde. Es war die Grundlage für Leonard Bernsteins Musical On the Town.  In den Folgejahren entstanden über 60 weitere Ballette für Compagnien in aller Welt, darunter The Concert, Dances at a GatheringIn the NightThe Goldberg VariationsGlass Pieces und Ives Songs. Besonders eng arbeitete er mit dem New York City Ballet zusammen. Dort wurde er 1949 unter George Balanchine Associate Artistic Director und später, zusammen mit Peter Martins, Ballet-Master-in-Chief. Robbins arbeitete ausserdem als Choreograf und Direktor an zahlreichen, auch verfilmten, Broadway-Produktionen mit, darunter The King and IWest Side Story und Fiddler on the Roof. Jerome Robbins starb 1998 im Alter von 80 Jahren.

Musical Director:
Daniel Capps

Daniel Capps

Daniel Capps is in demand worldwide primarily as a ballet conductor. He studied at the Royal College of Music and the Royal Academy of Music in London and continued his training under renowned mentors such as Colin Metters, Sir Colin Davis, Sir Charles Mackerras, Mark Wigglesworth, Péter Eötvös, and Thomas Adès. From 2003 onward he assisted Sir John Eliot Gardiner with the Orchestre Révolutionnaire et Romantique, including for Berlioz’s "Les Troyens" at the Théâtre du Châtelet in Paris. In 2008 he made his debut with the Royal Ballet at the Royal Opera House Covent Garden and has since been a regular guest conductor there. Daniel Capps has been associated with the New York City Ballet since 2011, and in 2012 he was appointed Resident Conductor. Also in 2011 he made his debut with the National Ballet of Canada, where he conducted Christopher Wheeldon’s ballet "Alice’s Adventures in Wonderland". He has worked with orchestras such as the Scottish Chamber Orchestra, the Royal Danish Orchestra, the Brighton Philharmonic, the Tokyo Philharmonic, the New Japan Philharmonic, the National Symphony Orchestra of Colombia, the Washington Opera Orchestra, the National Symphony Orchestra of Taiwan, the Orchestre national d'Île-de-France, as well as with the Monteverdi Choir. His artistic work has earned him distinctions including the Ernest Read Conducting Prize and the Fred Southhall Memorial Prize for Conducting. In recent seasons he made his debut with Ballet Zürich ("Walkways"), the Australian Ballet, and the Spanish Compañía Nacional de Danza, all of which have repeatedly invited him back. Tours have taken him to China, Japan, Hong Kong, Taiwan, Cuba, France, Spain, Mexico, Denmark, Australia, Colombia, and throughout the United States.

Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026
Music:
Philip Glass
Set Design:
Jerome Robbins,

Jerome Robbins

Jerome Robbins, 1918 in New York geboren, ist nicht nur für seine Ballette, sondern auch für seine Kreationen für Theater, Film und Fernsehen bekannt. Sein Debüt als Tänzer hatte er 1937. Er trat in Musicals und ab 1940 am American Ballet Theatre auf, wo er bald als Solist in Balletten von Fokine, Tudor und Massine zu sehen war. 1944 kreierte er sein erstes eigenes Stück, Fancy Free, das vom American Ballet Theatre uraufgeführt wurde. Es war die Grundlage für Leonard Bernsteins Musical On the Town.  In den Folgejahren entstanden über 60 weitere Ballette für Compagnien in aller Welt, darunter The Concert, Dances at a GatheringIn the NightThe Goldberg VariationsGlass Pieces und Ives Songs. Besonders eng arbeitete er mit dem New York City Ballet zusammen. Dort wurde er 1949 unter George Balanchine Associate Artistic Director und später, zusammen mit Peter Martins, Ballet-Master-in-Chief. Robbins arbeitete ausserdem als Choreograf und Direktor an zahlreichen, auch verfilmten, Broadway-Produktionen mit, darunter The King and IWest Side Story und Fiddler on the Roof. Jerome Robbins starb 1998 im Alter von 80 Jahren.

Ronald Bates
Costumes:
Ben Benson
Lighting Design:
Jennifer Tipton,
Kevin Briard

Cast


Glass Pieces / Pas de deux Elena Vostrotina


Glass Pieces / Pas de deux Brandon Lawrence


Glass Pieces / Solo-Paare Dores André


Glass Pieces / Solo-Paare Esteban Berlanga


Glass Pieces / Solo-Paare Giulia Tonelli


Glass Pieces / Solo-Paare Max Cauthorn


Glass Pieces / Solo-Paare Giorgia Giani


Glass Pieces / Solo-Paare Wei Chen


Glass Pieces / Pas de deux Max Richter


Glass Pieces / Pas de deux Jesse Fraser


Glass Pieces / Solo-Paare Dores André


Glass Pieces / Solo-Paare Pablo Octávio


Glass Pieces / Solo-Paare Inna Bilash


Glass Pieces / Solo-Paare Sean Bates


Glass Pieces / Solo-Paare Sujung Lim


Glass Pieces / Solo-Paare Charles-Louis Yoshiyama


Glass Pieces / Pas de deux Sujung Lim


Glass Pieces / Pas de deux Esteban Berlanga


Glass Pieces / Solo-Paare Dores André


Glass Pieces / Solo-Paare Pablo Octávio


Glass Pieces / Solo-Paare Daniela Gómez Pérez


Glass Pieces / Solo-Paare Jesse Fraser


Glass Pieces / Solo-Paare Ruka Nakagawa


Glass Pieces / Solo-Paare Chandler Dalton


Glass Pieces / Pas de deux Elena Vostrotina


Glass Pieces / Pas de deux Brandon Lawrence


Glass Pieces / Solo-Paare Aurore Aleman Lissitzky


Glass Pieces / Solo-Paare Esteban Berlanga


Glass Pieces / Solo-Paare Giulia Tonelli


Glass Pieces / Solo-Paare Max Cauthorn


Glass Pieces / Solo-Paare Giorgia Giani


Glass Pieces / Solo-Paare Wei Chen


Glass Pieces / Pas de deux Inna Bilash


Glass Pieces / Pas de deux Dustin True


Glass Pieces / Solo-Paare Aurore Aleman Lissitzky


Glass Pieces / Solo-Paare Esteban Berlanga


Glass Pieces / Solo-Paare Giulia Tonelli


Glass Pieces / Solo-Paare Max Cauthorn


Glass Pieces / Solo-Paare Giorgia Giani


Glass Pieces / Solo-Paare Wei Chen


Glass Pieces / Pas de deux Max Richter


Glass Pieces / Pas de deux Jesse Fraser


Glass Pieces / Solo-Paare Aurore Aleman Lissitzky


Glass Pieces / Solo-Paare Esteban Berlanga


Glass Pieces / Solo-Paare Inna Bilash


Glass Pieces / Solo-Paare Sean Bates


Glass Pieces / Solo-Paare Sujung Lim


Glass Pieces / Solo-Paare Charles-Louis Yoshiyama


Glass Pieces / Pas de deux Sujung Lim


Glass Pieces / Pas de deux Esteban Berlanga


Glass Pieces / Solo-Paare Dores André


Glass Pieces / Solo-Paare Pablo Octávio


Glass Pieces / Solo-Paare Daniela Gómez Pérez


Glass Pieces / Solo-Paare Jesse Fraser


Glass Pieces / Solo-Paare Ruka Nakagawa


Glass Pieces / Solo-Paare Chandler Dalton


Glass Pieces / Pas de deux Max Richter


Glass Pieces / Pas de deux Brandon Lawrence


Glass Pieces / Solo-Paare Dores André


Glass Pieces / Solo-Paare Esteban Berlanga


Glass Pieces / Solo-Paare Inna Bilash


Glass Pieces / Solo-Paare Max Cauthorn


Glass Pieces / Solo-Paare Giorgia Giani


Glass Pieces / Solo-Paare Wei Chen


Glass Pieces / Pas de deux Elena Vostrotina


Glass Pieces / Pas de deux Brandon Lawrence


Glass Pieces / Solo-Paare Dores André


Glass Pieces / Solo-Paare Pablo Octávio


Glass Pieces / Solo-Paare Giulia Tonelli


Glass Pieces / Solo-Paare Max Cauthorn


Glass Pieces / Solo-Paare Sujung Lim


Glass Pieces / Solo-Paare Chandler Dalton


Glass Pieces / Pas de deux Elena Vostrotina


Glass Pieces / Pas de deux Brandon Lawrence


Glass Pieces / Solo-Paare Dores André


Glass Pieces / Solo-Paare Pablo Octávio


Glass Pieces / Solo-Paare Inna Bilash


Glass Pieces / Solo-Paare Sean Bates


Glass Pieces / Solo-Paare Sujung Lim


Glass Pieces / Solo-Paare Charles-Louis Yoshiyama


Glass Pieces / Pas de deux Inna Bilash


Glass Pieces / Pas de deux Dustin True


Glass Pieces / Solo-Paare Dores André


Glass Pieces / Solo-Paare Pablo Octávio


Glass Pieces / Solo-Paare Giulia Tonelli


Glass Pieces / Solo-Paare Max Cauthorn


Glass Pieces / Solo-Paare Giorgia Giani


Glass Pieces / Solo-Paare Wei Chen


Glass Pieces / Pas de deux Elena Vostrotina


Glass Pieces / Pas de deux Brandon Lawrence


Glass Pieces / Solo-Paare Dores André


Glass Pieces / Solo-Paare Pablo Octávio


Glass Pieces / Solo-Paare Giulia Tonelli


Glass Pieces / Solo-Paare Max Cauthorn


Glass Pieces / Solo-Paare Giorgia Giani


Glass Pieces / Solo-Paare Wei Chen


Glass Pieces / Pas de deux Sujung Lim


Glass Pieces / Pas de deux Esteban Berlanga


Glass Pieces / Solo-Paare Dores André


Glass Pieces / Solo-Paare Pablo Octávio


Glass Pieces / Solo-Paare Giulia Tonelli


Glass Pieces / Solo-Paare Max Cauthorn


Glass Pieces / Solo-Paare Giorgia Giani


Glass Pieces / Solo-Paare Wei Chen

Elena Vostrotina

Elena Vostrotina comes from St. Petersburg. She received her ballet education at the Vaganova Academy of Russian Ballet. In 2003 she became a member of the Mariinsky Ballet. There she danced among others Odette/Odile in Schwanensee (Petipa/Ivanov), Myrtha in Giselle (Coralli/Perrot), Queen of the Dryads in Don Quixote (Gorsky) and in Approximate Sonata (Forsythe). In 2006 she was engaged by Aaron S. Watkin at the Semperoper Ballett Dresden. Here she was appointed principal dancer and danced a wide repertoire of classical, neoclassical and modern ballets. She has collaborated with renowned choreographers and performed at the Stanislavsky and Nemirovich-Danchenko Moscow Academic Music Theater in Moscow, at the State Theater Novosibirsk, at the gala «Roberto Bolle and Friends», and at the Ballets Bubeníček. Elena Vostrotina has been a first soloist at Ballett Zürich since the 2017/18 season, where season she has appeared as Odette/Odile in Ratmansky’s Schwanensee reconstruction, as the nursemaid in Christian Spuck’s Romeo und Julia, Myrtha in Patrice Bart’s Giselle as well as in Christian Spuck’s Nussknacker und Mausekönig, Winterreise and Nocturne.

Brandon Lawrence

Brandon Lawrence is from Great Britain. He received his ballet training at the Royal Ballet School. From 2011 to 2023, he danced with Birmingham Royal Ballet, serving as Principal Dancer since 2019. Important roles included the Prince («The Nutcracker»), Franz («Coppélia»), Prince Florimund («The Sleeping Beauty»), Prince Siegfried («Swan Lake») in choreographies by Peter Wright; Romeo in Kenneth MacMillan’s «Romeo and Juliet»; Colas in Frederick Ashton’s «La Fille mal gardée»; the Prince («Cinderella»), Beast («The Beauty and the Beast»), Albrecht («Giselle») and Otello («Shakespeare Suite») in choreographies by David Bintley.
He also performed in works by Carlos Acosta, Edward Clug, Jiří Kylián, Juliano Nunes, Twyla Tharp, and Uwe Scholz. Since the 2023/24 season, Brandon Lawrence has been Principal Dancer at Ballett Zürich and has danced leading roles in choreographies by Cathy Marston («Atonement», «The Cellist», «Snowblind», «Clara»), Marco Goecke, Wayne McGregor, Bronislava Nijinska, Mthuthuzeli November, Jerome Robbins, Christian Spuck, Kenneth MacMillan, Bryan Arias, William Forsythe, Crystal Pite, and Kim Brandstrup.
In 2025, he received the «Dance Prize of the Friends of Ballett Zürich».

Countertime5 Sept 2025 Oiseaux Rebelles12 / 23 / 25 Oct / 9 / 13 Nov / 2 / 6 Dec 2025 Clara19 Dec 2025 / 12 / 19 Apr 2026 Timeframed17 / 18 / 22 / 25 / 30 Jan / 1 / 4 / 6 / 8 / 11 / 12 Feb 2026

Max Richter

Max Richter is from the USA and trained at the International City School of Ballet and Houston Ballet II. Important choreographies during her engagement at Houston Ballet included Cathy Marston’s «Summer and Smoke», Ben Stevenson’s «Sleeping Beauty», and Balanchine’s «Diamonds». Since the 2023/24 season, Max Richter has been a member of Ballett Zürich. Here, she danced leading roles in Cathy Marston’s ballets «Atonement» and «Clara». She also appeared in the title role of Patrice Bart’s «Giselle», as the Bride in Bronislava Nijinska’s «Les Noces», and in choreographies by Wayne McGregor, Jerome Robbins, Marcos Morau, Meryl Tankard, Christian Spuck, Marco Goecke, William Forsythe, Kim Brandstrup, and Kenneth MacMillan.

Countertime5 / 7 / 14 Sept 2025 Oiseaux Rebelles12 / 18 / 31 Oct / 1 / 9 / 13 Nov / 2 / 5 / 6 / 9 Dec 2025 Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Timeframed17 / 18 / 22 / 25 / 30 Jan / 1 / 4 / 6 / 8 / 11 / 12 Feb 2026

Jesse Fraser

Jesse Fraser was born in Saskatoon, Canada. Trained at the Royal Winnipeg Ballet School, he joined Stuttgart Ballet in the 2010/11 season. There, he danced in choreographies by Cranko, MacMillan, Spuck, Haydée, Neumeier, Béjart, Forsythe, Cherkaoui, Goecke, Clug, Volpi, and Stiens. He also created his own choreographic works as part of the Noverre Society’s «Young Choreographers» series.
Since the 2015/16 season, he has been a member of Ballett Zürich. Among other roles, he has appeared as Paris in Christian Spuck’s «Romeo and Juliet», Hilarion in Patrice Bart’s «Giselle», the Stag in Edward Clug’s «Peer Gynt», and in choreographies by William Forsythe, Jacopo Godani, Jiří Kylián, Hans van Manen, Cathy Marston, Marcos Morau, Crystal Pite, and Bryan Arias.

Timeframed17 / 18 / 22 / 25 Jan / 1 / 4 / 6 / 8 / 12 Feb 2026

Sujung Lim

Sujung Lim is from South Korea. She trained at Yewon Arts High School and the Mannheim University of Music and Performing Arts. She won gold medals at the Tanzolymp Berlin in 2008 and 2011. From 2011 to 2018, she danced as a soloist with Ballett Karlsruhe, performing in Kenneth MacMillan’s «Romeo and Juliet», John Cranko’s «The Taming of the Shrew», Peter Wright’s «Giselle», and Christopher Wheeldon’s «Swan Lake». Since the 2018/19 season, she has been a member of Ballett Zürich, appearing in many choreographies by Cathy Marston, Christian Spuck, Wayne McGregor, Patrice Bart, William Forsythe, Johan Inger, Jiří Kylián, Marcos Morau, and Crystal Pite. In 2025, she was awarded the «Dance Prize of the Friends of Ballett Zürich».

Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Timeframed18 / 30 Jan / 1 / 11 / 12 Feb 2026

Esteban Berlanga

Esteban Berlanga is from Spain. After his training at the Royal Conservatory of Albacete and the Professional Dance Conservatory of Madrid, he danced with the English National Ballet from 2006 to 2013. There, he was promoted to principal dancer in 2012. Among other roles, he danced Prince Siegfried in Derek Dean’s «Swan Lake», the prince in Kenneth MacMillan’s «The Sleeping Beauty», Albrecht in Mary Skeaping’s «Giselle», the Nutcracker in Wayne Eagling’s choreography, and Frédéric in Roland Petit’s «L’Arlésienne». For David Dawson’s «Faun(e)», he was nominated for the «Benois de la Danse». From 2013 to 2018, he was principal dancer at the Compañia Nacional de Danza de España. Since the 2018/19 season, he has been a member of Ballett Zürich, and since 2022, a principal dancer. He appeared in the title role of Marco Goecke’s «Nijinski» and danced leading roles in choreographies by Christian Spuck (including «The Sleeping Beauty»; «Anna Karenina») and Cathy Marston («The Cellist»; «Snowblind»).
In 2024, he received the «Dance Prize of the Friends of Ballett Zürich».

Oiseaux Rebelles12 / 23 / 25 Oct / 9 / 13 Nov / 2 / 6 Dec 2025 Clara13 / 14 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Timeframed17 / 22 / 25 / 30 Jan / 1 / 4 / 6 / 8 / 11 Feb 2026

Inna Bilash

Inna Bilash is from Ukraine. She completed her ballet training at Kharkov Choreographic School, Perm State Choreographic College, and Perm State Academy of Arts and Culture. She was a soloist with Ballet Perm, where she danced Julia in Kenneth MacMillan’s «Romeo and Juliet», Odette/Odile in Natalia Makrova’s «Swan Lake», Giselle in the choreography by Perrot/Coralli/Petipa, the Bride in Jiří Kylián’s «Les Noces», and Masha in MacMillan’s «Winter Dreams». She also performed solo roles in choreographies by Jerome Robbins, George Balanchine, and Douglas Lee. She won the Arabesque competition in Perm and the Bolshoi Ballet TV competition. In 2017, she received the «Soul of Dance» award from the ballet magazine. Since the 2018/19 season, Inna Bilash has been a member of Ballett Zürich and appeared as Briony in Cathy Marston’s «Atonement» and in the title role of Patrice Bart’s «Giselle». In 2024, she received the «Dance Prize of the Friends of Ballett Zürich».

Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Timeframed17 / 18 / 22 / 25 Jan / 4 / 8 / 12 Feb 2026

Dustin True

Dustin True is from the USA. After training at the School of American Ballet, he performed with Dutch National Ballet Amsterdam, Ballet Dortmund, and Los Angeles Ballet. He danced solo roles in «Swan Lake», «Sleeping Beauty», «Giselle», and «Romeo and Juliet», and appeared as a soloist in choreographies by David Dawson, George Balanchine, William Forsythe, Christian Spuck, Justin Peck, Benjamin Millepied, Jacopo Godani, Jiří Kylián, Mauro Bigonzetti, and Annabelle Lopez-Ochoa. Since the 2023/24 season, he has been a member of the Ballett Zürich. Here, he appeared in numerous choreographies by Cathy Marston as well as in William Forsythe’s «In the Middle, Somewhat Elevated», Wayne McGregor’s «Infra», and Jerome Robbins’ «Glass Pieces».

Timeframed17 / 18 / 22 / 25 Jan / 4 / 8 / 12 Feb 2026

Dores André

Dores André stammt aus Spanien. Ihre Tanzausbildung erhielt sie am Estudio de Danza María de Ávila. Ausserdem hat sie einen Master in Design der Universität Barcelona. Sie war Mitglied des San Francisco Ballet, seit 2016 Principal Dancer. Sie tanzte Hauptrollen in Giselle, La Sylphide, Der Nussknacker, Julia in Romeo und Julia, Kitri in Tomasson/Possakhovs Don Quixote, Swanilda in Balanchines Coppélia, Olga in John Crankos Onegin, Elizabeth Lavenza in Liam Scarletts Frankenstein, Cinderella in Christopher Wheeldons Cinderella und John Neumeiers The Little Mermaid. Ausserdem kreierte sie Soloparts in Pas/Parts 2016 von William Forsythe, Thread von Kevin Jenkins, Guernica von Annabelle Lopez Ochoa, Hurry Up, We’re Dreaming und In the Countenance of Kings von Justin Peck, Björk Ballet von Artur Pita, Fearful Symmetries von Liam Scarlett, Manifesto von Myles Thatcher und Bound to von Christopher Wheeldon. Ausserdem tanzte sie in Choreografien von Jiří Bubeníček, Val Caniparoli, Serge Lifar, Yuri Possokhov, Alexei Ratmansky, und Jerome Robbins. Seit der Saison 2023/24 ist Dores André Erste Solistin des Balletts Zürich.

Esteban Berlanga

Esteban Berlanga is from Spain. After his training at the Royal Conservatory of Albacete and the Professional Dance Conservatory of Madrid, he danced with the English National Ballet from 2006 to 2013. There, he was promoted to principal dancer in 2012. Among other roles, he danced Prince Siegfried in Derek Dean’s «Swan Lake», the prince in Kenneth MacMillan’s «The Sleeping Beauty», Albrecht in Mary Skeaping’s «Giselle», the Nutcracker in Wayne Eagling’s choreography, and Frédéric in Roland Petit’s «L’Arlésienne». For David Dawson’s «Faun(e)», he was nominated for the «Benois de la Danse». From 2013 to 2018, he was principal dancer at the Compañia Nacional de Danza de España. Since the 2018/19 season, he has been a member of Ballett Zürich, and since 2022, a principal dancer. He appeared in the title role of Marco Goecke’s «Nijinski» and danced leading roles in choreographies by Christian Spuck (including «The Sleeping Beauty»; «Anna Karenina») and Cathy Marston («The Cellist»; «Snowblind»).
In 2024, he received the «Dance Prize of the Friends of Ballett Zürich».

Oiseaux Rebelles12 / 23 / 25 Oct / 9 / 13 Nov / 2 / 6 Dec 2025 Clara13 / 14 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Timeframed17 / 22 / 25 / 30 Jan / 1 / 4 / 6 / 8 / 11 Feb 2026

Giulia Tonelli

Giulia Tonelli comes from Italy. She graduated from the Balletto di Toscana and the Ballet School of the Vienna State Opera. After her first engagement at the Vienna State Opera, she danced from 2002 to 2010 with the Royal Ballet of Flanders in Antwerp and from 2004 as a demi-soloist. There she danced Giselle (Petipa) as well as solo roles in choreographies of Forsythe, Balanchine, Kylián, Haydée and Spuck. She has been a member of Ballett Zürich since the 2010/11 season, where she has performed ballets by Spoerli, Goecke, McGregor, Lee, Forsythe, Kylián and Balanchine. She danced Julia in Christian Spuck’s Romeo und Julia, Lena in Spuck’s Leonce und Lena and Betsy in Anna Karenina. In Alexei Ratmansky’s Schwanensee reconstruction she danced in the Pas de trois and she also performed in Forsythe’s Quintett and Spuck’s Messa da Requiem. Last season’s highlights include Emergence by Crystal Pite and Gretchen in Edward Clug’s Faust. During the «Junge Choreografen» series she presented the works Mind Games and Klastos together with Mélissa Ligurgo. In 2013 she was awarded the Giuliana Penzi Prize. In 2017 she received the «Tanzpreis der Freunde des Balletts Zürich».

Max Cauthorn

Max Cauthorn stammt aus den USA. Seine Ballettausbildung erhielt er an der San Francisco Ballet School und im Trainee Program des San Francisco Ballet. Von 2013 bis 2023 war er Mitglied des San Francisco Ballet, seit 2020 Principal Dancer. Wichtige Rollen waren Victor Frankenstein in Liam Scarletts Frankenstein, James in August Bournonvilles La Sylphide, Prinz Siegfried in Helgi Tomassons Schwanensee, Benvolio in Helgi Tomassons Romeo und Julia und Oberon in George Balanchines Sommernachtstraum. Wichtige Soli tanzte er in Pas /Parts 2016 und Blake Works I von William Forsythe. Ausserdem war er in Choreografien von Val Caniparoli, John Cranko, Alonzo King, Edwaard Liang, Annabelle Lopez Ochoa, Trey McIntyre, Mark Morris, Justin Peck, Yuri Possokhov, Alexei Ratmansky, Dwight Rhoden, Jerome Robbins und Myles Thatcher zu erleben. Seit der Spielzeit 2023/24 ist Max Cauthorn Erster Solist des Balletts Zürich.

Giorgia Giani

Giorgia Giani is Italian. She completed her ballet training at the Hamburg Ballet School. After her first engagement with the Federal Youth Ballet, she was with the Hamburg Ballet John Neumeier from 2016 to 2023, gaining extensive stage experience. Since the 2023/24 season, Giorgia Giani has been a member of the Ballett Zürich. Here, she has appeared in numerous ballets by Cathy Marston (including as Clara in «Clara» and as Briony Tallis in «Atonement»). She also danced in Patrice Bart’s «Giselle» (Peasants’ Pas de Deux), Kenneth MacMillan’s «Concerto», Wayne McGregor’s «Infra», and William Forsythe’s «In the Middle, Somewhat Elevated».

Wei Chen

Wei Chen is from the USA and trained at Boston Ballet School, Margo Marshall’s School of Ballet, Walnut Hill School, and Houston Ballet’s Ben Stevenson Academy. At the Royal Ballet of Flanders, he danced Siegfried in Marcia Haydée’s «Swan Lake» and Prince Désiré in «The Sleeping Beauty», as well as Lenski in Cranko’s «Onegin». He has also performed in choreographies by Balanchine, Bournonville, Dawson, Forsythe, Godani, McGregor, Nureyev, Pite, Stevenson, and Wheeldon. Since the 2013/14 season, he has been a member of Ballett Zürich, performing in works by Douglas Lee, Jiří Kylián, Marco Goecke, Edward Clug, William Forsythe, and Crystal Pite. He also danced Romeo and Mercutio in Christian Spuck’s «Romeo and Juliet», Benno in Ratmansky’s «Swan Lake», Coppelius in Spuck’s «Sandmann», Albrecht in Patrice Bart’s «Giselle», and the Cello in Cathy Marston’s «The Cellist». In 2023, he received the «Dance Prize of the Friends of Ballett Zürich».

Oiseaux Rebelles18 / 31 Oct / 1 / 9 Nov / 5 / 9 Dec 2025 Clara19 / 26 / 28 Dec 2025 / 11 / 12 / 19 / 24 Apr 2026 Timeframed17 / 18 / 22 / 30 Jan / 1 / 6 / 8 / 11 / 12 Feb 2026

Pablo Octávio

Pablo Octávio is Brazilian. He studied at Mannheim University of Music and Performing Arts. He was a finalist at the Prix de Lausanne in 2011. From 2012 to 2023, he danced at Badisches Staatsballett Karlsruhe. Important roles there included Romeo, Mercutio, and Benvolio in Kenneth MacMillan’s «Romeo and Juliet», Prince in Youri Vamos’ «The Nutcracker», Lucentio in John Cranko’s «The Taming of the Shrew», and Albrecht in David Dawson’s «Giselle». Since the 2023/24 season, he has been a member of Ballett Zürich, performing the title role in Marco Goecke’s «Nijinski», Joseph Joachim in Cathy Marston’s «Clara», the Peasant Pas de Deux in Patrice Bart’s «Giselle», and in choreographies by Jerome Robbins, Marcos Morau, Wayne McGregor, and Crystal Pite.

Oiseaux Rebelles12 / 23 / 25 Oct / 9 / 13 Nov / 2 / 6 Dec 2025 Clara13 Dec 2025

Inna Bilash

Inna Bilash is from Ukraine. She completed her ballet training at Kharkov Choreographic School, Perm State Choreographic College, and Perm State Academy of Arts and Culture. She was a soloist with Ballet Perm, where she danced Julia in Kenneth MacMillan’s «Romeo and Juliet», Odette/Odile in Natalia Makrova’s «Swan Lake», Giselle in the choreography by Perrot/Coralli/Petipa, the Bride in Jiří Kylián’s «Les Noces», and Masha in MacMillan’s «Winter Dreams». She also performed solo roles in choreographies by Jerome Robbins, George Balanchine, and Douglas Lee. She won the Arabesque competition in Perm and the Bolshoi Ballet TV competition. In 2017, she received the «Soul of Dance» award from the ballet magazine. Since the 2018/19 season, Inna Bilash has been a member of Ballett Zürich and appeared as Briony in Cathy Marston’s «Atonement» and in the title role of Patrice Bart’s «Giselle». In 2024, she received the «Dance Prize of the Friends of Ballett Zürich».

Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Timeframed17 / 18 / 22 / 25 Jan / 4 / 8 / 12 Feb 2026

Sean Bates

Sean Bates is from the United Kingdom and studied at the Royal Ballet School. He danced with Northern Ballet under the direction of David Nixon and performed in numerous leading roles, including Jay Gatsby in «The Great Gatsby», Romeo in «Romeo and Juliet», and Puck in «A Midsummer Night’s Dream».
After working with Cathy Marston on «Jane Eyre» and «Victoria», he joined Ballett Zürich at the beginning of the 2023/24 season. Here, he has appeared in soloist roles including Marco Goecke’s «Nijinski», Kenneth MacMillan’s «Concerto», as Denis in Cathy Marston’s «Snowblind», and as Bargiel in «Clara».
He has taught at Cape Town City Ballet as well as at various summer schools in the UK, and continues to coach dancers in his free time.

Countertime7 / 14 Sept 2025 Clara14 / 19 / 20 Dec 2025 / 12 / 17 / 19 Apr 2026 Timeframed17 / 18 / 22 / 25 Jan / 4 / 8 / 12 Feb 2026

Sujung Lim

Sujung Lim is from South Korea. She trained at Yewon Arts High School and the Mannheim University of Music and Performing Arts. She won gold medals at the Tanzolymp Berlin in 2008 and 2011. From 2011 to 2018, she danced as a soloist with Ballett Karlsruhe, performing in Kenneth MacMillan’s «Romeo and Juliet», John Cranko’s «The Taming of the Shrew», Peter Wright’s «Giselle», and Christopher Wheeldon’s «Swan Lake». Since the 2018/19 season, she has been a member of Ballett Zürich, appearing in many choreographies by Cathy Marston, Christian Spuck, Wayne McGregor, Patrice Bart, William Forsythe, Johan Inger, Jiří Kylián, Marcos Morau, and Crystal Pite. In 2025, she was awarded the «Dance Prize of the Friends of Ballett Zürich».

Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Timeframed18 / 30 Jan / 1 / 11 / 12 Feb 2026

Charles-Louis Yoshiyama

Charles-Louis Yoshiyama holds Japanese and French citizenship. He received his dance training at Trinity College London and the English Ballet School. In 2007, he joined Houston Ballet and was promoted to Principal Dancer in 2016. Important roles included Crown Prince Rudolf in Kenneth MacMillan’s «Mayerling» and De Grieux in «Manon», as well as Oberon in John Neumeier’s «A Midsummer Night’s Dream». He also danced in Roland Petit’s «L’Arlésienne» and numerous works by George Balanchine. In choreographies by Ben Stevenson, he portrayed Basilio («Don Quixote»), Prince Florimund («Sleeping Beauty»), Franz («Coppélia»), Mercutio («Romeo and Juliet»), and the Prince («The Nutcracker»). In Stanton Welch’s works, he was Siegfried («Swan Lake»), Solor («La Bayadère»), and Albrecht («Giselle»). In John Cranko’s «The Taming of the Shrew», he danced Lucentio and Hortensio. In 2023, Charles-Louis Yoshiyama was Principal Dancer at Oregon Ballet Theatre. Since the 2023/24 season, he has been Principal Dancer at Ballett Zürich.

Countertime5 / 7 / 14 Sept 2025 Clara14 / 20 Dec 2025 / 17 / 19 Apr 2026 Timeframed17 / 18 / 22 / 25 / 30 Jan / 1 / 4 / 6 / 8 / 11 / 12 Feb 2026

Daniela Gómez Pérez

Daniela Gómez Pérez is from Cuba. She studied at the Fernando Alonso National Ballet School and the Instituto Superior de Arte de Cuba. From 2015 to 2023, she was Principal Dancer at the Cuban National Ballet. Under Alicia Alonso’s direction, she danced leading roles in «Coppélia», «Giselle», «Swan Lake», and «The Nutcracker». She also appeared in choreographies by Peter Quanz, Brian McDonald, George Balanchine, Annabelle Lopez Ochoa, Cathy Marston, Ricardo Amarante, Alexei Ratmansky, Uwe Scholz, Ben Stevenson, Mikhail Fokine, and Gemma Bond. For her interpretation of Daniel Proietto’s «Cigne», she was entered into the Golden Book of the Gran Teatro de La Habana. Since the 2023/24 season, she has been a member of Ballett Zürich.

Countertime7 / 14 Sept 2025 Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Timeframed17 / 18 / 22 / 25 Jan / 4 / 8 / 12 Feb 2026

Jesse Fraser

Jesse Fraser was born in Saskatoon, Canada. Trained at the Royal Winnipeg Ballet School, he joined Stuttgart Ballet in the 2010/11 season. There, he danced in choreographies by Cranko, MacMillan, Spuck, Haydée, Neumeier, Béjart, Forsythe, Cherkaoui, Goecke, Clug, Volpi, and Stiens. He also created his own choreographic works as part of the Noverre Society’s «Young Choreographers» series.
Since the 2015/16 season, he has been a member of Ballett Zürich. Among other roles, he has appeared as Paris in Christian Spuck’s «Romeo and Juliet», Hilarion in Patrice Bart’s «Giselle», the Stag in Edward Clug’s «Peer Gynt», and in choreographies by William Forsythe, Jacopo Godani, Jiří Kylián, Hans van Manen, Cathy Marston, Marcos Morau, Crystal Pite, and Bryan Arias.

Timeframed17 / 18 / 22 / 25 Jan / 1 / 4 / 6 / 8 / 12 Feb 2026

Ruka Nakagawa

Ruka Nakagawa is from Japan. She received her ballet training at the Shimoda Harumi Ballet in Japan, at the Benedict Manniegel Ballet Academy in Munich, and at the Royal Ballet School in Antwerp. From 2017 to 2023, she danced with Opera Ballet Vlaanderen in Belgium. Among others, she performed as Giselle in Akram Khan’s «Giselle», as the Chosen One in Pina Bausch’s «Le Sacre du printemps», and in choreographies by Ohad Naharin and Johan Inger. Since the 2023/24 season, she has been a member of the Ballett Zürich. Here, she danced leading roles in choreographies by Cathy Marston («Clara», Mattie in «Snow Blind», and Lola in «Atonement») and appeared in works by Christian Spuck, William Forsythe, Marco Goecke, and Marcos Morau.

Countertime7 / 14 Sept 2025

Chandler Dalton

Chandler Dalton is American. He received his training at the School of Richmond Ballet and the Houston Ballet Academy. At Houston Ballet, he was promoted to Principal and danced roles such as James in Bournonville’s «La Sylphide», Bluebird and Pas de Quatre in Ben Stevenson’s «Sleeping Beauty», the Pas de trois in George Balanchine’s «Emeralds», and leading roles in ballets by John Neumeier, Jerome Robbins, Christopher Bruce, and Justin Peck.
Since the 2023/24 season, Chandler Dalton has been a member of Ballett Zürich, where he has appeared in the title role of Marco Goecke’s «Nijinski» and as Johannes Brahms in Cathy Marston’s «Clara». He has also performed in Patrice Bart’s «Giselle» (Peasant Pas de deux), William Forsythe’s «In the Middle, Somewhat Elevated», and in ballets by Crystal Pite, Christian Spuck, Wayne McGregor, Kenneth MacMillan, and Marcos Morau.

Clara13 / 26 / 28 Dec 2025 / 11 / 24 Apr 2026 Timeframed18 / 30 Jan / 1 / 6 / 11 / 12 Feb 2026

Aurore Aleman Lissitzky

Aurore Aleman Lissitzky is from France. She trained with Monique Loudières, at the Académie Princesse Grace in Monte-Carlo, and at the Hamburg Ballet School. In 2008, she won the gold medal at the Concours International de Danse de Grasse. At age 16, she joined Hamburg Ballet in 2012 and danced solos in numerous choreographies by John Neumeier. After half a season in the Junior Ballet, she has been a member of Ballett Zürich since the 2017/18 season. She danced solos in choreographies by Christian Spuck, Edward Clug, Johan Inger, Jiří Kylián («Stepping Stones»), Patrice Bart (Peasant Pas de Deux in «Giselle»), and William Forsythe («The Second Detail»).

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Philharmonia Zürich

1985 entstand in Folge der Trennung des traditionsreichen Tonhalle- und Theaterorchesters das Orchester der Oper Zürich. 2012, mit Beginn der Intendanz von Andreas Homoki und dem Amtsantritt des neuen Generalmusikdirektors Fabio Luisi, wird das Orchester der Oper Zürich zur Philharmonia Zürich. Pro Saison ist das Orchester in rund 250 Opern- und Ballettvorstellungen des Opernhauses Zürich zu hören. Als Podium für das Konzertrepertoire werden zusätzlich die Philharmonischen Konzerte veranstaltet. Soiréen und Kammermusikmatinéen ergänzen das künstlerische Spektrum des Orchesters. Bevor Fabio Luisi mit der Saison 2012/13 als Generalmusikdirektor die künstlerische Leitung des Orchesters übernommen hat, haben u. a. Franz Welser-Möst (1995-2008, ab 2005 als Generalmusikdirektor) und zuletzt Daniele Gatti als Chefdirigent (2009-2012) das Orchester geleitet. 2000/01 fanden die Beständigkeit der Leistungen des Orchesters der Oper Zürich und die Breite seines Könnens mit der Wahl zum «Orchester des Jahres» in der Umfrage der Zeitschrift «Opernwelt» weit verbreitete internationale Anerkennung.

Mehr Informationen zur Philharmonia Zürich finden Sie hier

Ballett Zürich

Die grösste professionelle Ballettcompagnie der Schweiz wird seit der Saison 2012/13 von Christian Spuck geleitet.  Beheimatet am Opernhaus Zürich, bestreitet das 36 Tänzerinnen und Tänzer umfassende Ensemble mit seinen Produktionen nicht nur einen wesentlichen Teil des Opernhaus-Spielplans, sondern wird regelmässig auch auf internationalen Gastspielen gefeiert. Hervorgegangen aus dem einstigen Ballett des Stadttheaters Zürich, wurde die Compagnie von ihren Direktoren Nicholas Beriozoff, Patricia Neary, Uwe Scholz und Bernd Bienert geprägt. Der Schweizer Choreograf Heinz Spoerli, Ballettdirektor von 1996 bis 2012, etablierte die Compagnie innerhalb weniger Jahre unter den führenden europäischen Ballettformationen.

Mehr Informationen zum Ballett Zürich finden Sie hier

Oiseaux Rebelles12 / 18 / 23 / 25 / 31 Oct / 1 / 9 / 13 Nov / 2 / 5 / 6 / 9 Dec 2025 Clara13 / 14 / 19 / 20 / 26 / 28 Dec 2025 / 11 / 12 / 17 / 19 / 24 Apr 2026 Countertime5 / 7 / 14 Sept 2025 Messa da Requiem20 / 22 / 28 Feb / 1 / 5 / 7 Mar / 6 Apr 2026 Romeo und Julia23 / 29 / 30 May / 4 / 6 / 7 / 10 / 12 / 14 / 23 / 26 Jun 2026 Nachtträume20 / 25 / 28 / 30 Jun / 4 Jul 2026 Next Generation1 / 2 / 3 / 4 Jul 2026 Timeframed17 / 18 / 22 / 25 / 30 Jan / 1 / 4 / 6 / 8 / 11 / 12 Feb 2026

Abstract

At the start of the 2023/24 season, British choreographer Cathy Marston will become the new director of the Ballett Zürich. Walkways is the title of her first premiere, in which movement from one point to another isn’t just a central choreographic theme, but which also marks the beginning of a new chapter in the company’s history.
The creative connection between dance, science, and technology has become one of the British choreographer Wayne McGregor’s trademarks. Infra, created in 2008 for the Royal Ballet in London, takes us into the pulsing life in a big city, pulling our focus to the encounters that take place beneath a hectically vibrating, seemingly anonymous surface. In expressive solos, duets, and ensemble works, the dancers move through the piece accompanied by the music of Max Richter. In doing so, they stand in vivid contrast to animated figures striding across an LED wall that spans the stage.
Human relationships, conflicts, and emotional worlds are at the heart of Cathy Marston's creations. Her ballet Snowblind, which premiered in San Francisco in 2018, is based on the novel Ethan Frome by American author Edith Wharton. There, the wintry, hermetic world of an American village is the setting for a hopeless love triangle between simple farmer Ethan, his hypochondriac wife Zeena, and her young cousin Mattie. In her gripping choreography, Cathy Marston tells of love, self-sacrifice, despair, and addiction. In his ballet music, Philip Feeney combines his own compositions with works by Amy Beach, Arthur Foote, and Arvo Pärt.
For the first time since 2011, Ballett Zürich will dance a piece by Jerome Robbins. Robbins was associated with the New York City Ballet for decades, and beyond that, caused a sensation with his work on Broadway. Robbins was one of the first choreographers to draw inspiration from American minimalist composer Philip Glass. He created Glass Pieces in 1983, a ballet driven by the energy of urban life. Fusing athleticism and elegance, classical ballet and modern dance, the huge ensemble of dancers reveals a vibrant architecture of bodies and movements.

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Fotogalerie «Walkways»



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Audio-Einführung zu «Walkways»

Program book