News from the Opernhaus Zürich


June 26, 2023

Piotr Beczała cancels the role of Calaf in «Turandot» due to illness

Zurich Opera House is sorry to announce that Piotr Beczała, who celebrated his role debut a few days ago with the part of Calaf in the new production of Puccini's «Turandot», has to cancel his engagement for the remaining performances on June 27 and 30 as well as on July 4 and 8, 2023, due to health reasons.

«Dear friends,
As you all know, I have been struggling with a severe viral infection for the last six weeks, which has affected my whole body and especially my whole nerve system very much. Although I am feeling a little better now, my body is still very weakened. In a conversation with my attending doctors, they strongly recommended that I take a real break, fully recover and regain my strength. You all know how seriously I take my commitments. Nothing is harder for me than to cancel. But not least in view of the many commitments I have this year and in the years to come, I have to put my health first now. Singing is high-performance sport and that only works if our bodies are really really healthy. That is why I have come to the difficult decision to follow the advice of my doctors and cancel the remaining performances of Turandot in Zurich. I am sure that I will soon be fully recovered and I am already looking forward to singing again for you, my dear audience.»

For the upcoming performance on Tuesday, June 27, Martin Muehle could be won at short notice for the demanding role. Martin Muehle last interpreted the role of Calaf in Barrie Kosky's new production of «Turandot» at the Dutch National Opera under the direction of Lorenzo Viotti and at the Teatro Real in Madrid.

The cast for subsequent performances will be announced at a later date.*

The Zurich Opera House and all participants of the «Turandot» production wish Piotr a speedy recovery.

*Update, June 28, 2023

Martin Muehle takes over the role of Calaf also in the «Turandot» performance of June 30; Teodor Ilincai covers the performances on July 4 and 8, 2023.


Our production of Prokofiev's opera Der Feurige Engel directed by Calixto Bieito, which was also shown at the Teatro Real in Madrid, has been awarded the Premios Talía as the best opera production of 2022. This prize, which is very prestigious in the Spanish opera landscape, is awarded by the Academia de las Artes Escénicas de España. We are delighted!


Press Release, 28 February 2023

Gianandrea Noseda named Best Conductor 2023

OPER! AWARD goes to the General Music Director of the Opernhaus Zürich

This year’s OPER! AWARDS ceremony took place yesterday, Monday, 27 February 2023, at a gala event held at the Theater Dortmund. During the ceremony, Gianandrea Noseda, General Music Director of the Opernhaus Zürich, was named «Best Conductor» in the international opera industry. His conducting of the first two parts of the new «Ring des Nibelungen», which he and Intendant Andreas Homoki have been forging together since April 2022, was a deciding factor in his selection.      

The jury noted:
«Noseda thrills audiences and critics alike with his fresh take on this monumental score. Wagner’s ´vaterländischer Belcanto´ isn’t just an aspiration, here it becomes luminous sound and outright sung narration. It’s long been known that Noseda has mastered Italian operatic repertoire. Likewise, he is also known for his knack for French and Russian opera. Now, at the Opernhaus Zürich, he’s proven himself to be a true Wagnerian».

The OPER! AWARDS are an international opera prize awarded annually to the best artists and performers both on stage and off. A jury of journalists and opera experts choose the winners in a total of 20 categories.

In 2019, the Opernhaus Zürich was named «Best Opera House» in the international opera industry.

For more information, please visit


January 31st 2023

Last Friday the competition «Tenor Viñas» took place at the Gran Teatre del Liceu in Barcelona. We warmly congratulate Yewon Han for 1st place, Ann-Kathrin Niemczyk for 3rd place and Freya Apffelstaedt for qualifying for the final of the competition! All three singers are up-and-coming artists from the International Opera Studio of the Zurich Opera House.

The competition, founded in 1963 by Jacint Vilardell in memory of the Catalan tenor Francisco Viñas, has developed into one of the most important competitions in the world of opera, oratorio and song, in which young singers from all over the world participate every year.


14 December 2022

Normal Is Something Else

Financial Report for the 2021/22 Season

For the third time in a row, the season was marked by the effects of the Corona pandemic. Once again, the Opernhaus had to face enormous challenges. The first part of the season brought the continuation of certification and mandatory masking, which officially ended on February 16, 2022. The Opernhaus extended optional masking through March 31, 2022 and returned to «normal operations» on April 1, 2022. Nevertheless, it has not been a «normal» season. The entire house was under great strain. Countless casting changes were necessary, and substitutes or still-healthy colleagues filled in for illness-caused absences. As a result of these joint efforts, not a single performance was cancelled.

While only 72 performances were allowed to take place on the main stage in the previous season, in the 2021/22 season all 248 planned performances were seen by a total of 202,518 visitors. The overall audience capacity was 83.3%. The opera division saw an audience capacity of 81.6% and the Ballett Zürich reached 93.6%. The total revenue from performances was CHF 21.296 million.

The most successful opera production was Wagner’s «Rheingold» in the interpretation of Intendant Andreas Homoki, with an audience capacity of 95.9% for nine performances. It was followed by Verdi’s «Il trovatore», the inaugural production by new General Music Director Gianandrea Noseda, with 94.8% for nine performances. The eight performances of the ballet «Dornröschen» by Christian Spuck reached 98.5%. Although this is not yet a return to a pre-pandemic state, we consider ourselves very fortunate that audiences and sponsors, patrons and friends continue to place a great amount of trust in the Opernhaus Zürich. In sponsoring, this trust was reflected at a record level: with a total of CHF 10.727 million, CHF 300,000 more revenue was generated than in the previous year.

The «pandemic» provision established in the previous season, in the amount of CHF 5.93 Mio., was used as planned in the 2021/22 season and was fully utilized. Although the Opernhaus is on a steady course, the effects of the Corona pandemic will likely still be felt in the 2022/23 season. To mitigate this, a new provision of CHF 2.49 million was established. As a result, a loss of CHF 357,588 will be posted for the 2021/22 financial year.

Chairman of the board Markus Notter:
«The 2021/22 season was a major effort, one that was rewarded in the end. We are especially proud of a feat that very few operatic stages managed to pull off: the realization of a season program without cancelling a single performance. In addition, the Opernhaus further increased its high productivity by making up for productions and events from previous seasons that were cancelled due to the Corona pandemic. The open air event «Oper für alle» took place twice in the 2021/22 season, once at the beginning of the season with «Salome» – still under Corona restrictions – and again at the end, with a performance of the ballet «Dornröschen» attended by 12,000 individuals. Two particularly important artistic milestones for Opernhaus Zürich were the successful inauguration of Gianandrea Noseda as new General Music Director and the birth of a new Zurich «Ring des Nibelungen». This is a major project for any opera house, one that ties up all its resources and requires maximum effort.
In addition, we can be delighted about several awards. Our commissioned composition «Girl with a Pearl Earring» was named «World Premiere of the Year 2022» by the Opernwelt magazine. Furthermore, the Ballett Zürich was named «Highlight of the Year» by tanz magazine, and «Company of the Year» by Dance Europe, which also named Christian Spuck «Director of the Year».
All this would have been impossible without the tireless efforts of the staff and the constant support of audiences, sponsors and patrons of the house».


The results for the 2021/22 season can be summarized as follows:

  2021/22 2020/21
Public sector contributions  85.908 85.428
Ticket sales revenue  21.296 2.444
Donations and sponsors      10.727  10.355
Other business earnings 8.955 5.493
Personnel expenses   103.303 80.553
Other business expenses  23.844  23.449
Year-end results  - 358 - 430

(All figures in 1,000 CHF)


26 October 2022

The Opernhaus Zürich AG has extended Gianandrea Noseda’s contract for an additional three years at the request of Matthias Schulz, who is set to take over as Intendant and Artistic Director with the 2025/26 season. Noseda’s contract will now be extended until the 2027/28 season, and he will join Matthias Schulz’ artistic team with the start of the 2025/26 season.

Gianandrea Noseda assumed the role of General Music Director at the Opernhaus Zürich with the commencement of the 2021/22 season. He celebrated a brilliant start at the helm of the Philharmonia Zürich with Verdi’s «Il trovatore» and thrilled audiences, critics, and musical colleagues alike with his interpretations of Richard Wagner’s «Rheingold» and «Walküre». Alongside his work at the Opernhaus Zürich, Noseda is Music Director of the National Symphony Orchestra (Washington, D. C.) and Principal Guest Conductor of the London Symphony Orchestra. In 2019 he became the founding Music Director of the Tsinandali Festival and Pan-Caucasian Youth Orchestra in Tsinandali, Georgia. He has regular guest engagements with the world’s most important orchestras, as well as with major opera houses and festivals. Noseda holds the honor of Commendatore al Merito della Repubblica Italiana. He was named Musical America’s Conductor of the Year in 2015, an accolade he also won at the 2016 International Opera Awards.

Matthias Schulz, Intendant and Artistic Director of the Opernhaus Zürich starting in 2025/26
«Gianandrea Noseda is one of the most distinguished conductors of our time, equally at home at the opera as he is in concert. He has succeeded in leaving a formative artistic impression within the space of just a few months of his first term as Music Director of the Opernhaus Zürich. He enjoys a high level of acceptance and recognition with Opernhaus staff, audiences, and the media. His winning personality and high level of professionalism have enabled him to establish a close relationship with all artistic ensembles. I am very much looking forward to continuing this successful work and to developing new programming with him».

Gianandrea Noseda, General Music Director Opernhaus Zürich
«Since the beginning of my tenure as General Music Director in 2021 my impression of the Zurich Opera House as one of the world’s greatest opera houses has only grown. The artists of the Zurich Opera House – from the Philharmonia Zurich to the chorus, the singers to the ballet dancers, and many others – form one of the elite opera houses in the world. I love the way this opera house functions: the seriousness and quality with which work is performed, as well as its openness and productivity.
I am very excited about extending my relationship with the Zurich Opera House for another three seasons in 2025 in partnership with Matthias Schulz. It will give us all an opportunity to deepen and expand what has already been achieved. I am also looking forward to continuing to lead the incredibly versatile Philharmonia Zurich both in the orchestra pit and on the concert stage.»


11 October 2022

In this year's critics' survey, «Dance Europe» concluded that Ballett Zürich is «Company of the Year». Ballet Director Christian Spuck received the «Director of the Year» award, the productions Monteverdi and Angels' Atlas were named «Premiere of the Year» and our dancers Michelle Willems, William Moore and Giulia Tonelli were named «Outstanding Performances».


30 September 2022

Zurich Opera House is delighted to have received the «Uraufführung des Jahres» (World Premiere of the Year) award for the commissioned composition «Girl with a Pearl Earring». The music theatre work was commissioned from the Swiss composer Stefan Wirth (*1975), who is one of the great talents of the younger generation and thus wrote his first opera ever. The novel of the same name by the US best-selling author Tracy Chevalier served as the literary model. The painting icon Jan Vermeer was Thomas Hampson. The young American Lauren Snouffer sang Griet, the Girl with the Pearl Earring. Ted Huffman directed the production. Peter Rundel, conductor of the Philharmonia Zurich, launched the work.

«Opera, the impossible work of art, lives - because of the new works it brings to the stage, like Girl with a Pearl Earring.» (Opernwelt 2022 Yearbook) The renowned specialist magazine «Opernwelt» publishes its Opera Yearbook once a year. In an extensive survey, more than 40 critics name their highlights of the past opera season.

Andreas Homoki (Artistic Director Zurich Opera House):
«We are particularly pleased to receive the award for «World Premiere of the Year», as with «Girl with a Pearl Earring» we have been able to prove that an advanced musical language is capable of reaching a large audience and does not belong on the fringes of the repertoire. Stefan Wirth belongs to a young generation of composers who have recommitted themselves to storytelling, beautiful voices, sensual music and large orchestras, while at the same time being experts in contemporary music. The production, which has been extremely successful with audiences and the press, is a combination of this musical language, an attractive and well-known material, a director who has dedicated himself to the composition with his pictorial and sensual style, and a top-class ensemble».


29 March 2022

Matthias Schulz, the designated Intendant of the Opernhaus Zürich, has secured two key appointments for the house’s artistic direction of the house in preparation for his directorship beginning in the 2025/26 season.

At the request of Matthias Schulz, who is currently director of the Staatsoper Unter den Linden Berlin, the Opernhaus Zürich AG has extended the contracts of the designated ballet director Cathy Marston, and the current opera director Annette Weber, who has been in office since August 2021, beyond 2025. British-born Cathy Marston will succeed Christian Spuck at Ballett Zürich for the 2023/24 season.

Matthias Schulz (Intendant of the Opernhaus Zürich starting in 2025/26): «I have a very strong artistic connection with Cathy Marston and Annette Weber from the very start, and we were quickly able to develop a common understanding. It is of tremendous value to me that we can think together about the new direction and development of the ballet company and the opera ensemble. Cathy Marston and Annette Weber are both insightful, curious and creative personalities, and they will guarantee both a smooth transition phase and a new artistic beginning».

Cathy Marston (Ballet Director and Principal Choreographer Ballett Zürich starting in 2023/24): «I’m thrilled at the prospect of directing the Ballett Zürich over a substantial period of time, collaborating with both Andreas Homoki, in his final two seasons, and Matthias Schulz, as a new chapter begins at the Opernhaus Zürich. I look forward to leading this wonderful ballet company into a new artistic era, building relationships with the exceptional team on stage and behind the scenes, as well as both existing and potential dance-lovers in Zurich and beyond.».

Annette Weber (Opera Director since August 2021): «The Opernhaus Zürich has grown very close to my heart over the past six months. I am so pleased that I’ll be able to continue my work here under the artistic directorship of Matthias Schulz. We are already working together on planning future programs. Works from the 20th century and Baroque operas are just as dear to his heart as they are to mine».


January 7th 2022

Riccardo Minasi has been appointed as first Artistic Director of the Orchestra La Scintilla. The Italian violinist and conductor has enjoyed a close working relationship with the historical performance practice ensemble since 2015. Together they’ve performed Mozart’s «Don Giovanni» and «Die Entführung aus dem Serail» at the Opernhaus Zürich, presented a multitude of concert programs, and recorded the «Mozart» album with Juan Diego Flórez, as well as a CD with Vivaldi’s and Verdi’s «Four Seasons». Minasi will appear again with the ensemble for the «Monteverdi» ballet production beginning 15 January. This season also sees him musically direct the revival of «Il turco in Italia», as well as the two «A night at the opera-pit» concerts, and «Johann Christian Bach».

«I am so pleased that we have engaged Riccardo Minasi, one of the most distinguished conductors and experts in historically informed performance practice, as Artistic Director of the Orchestra La Scintilla. With this appointment, the Opernhaus Zürich continues a tradition founded by Nikolaus Harnoncourt, from which La Scintilla emerged more than 20 years ago – the only historically informed performance practice orchestra in the world whose members are also part of a permanent opera orchestra. The Opernhaus sees this newly created position of Artistic Director of this exceptional ensemble as a visible sign of its sustained commitment to a lively engagement with historical performance practice. »
Andreas Homoki (Intendant of the Opernhaus Zürich)

«I am extremely happy to welcome Riccardo Minasi to the Opernhaus family as Artistic Director of La Scintilla. I am sure that his knowledge, enthusiasm, and inspiration, along with his fruitful relationship with La Scintilla, will bring extra excitement to Zurich. »
Gianandrea Noseda (General Music Director)

«I think that no other institution has been more meaningful to me over the years than Opernhaus Zürich. Thanks to the support and trust of the whole house, I have had some of the most important experiences of my musical life here. Working together on a regular basis with La Scintilla – an ensemble with an exemplary tradition maintained vividly for so many years thanks to the enthusiasm of its artists – is a great honor, and I’m extremely thankful to all the musicians and the administration of the orchestra for their support. I can’t wait to begin! »
Riccardo Minasi (Artistic Director of the Orchestra La Scintilla) on his appointment

Born in Rome, Minasi has quickly earned a reputation as on one of the most exciting talents to emerge on the European scene in recent years. Minasi’s performances are characterized by a deep understanding of musicology. He is the Chief Conductor of the Mozarteumorchester in Salzburg and Artist in Residence with the Ensembles Resonanz at the Elbphilharmonie in Hamburg. In recent years, he has led numerous orchestras and ensembles, including the London Chamber Orchestra, the Concerto Köln, the NDR Radiophilharmonie Hannover, the Academy of Ancient Music, the Konzerthausorchester Berlin, the Tokyo Metropolitan Orchestra, the Orchestre National de Lyon, the Orchestre de Chambre de Lausanne, the Basler Kammerorchester, the Philharmonische Staatsorchester Hamburg, the Los Angeles Chamber Orchestra, and many others. His most recent operatic engagements have led him to houses such as the Salzburg Festival, the Hamburger Staatsoper, the Opéra National de Lyon, the Theater an der Wien as well as the Dutch National Opera. Riccardo Minasi has made recordings with Joyce DiDonato, Ann Hallenberg, and Philippe Jaroussky.

He has appeared as a soloist and concert master with the Orchestra dell’Accademia Nazionale di Santa Cecilia, the Accademia Bizantina, Il Giardino Armonico, Le Concert des Nations, Al Ayre Español, the Orquesta Barroca de Sevilla, and the Orquesta Sinfónica de Madrid. In addition, he has worked together with musicians such as Veronika Eberle, Bryn Terfel, Franco Fagioli, Jean-Guihen Queyras, Viktoria Mullova, Reinhard Goebel, Luca Pianca, Christophe Coin, and Albrecht Mayer.


6 December 2022

Matthias Schulz was introduced as the new artistic director of Opernhaus Zürich at a press conference today by Markus Notter, President of the Board of Directors of Opernhaus Zürich AG. The 44-year-old succeeds Andreas Homoki, who has led the house since 2012 and will step down from the post at his own request in 2025. Matthias Schulz, current artistic director of Berlin's Staatsoper Unter den Linden, will take up his post in Zurich at the start of the 2025/26 season on 1 August 2025. In the spirit of continuity, the Bavarian-born director will be available for an organic handover and induction from 1 August 2024.

NEW BALLET DIRECTOR FROM 2023/24 / 15. June 2021

15. June 2021

Renowned choreographer Cathy Marston will take over as new Ballet Director and Chief Choreographer of the Ballett Zürich. For an initial period of two years, this British-born, Swiss-bred artist will succeed Christian Spuck for the 2023/24 season, after he takes over artistic directorship of the Staatsballett Berlin. Spuck has successfully led the Ballett Zürich since 2012, and his switch to Berlin with the 2023/24 season will see him leading Germany’s largest independent ballet company.

Cathy Marston received her dance training in Cambridge and at the Royal Ballet School in London. From 1994-1999 she danced with the Ballett Zürich, the Ballett des Luzerner Theaters, and the Konzert Theater Bern. She was an Associate Artist of the Royal Opera House in London from 2002-2006 and Ballet Director at the Konzert Theater Bern from 2007-2013. While at the latter, she created countless world premieres as principal choreographer, and led the ballet from the brink of closure to a flourishing period of ensemble work. Marston has been active as a successful and sought-after freelance choreographer for years, appearing as a guest at numerous companies and institutions the world over. She has created works for the Royal Ballet, the Royal Danish Ballett, the English National Ballet, the Finnish National Ballet, the Ballet Black, Danza Contemporánea de Cuba, as well as for Opera Australia and the Hong Kong Academy of Performing Arts. In recent years, she’s appeared more often in the United States, appearing with the San Francisco Ballet, the American Ballet Theatre, and the Joffrey Ballet in Chicago. Engagements closer to home have seen her works take the stage at the Oper Graz, as well as with the ballet companies in Basel, St. Gallen and at the Musiktheater im Revier.

Cathy Marston offers new perspectives to existing narratives, engaging with historical personalities in ways both unusual and original, finding unexpected common ground in the process. She has won several awards for her choreographic work, including a South Bank Sky Arts Award and the British National Dance Award. She was awarded with the Excellence in International Dance prize in 2020 from the «International Institute for Dance and Theatre».

Cathy Marston (Ballet Director and Chief Choreographer designate): «I am thrilled to take forward the direction of Zurich Ballet, building on the wonderful work of my colleague, Christian Spuck. Under his direction Zurich Ballett has welcomed many of the definitive choreographic voices of our time and been a hothouse of creation. I look forward to expanding this portfolio even further through my own choreography and curation, collaborating with the company‘s versatile and beautiful dancers as well as the brilliant production team, and bringing the era of Andreas Homoki at Zurich Opernhaus to an inspiring conclusion».


15. June 2021

The Board of Directors has created a six-member search committee to find a new artistic director for the Opernhaus Zürich, whose tenure will begin with the 2025/26 season. The successor to Andreas Homoki – who has decided to bring his tenure to a close in 2025, after 13 years – is set to be presented by the end of this year. The committee will target qualified candidates with international reputations for the leadership of Switzerland’s largest cultural institution.
Leading the committee is Markus Notter, President of the Board of Directors of the Opernhaus AG. The other members of the committee include Jacqueline Fehr, president of the Cantonal Government, Madeline Herzog, Director of the Department of Culture, and Peter Wuffli, Vice-President of the Board of Directors. In Laura Berman, director of the Hanover State Opera, and Nora Schmid, director of the Opera Graz as well as designated director of the Saxon State Opera Dresden, two experienced and distinguished experts in music theatre have been gained. The committee is rounded out by Christian Berner, the current Commercial Director of the Opernhaus.


15. June 2021

Christian Berner will join the Board of Directors of Opernhaus AG with the start of the 2023/24 season. As Delegate of the Board of Directors, he will continue to take on operational assignments. Berner has been employed at the Opernhaus since 2008 and was initially charged with undertaking the preparation and introduction of Homoki’s artistic directorship. He has led the house as Commercial Director since 2013 and served as Deputy Artistic Director alongside Andreas Homoki. Christian Berner’s move to the Board of Directors will guarantee continuity in the management of the house extending beyond the change in artistic direction.

He will be succeeded by the current Deputy Commercial Director, Marc Meyer, starting with the 2023/24 season. Meyer (44) has held his position since 2016. He completed his studies in dance in Zurich and Antwerp and had numerous engagements before studying law at the Universität Zürich and passing the bar exam. After working in the legal and business sectors, Meyer joined the Opernhaus Zürich in 2009 as a legal advisor. After an additional two-year program, he obtained the title of «Executive Master in Business Administration» from the Hochschule St. Gallen and was named Deputy Commercial Director of the Opernhaus Zürich in 2016. Marc Meyer also presided over the professional association Danse Suisse from 2016 to 2021.

Markus Notter, Chairman of the Board of Directors of the Opernhaus AG: «A change in artistic direction is an enormous challenge for any house. Christian Berner’s appointment as Delegate to the Board of Directors will provide excellent support for the preparation and implementation of this period of transition. The appointment of Marc Meyer as Commercial Director is an efficient further development. In this way, the board of directors guarantees a reliable and continuous management structure. I am pleased that we have won Cathy Marston, an internationally renowned and respected choreographer, as Ballet Director. We thank Christian Spuck from the bottom of our hearts for the decisive role he has played during Homoki’s tenure at the Opernhaus».